Albert de Runs Vidéos
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2024-04-27
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Otto Brieger +••.••(...)): Auf meinen lieben Gott Otto Brieger wurde 1835 in Hermsdorf am Kynast (heute Sobieszów), einem Stadtteil von Jelenia Góra (früher Hirschberg im Riesengebirge) in der heutigen polnischen Woiwodschaft Niederschlesien geboren. Der Ort liegt im schlesischen Teil des Riesengebirges. Er wirkte ab 1865 als Lehrer und Organist in Schwiebus (heute Świebodzin in der Woiwodschaft Lebus) und starb dort 1904. Aus seinem Schaffen sind zahlreiche Choralvorspiele erhalten, die in verschiedenen Vorspiel-Sammlungen jener Zeit zu finden sind. Allgemein wurde in jener Zeit "der einfache Aufbau, die gute Charakterisierung nach Wort und Melodie der Choräle sowie die kirchliche, würdevolle Gestaltung" gelobt. August Scheide schrieb 1923 über Briegers Werke: "Was uns bei Brieger anmutet, das ist das Verbundensein des Schaffens mit dem bewährten Alten; was uns fesselt, ist das sich durch die Kompositionen hindurchziehende moderne Empfindung." Organist: Thorsten Pirkl Otto Brieger was born in 1835 in Hermsdorf am Kynast (today Sobieszów), a district of Jelenia Góra (formerly Hirschberg in the Giant Mountains) in what is now the Polish Voivodeship of Lower Silesia. The place is located in the Silesian part of the Giant Mountains. From 1865 he worked as a teacher and organist in Schwiebus (today Świebodzin in the Lebus Voivodeship) and died there in 1904. Numerous chorale preludes from his work have survived, which can be found in various collections of preludes at the time. At that time, "the simple structure, the good characterization according to word and melody of the chorales as well as the ecclesiastical, dignified design" were generally praised. August Scheide wrote in 1923 about Brieger's works: "What strikes us with Brieger is the connection between creativity and the tried and tested old age; what captivates us is the modern feeling that runs through the compositions."
Christy Schmidt Peters Schmid Kunz Persson
We talk a lot about Keynesian economics on this show, pretty much because the real world currently runs on Keynesian principles. That said, there are some other economic ideas out there, and today we're going to talk about a few of them. So, if you've been aching to hear about socialism, communism, the Chicago School, or the Austrian School, this episode is for you. Crash Course is on Patreon! You can support us directly by signing up at (http•••) Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Fatima Iqbal, Penelope Flagg, Eugenia Karlson, Alex S, Jirat, Tim Curwick, Christy Huddleston, Eric Kitchen, Moritz Schmidt, Today I Found Out, Avi Yashchin, Chris Peters, Eric Knight, Jacob Ash, Simun Niclasen, Jan Schmid, Elliot Beter, Sandra Aft, SR Foxley, Ian Dundore, Daniel Baulig, Jason A Saslow, Robert Kunz, Jessica Wode, Steve Marshall, Anna-Ester Volozh, Christian, Caleb Weeks, Jeffrey Thompson, James Craver, and Markus Persson Want to find Crash Course elsewhere on the internet? Facebook - (http•••) Twitter - (http•••) Tumblr - (http•••) Support Crash Course on Patreon: (http•••) CC Kids: (http•••)
Johann Sebastian Bach Mstislav Rostropovich Ramon 2016 2021
Dutch cellist Anton Spronk, winner of the Dutch Classical Talent Award 2021, plays Suite Nr. 3 in C:BWV 1009 Prelude, Sarabande, Bourrees I & II composed by Johann Sebastian Bach at the FluXus Verkadefabriek in Zaandam. Full Session: (http•••) The young cellist Anton Spronk has already achieved a lot at a young age. He lives in Berlin, has won a number of competitions and runs his own festival. In 2016, Anton, together with the violinist Larissa Cidlinsky, founded the international festival 'Eggenfelden Klassisch', which takes place annually in southern Germany. His first 'cello' was a viola on a pin that he played at home in the attic as a 4-year-old. From the age of five he was part of the Fancy Fiddlers of Coosje Wijzenbeek. Anton was sure, he wanted to become a cellist and started taking lessons seriously. He left for Zurich when he was eighteen. His teacher was a descendant of the school of the great cellist Mstislav Rostropovich. Crew: Editors: Sakti Khedoe, Melchior Huurdeman, Aad van Nieuwkerk Camera & lighting: Nick de Mooij, Wim Adam, Ramon de Boer Sound: Marc Broer Producer: Vivian Vrolijk Director/Editing Reinier Bruijne This video was recorded in Zaandam FluXus/Verkadefabriek 2021 for VPRO Vrije Geluiden: music program made by the Dutch public broadcast organization VPRO full session: (http•••) (http•••) twitter, instagram @vrijegeluiden. #antonspronk #cello #bach
Chopin Grinberg Arthur Meyer 1791 1845 1863 1882 1900 1974 1987 1996 2015
Hotel Chopin as seen in the Film "Mon Homme" My Man (French: Mon Homme) is a 1996 French drama film written and directed by Bertrand Blier. It was entered into the 46th Berlin International Film Festival where Anouk Grinberg won the Silver Bear for Best Actress. The Passage Jouffroy is a covered walkway in the south of the 9th arrondissement of Paris, on the border with the 2nd arrondissement. It begins in the south between 10 and 12 boulevard Montmartre, and ends in the north at 9 rue de la Grange-Batelière.[1] Each passage is about 140 metres (460 ft) long and 4 metres (13 ft) wide. About 80 metres (260 ft) from its entrance on the Boulevard Montmartre, the passage makes a right angle turn and runs west for a few metres before descending some stairs. It then continues in a northerly direction to its outlet on the rue Grange-Batelière. This was imposed by the irregular pattern of the three plots on which the passage was built. This last part of the passage is particularly narrow, leaving room only for the corridor and a shop. The Passage des Panoramas opens as a continuation of the passage Jouffroy on the other side of the Boulevard Montmartre. The Passage Verdeau does the same on the other side, after crossing the street from the Grange Batelière. The passage is covered by a canopy of metal and glass. An ornate clock stucco overlooks the alley. The floor is paved with a geometric pattern composed of white, gray and black squares. The exit from the musée Grévin is located inside the Passage Jouffroy. History[edit] The Passage Jouffroy was built in 1845 along the line of the Passage des Panoramas in order to capitalize on the popularity of the latter. A private company was formed to manage it, headed by Count Felix de Jouffroy-Gonsans +••.••(...)), who gave his name to the passage, and M. Verdeau, who gave his name to the passage that was built as a further extension, the passage Verdeau. The passage was built by architects François Destailleur and Romain de Bourges. The Passage Jouffroy represents an important stage in the technological evolution of the 19th century and the mastery of iron structures. It is the first Parisian passage built entirely of metal and glass. Only the decorative elements are wooden. It is also the first passage heated by the ground. In the early 1880s Arthur Meyer, founder of the newspaper Le Gaulois, joined the cartoonist Alfred Grévin to create a gallery of wax figures on a property adjacent to the passage. It was inaugurated on 10 January 1882 and has since taken the name of the musée Grévin. The exit of the museum, decorated with a montage of various characters, is in the passage and contributes in large part to its success.[citation needed] The museum includes a hall of mirrors that was originally housed in the Palais des mirages designed by Eugène Hénard for the Exposition Universelle (1900).[3] In 1974 the passage was registered as a French historical monument. The passage was completely renovated in 1987 and regained its original paving. Camera: Canon 100d Lense: Canon EF 24-105mm f/4.0 L IS USM Lens Paris - June 2015
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