Francesco Manelli Vidéos
compositeur italien
Commémorations 2024 (Naissance: Francesco Manelli)
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- opéra, musique classique
- Italie
- compositeur ou compositrice, artiste lyrique
Dernière mise à jour
2024-06-15
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Francesco Manelli Cox Rizzoli 2018
Agnes Coakley Cox, soprano Camila Parias, soprano Nathaniel Cox, theorbo On March 9, 2018 at MIT's Killian Hall, Music of Reality presented "Floods and Tears", an interdisciplinary concert in collaboration with Paola Rizzoli, Professor of Physical Oceanography at MIT, about the "Venice problem", rising seas, and climate change. www.musicofreality.com Videography: Scott Quade
Benedetto Ferrari Francesco Manelli Miro Monteverdi 1597 1603 1617 1619 1623 1633 1637 1638 1640 1641 1651 1653 1662 1674 1681
Marta Almajano, soprano (http•••) / Benedetto Ferrari (c. 1603? / 1681) was an Italian composer, particularly of opera, librettist and theorbo player. Ferrari was born in Reggio nell'Emilia. He worked in Rome +••.••(...)), Parma +••.••(...)), and possibly in Modena at some time between 1623 and 1637. He created music and libretti in Venice and Bologna, 1637-44. Ferrari's Andromeda, with music by Francesco Manelli, was the first Venetian opera performed in a public theatre (in 1637). Subsequently he provided both the text and the music for two operas, both presented in Venice: La maga fulminata (1638) and Il pastor regio (1640). The 1641 Bolognese staging of the latter included, as its final duet, the text "Pur ti miro, pur ti godo," which was later reused, possibly with Ferrari's music, for the final duet in the surviving manuscripts of Monteverdi's L'Incoronazione di Poppea. Ferrari went to Vienna in 1651, seving the emperor Ferdinand III. Upon returning to Modena in 1653 he was appointed court choirmaster. His post was eliminated in 1662 but reinstated in 1674, after which he served until his death at Modena. Many sources recount his virtuosity as a theorbo player. None of his operatic music survives. Extant works include libretti, an oratorio, and three books of monodies under the title Musiche varie a voce sola (Venice 1633, 1637, 1641). Though the last were composed within a relatively short time span, they reflect the changing style of accompanied monody, from the emergence of recitar cantando (midway between song and speech) to the vocal style that is typical of mid-17th-century opera, with a more distinctive melody and a clearer rhythm. [(http•••)
Francesco Mannelli Angelo Roma
10° Festival Moreschi, in coro per l'Angelo di Roma Esibizione del Coro "Francesco Mannelli" di Tivoli Molfino - O Sacrum Convivium
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