Thomas Linley le Jeune Vidéos
compositeur et violoniste, fils de Thomas Linley
- violon
- musique classique
- royaume de Grande-Bretagne
- compositeur ou compositrice, violoniste
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2024-06-29
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Mirijam Contzen Reinhard Goebel Thomas Linley 2010
Provided to YouTube by NAXOS of America Violin Concerto in F Major: I. Moderato · Mirijam Contzen · Bayerische Kammerphilharmonie · Reinhard Goebel Mozart in Italien ℗ 2010 Oehms Classics Released on: 2010-10-26 Artist: Mirijam Contzen Orchestra: Bayerische Kammerphilharmonie Conductor: Reinhard Goebel Composer: Thomas Linley Auto-generated by YouTube.
Mirijam Contzen Reinhard Goebel Thomas Linley 2010
Provided to YouTube by NAXOS of America Violin Concerto in F Major: II. Adagio · Mirijam Contzen · Bayerische Kammerphilharmonie · Reinhard Goebel Mozart in Italien ℗ 2010 Oehms Classics Released on: 2010-10-26 Artist: Mirijam Contzen Orchestra: Bayerische Kammerphilharmonie Conductor: Reinhard Goebel Composer: Thomas Linley Auto-generated by YouTube.
Pietro Domenico Paradisi Nicola Porpora Gertrud Elisabeth Mara Thomas Linley Thomas Linley Elder Domenico Scarlatti 1707 1746 1750 1754 1770 1791
Pietro Domenico Paradisi (also Pietro Domenico Paradies) (1707 – 25 August 1791) was an Italian composer, harpsichordist and harpsichord teacher, most prominently known for a composition popularly entitled "Toccata in A", which is, in other sources, the second movement of his Sonata No. 6. It was used by RAI television Paradisi was born in Naples. Probably a student of Nicola Porpora, he dedicated himself at first to composing for the theater. In 1746 he moved to London, where he became known as a teacher of harpsichord and singing; among his students was Gertrud Elisabeth Mara, probably around 1750 and possibly Thomas Linley the elder. In 1770 he returned to Italy. He died in Venice. His reputation is due to his music for the harpsichord, esteemed by music historians. His musical style was influenced by Alessandro and Domenico Scarlatti. Especially celebrated above all were his twelve sonatas for clavicembalo (London, 1754). The Toccata in A that is still played often today is an Allegro movement from his sonata VI in A major, which has established for itself a considerable discography, although there has been a revival of more of his music recently, at least regarding the keyboard sonatas. He was also the author of concertos for organ and for harpsichord, individual pieces for harpsichord, arias and cantatas. Available for music lesson, contact info at •••@••• Recorded by Fede Mix by Ben Frassinelli Video by Ben Frassinelli www.notriousfunk.com www.benfrassinelli.com #Paradisi #Paradies #ToccataLaMaggiore subscribe: (http•••)
Georg Friedrich Haendel Sir Thomas Beecham Linley Squire Sheridan Rondeau Royal Philharmonic Orchestra 1307 1445 1658 1685 1759 1951 2020
Georg Friedrich Händel +••.••(...)) Orchestral Works : Arr. Beecham. *Click to activate the English subtitles for the presentation* (00:00-03:03) LOVE IN BATH The movements of the ballet, and the action as described in the score, are as follows: 1.The Pump Room. (00:00) The scene is a large hall, one of the pump rooms in the baths, and various persons are taking the waters or walking about. In the centre of the background and covering nearly one half of it are tall, wide curtains screening what is afterwards disclosed to be an egress into the gardens behind. It is a bright morning in summer. 2.Beau Nash. (02:32) The Master of Ceremonies, Beau Nash, enters and salutes the water-drinkers. He announces a fête and concert for the evening at which the beautiful Miss Linley will sing. Beau Nash is a handsome, genial person, slightly pompous and in his early 40s. 3.The Linleys. (04:19) Enter Squire Squaretoes followed by Mr and Miss Linley. The squire is a bucolic and awkward type, obviously purse-proud and vain. Mr Linley is amiable, fussy and self-important. Miss Linley is about 18 and modest in appearance. It is clear that she does not welcome the attentions of the squire, although these are supported by her father. 4.Hunting Dance. (06:13) Sheridan enters in hunting costume: he and his four friends, who are equipped with hunting horns and riding whips, perform a lively dance. 5.Love Scene. (07:42) Sheridan observes Miss Linley and is presented to her by Beau Nash. He instantly becomes enamoured of her and she is equally attracted to him. The squire and Mr Linley have retired to the background, where they take the waters and converse with friends. Sheridan declares his love, but,Miss Linley indicates the obstacles in the way. 6.The Quarrel. (10:28) The attention of the squire and Mr Linley is now drawn to the tender passages between the young couple and they display marked dissatisfaction. Miss Linley endeavours to conciliate her father, but without effect, and she is hurried by him from the hall, the squire following. 7.The Pump Room. (11:54) The water-drinkers leave the hall by the exits at the two sides of the scene (music same as No.1). 8.The Plot. (13:07) Sheridan implores the advice and aid of Beau Nash, who at first refuses to have anything to do with the affair. Gradually he is won over to a plan whereby Sheridan can run off with Miss Linley, provided she consents. Beau Nash, Sheridan and his four friends leave together. 9.The Weary Flunkeys. (14:45) Three tall flunkeys enter the empty stage and draw aside the tall curtains in the background to expose to view a spacious garden flanked by an elegant building behind it. The flunkeys are worldweary creatures who move with the greatest deliberation, perform their task with extreme reluctance and yawn frequently. 10.The Exquisites (Madrigal). (16:58) There enter from the garden eight persons clad in the most fashionable clothes of the period. These are the exquisites, who perform a slow and stately dance. There are four men and four women and they make their appearance in couples. Finally they go out. 11.Second Love Scene. (21:27) Enter Miss Linley and Sheridan, the former from the garden and the latter by one of the pump room entrances. Miss Linley is agitated and apprehensive. Sheridan does his best to reassure her, discloses his plan for their elopement and obtains her approval of it. They go off in opposite directions. By this time the light has changed so as to present the appearance of late afternoon. 12.March. (24:18) A procession of the whole company led by Beau Nash enters the stage from the garden. 13.Sarabande. (25:28) This is the first of a set of formal ballet movements. 14.Minuet. (27:28) A solo dance for Miss Linley. 15.Hornpipe. (31:28) The first measure is danced by a group of naval officers, the second by a midshipman, the third by the principal officer, the fourth by a group of girls, the fifth by girls and men. 16.Rondeau. (32:50) 17.Gigue. (34:46) A general ensemble. 18.March. (37:50) The whole company retires as it made its appearance (music same as No.12). 19.Interlude. (39:01) The stage is empty. Light gradually fades, leaving the foreground in semi-darkness. Lights are seen in the windows of the building in the far background. The evening entertainment is beginning. 20.Serenade. (41:12) *COMPLETE PLAYLIST : LOOK THE FIRST COMMENT.* Royal Philharmonic Orchestra Sir Thomas Beecham Recorded in 1951-59 New Mastering in 2020 by AB for CMRR Find CMRR's recordings on Spotify: (http•••) Georg Friedrich Haendel PLAYLIST (reference recordings) : (http•••)
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