Ernestine Schumann-Heink Vidéos
artiste lyrique
- mezzo-soprano
- opéra
- empire d'Autriche, États-Unis
Dernière mise à jour
2024-06-25
Actualiser
Edward Joseph Collins Holder Marin Alsop Rudolph Ganz Max Bruch Engelbert Humperdinck Ernestine Schumann Heink Schumann Bayreuth Mayer Sheridan Century Opera Company Bayreuth Festival 1834 1886 1906 1912 1919 1951
Is is my express wish that any and all monetary compensation that may be my due from this video be instead directed towards all holders of copyright. Should a change in copyright holder or status necessitate its removal, I ask only for immediate notification prior to the filing of a claim with YouTube, and I will not hesitate to delete it as soon as possible. Edward Joseph Collins +••.••(...)) Symphony in B minor 'Nos habebit humus' (The earth will have us) I. Allegro molto moderato 0:00 II. Allegretto soave 13:35 III. Elegy: Andante lugubre 18:34 IV. Allegro 25:07 Royal Scotish National Orchestra Marin Alsop, conductor Edward Joseph Collins (1886 – 1951) was an American pianist, conductor and composer of classical music in a neoromantic style. Collins was born in Joliet, Illinois, into an Irish family – his father was from County Meath and his mother from Belfast. From age 14, he studied with Rudolph Ganz in Chicago, and in 1906 went with Ganz to Berlin, where he studied performance and composition at the Berlin Hochschule für Musik under Max Bruch and Engelbert Humperdinck. Upon graduation, he had a successful concert piano debut in Berlin. He returned to the United States in 1912 and toured with the contralto Ernestine Schumann-Heink. He was an assistant conductor with the Century Opera Company in New York City and with the Bayreuth Festival in Germany. During World War I, Collins served in the U.S. Army (88th Division of the Intelligence Unit in France) as an interpreter and entertained the troops as pianist. From Private he rose up to the rank of Lieutenant during the war. After the war he returned to Chicago and joined 1919 the faculty of Chicago Musical College as one of the principal piano teachers. Collins married a voice student, Frieda Mayer, whose father, Oscar, owned a meatpacking company and was well to do. Collins and his wife had four children namely Dorothy Louise, Marianna Louise, Louise Joan and Edward Joseph junior. Having married into a family of wealth, they lived in the Mayer residence on Sheridan Road in Chicago. He later joined the faculty of the American Conservatory of Music. He died in Chicago, Illinois in 1951.
Schubert David Scull Bispham Francesco Lamperti Lamperti Bayreuth Longueville André Messager Jean Reszke Emma Albani Jean Lassalle Gustav Mahler Ignace Paderewski Ethel Smyth Lillian Nordica Olive Fremstad Ernestine Schumann Heink Schumann Clara Butt Hans Richter Arthur Nikisch Felix Mottl Anton Seidl Walter Damrosch Macmillan Metropolitan Opera Covent Garden 1891 1892 1896 1903 1912 1920
Schubert: “Der Wanderer” by David Bispham 1912 This record is proof that older Columbia 78 rpm records sound really great when they are in near mint condition. For a 1912 acoustic recording the voice sounds very realistic and clear on this record. And, Bispham signed the wax master of the 12 inch record which shows clearly on the runout area of the pressed record. This was a somewhat common thing for classical artists on the Columbia label. David Bisphan was an American operatic baritone born in the mid-19th century. He studied in Italy and then sang extensively in England and the USA as well as across Europe. An incredible voice not all that well known these days. He sang at the Metropolitan opera, mostly in Wagner roles, from 1896 to 1903. After 1903 he sang few opera roles. Instead he performed in recitals and sang and recorded art song and lieder. “David Scull Bispham studied singing in Florence with Luigi Vannuccini and in Milan with Francesco Lamperti. He also studied in Bayreuth. In 1891 he was selected from among fifty applicants to perform the rôle of the Duc de Longueville in a London performance of André Messager's LA BASOCHE, marking his first professional appearance on any stage. He was engaged by the Royal Opera at Covent Garden to sing the part of Beckmesser in DIE MEISTERSINGER VON NÜRNBERG in June 1892. This production was also to feature Jean de Reszke, Emma Albani, and Jean Lassalle in the other leading rôles. De Reszke fell ill during rehearsals, and the production had to be cancelled. On the day of the cancellation, however, Bispham was asked to substitute on the following day as Kurwenal in TRISTAN UND ISOLDE, under Gustav Mahler. This was Bispham's first Wagnerian rôle. His success there brought him a contract for Covent Garden, where he appeared, primarily in Wagnerian rôles, for all but two of the next ten seasons. Bispham made his American début, once again in Wagner, at the Metropolitan Opera on18 November, 1896, as Beckmesser. He remained with the company until 1903, singing mainly Wagnerian rôles; he also appeared in the American premières of Ignace Paderewski's MANRU and Ethel Smyth's DER WALD. He was a close personal friend of American soprano Lillian Nordica, with whom he travelled to Australia on her last tour before her death. He was also a frequent professional colleague of both De Reszke brothers (Jean and Edouard), Olive Fremstad, Ernestine Schumann-Heink and Dame Clara Butt, among singers, and Hans Richter, Arthur Nikisch, Felix Mottl, Anton Seidl and Walter Damrosch, among conductors. Bispham wrote a memoir of his professional career called A QUAKER SINGER'S RECOLLECTIONS, published by Macmillan in January 1920.” - Zillah Dorset Akron DAHR Link: (http•••) Wikipedia Link: (http•••)
Lillian Nordica Ernestine Schumann Heink Schumann Georg Anthes Richard Wagner 1901 1903 2011
Provided to YouTube by NAXOS of America Tristan und Isolde: Act II: Duet: Wie sie fassen, wie sie lassen, Part I · Lillian Nordica The Grau Regime at the Metropolitan +••.••(...)) ℗ 2011 Symposium Released on: 2011-07-05 Artist: Lillian Nordica Artist: Ernestine Schumann-Heink Artist: Georg Anthes Conductor: Alfred Hertz Orchestra: Studio orchestra Composer: Richard Wagner Auto-generated by YouTube.
Lillian Nordica Ernestine Schumann Heink Schumann Georg Anthes Richard Wagner 1901 1903 2011
Provided to YouTube by NAXOS of America Tristan und Isolde: Act II: Duet: Wie sie fassen, wie sie lassen, Part II · Lillian Nordica The Grau Regime at the Metropolitan +••.••(...)) ℗ 2011 Symposium Released on: 2011-07-05 Artist: Lillian Nordica Artist: Ernestine Schumann-Heink Artist: Georg Anthes Conductor: Alfred Hertz Orchestra: Studio orchestra Composer: Richard Wagner Auto-generated by YouTube.
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