Anders J. Dahlin Vidéos
artiste lyrique
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- photographe, artiste lyrique
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2024-04-19
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Charpentier Hervé Niquet Stéphanie Oustrac Gaëlle Méchaly Renaud Delaigue Mutel Arnould Emiliano Gonzalez Toro Concert Spirituel 2020
__ Charpentier: Médée, tragédie mise en musique in five acts and a prologue, H. 491 Stéphanie d'Oustrac | Mezzo-soprano François-Nicolas Geslot | Tenor Gaëlle Méchaly | Soprano Bertrand Chuberre | Bass Renaud Delaigue | Bass-baritone Caroline Mutel | Soprano Benoît Arnould | Bass Emiliano Gonzalez-Toro | Tenor Anders J. Dahlin | Tenor Le Concert Spirituel Conducted by Hervé Niquet / Oedipus Coloneus, 2020
Joseph Haydn Søberg Berit Norbakken Solset Grete Pedersen 2019
Concert in Universitetets Aula in Oslo performing Joseph Haydn: Årstidene, translated to Norwegian by Paal-Helge Haugen. With: Det Norske Solistkor / The Norwegian Soloists' Choir Ensemble Allegria Det Norske Blåseensemble Majorstuen barne- og ungdomskor Bislett guttekor Soloists: Ynge Søberg Anders Jerker Dahlin Berit Norbakken Solset Dirigent / conductor: Grete Pedersen The Norwegian Soloists´ Choir (2019). Foto: Martin Bremnes og Jørgen Nordby
Francesca Caccini Caccini McIntosh Sirena O Connor Connor Bowen Dara Terri Gibson Heller Lamb Boyer 1625 1628
SYNOPSIS: Presented in One Act (no intermission) Composed by Francesca Caccini in 1625, “La liberazione di Ruggiero dalla’isola d’Alcina”, the first Italian opera to be presented in another country, is a marvelous musical action-romance with intriguing characters and a fascinating scenario. The opera was commissioned by Florence’s Regent Archduchess, Maria Magdalena of Austria. It was published under her auspices for the state occasion of the visit to Carnival by a Polish prince, Wladislas Sigismund. It celebrates his recent victory over the Turks (symbolized in the opera by the wicked sorceress Alcina). The first performance was in Florence in the Villa Poggia Imperiale on 3 February 1625, and it was revived in Warsaw in 1628. Part daring action rescue and part mystic saga, “La liberazione di Ruggerio dalla’isola d’Alcina” tells the tale of a female officer, Bradamante, serving in the occupying forces in the Middle East, who learns that her Muslim boyfriend, also an officer in her battalion, has been kidnapped by a female cult leader, known as a seductive enchantress. Unable to leave her post, her BFF, Melissa, herself a young sorceress, undertakes the mission to liberate him. To approach Ruggiero in acceptable and authoritative fashion, and reveal to him Alcina’s true nature, she takes on the appearance of Atlas, the mentor who had lovingly brought up Ruggiero. Besotted by the magic charms of his beautiful captor and drugged into submission, he remains her captive, surrounded by the living reminders of her discarded lovers, male and female. The rescue will involve subterfuge, duplicity, disguises, magic, and a final face-to-face fight between the two female adversaries. Finally, the “filthy sorceress” is vanquished, her cohorts of monsters and maidens dispersed, and the heroes prepare to return home safely. As the opera closes, all performers join together to sing the praises of loyalty and devotion. Composer Francesca Caccini was the first woman to compose an opera and also the most well-paid musician at the height of her career in the 1620s. A masterful musician, she played guitar, lute, harp, and keyboard. She was also a poet and wrote in both Italian and Latin.“La liberazione di Ruggiero dall’isola d’Alcina”, based on “Orlando furioso” - a romantic epic by 16th-century poet Lodovico Ariosto, is one of only a few of Caccini’s works that is still available today. Cast: Alcina – Rebecca Batista De Almeida Melissa – Madison Marie McIntosh Ruggerio – Daniel Kamalić First Lady, Sirena – Maria Margiolakou Second Lady – Heather O’Connor Third Lady – Allison Waggener Nettuna, Ensemble – Samuel Bowen First Tenor (Ensemble) – Rongjun Li Second Tenor (Ensemble) – Sung Shin Creative Team: Adrian Sylveen, Artistic Director, Conductor Alan Mann, Stage Director Martin Dahlin, Stage Manager Dara Blackstone – Chorus Master Joe Maturano – Lights Production Coordination: Terri Stangl – Development Coordinator Theresa MacNaughton – Public Relations Ruth Connors – House Manager Walter Gibson – Orchestra Coordinator Martin Dahlin – Stage Help & Orchestra Operations Raymund Krzyszczyk – Video Production Elias Dahlin – Assistant Video Production Sofia Sylveen – Photography Orchestra Personnel: Violins: Brunilda Myftaraj Katalin Viszmeg Viola: Jessica Heller Cello: Andrea Mills Bass: Kevin Hunn Flute: Jill Davis Oboe: Johanna Lamb Basson: Jennifer Bruening Horns: Roger Caruk Emily Boyer Trombone: Topher Logan Harpsichord: Adrian Sylveen
Henriette Bonde Hansen Hansen Maria Fontosh Lisa Larsson Larsson Sine Bundgaard Bundgaard Fischer Wolfgang Amadeus Mozart 2010
Provided to YouTube by NAXOS of America Mitridate, re di Ponto, K. 87: Act II: Recitativo: Sedete, oh Prenci (Mitridate, Sifare, Farnace) · Mathias Zachariassen Mozart, W.A.: Mitridate, re di Ponto ℗ 2010 Dacapo Released on: 2010-01-26 Artist: Mathias Zachariassen Artist: Henriette Bonde-Hansen Artist: Maria Fontosh Artist: Kristina Hammarstrom Artist: Lisa Larsson Artist: Sine Bundgaard Artist: Anders J. Dahlin Choir: Ars Nova Vocal Ensemble Conductor: Adam Fischer Orchestra: Danish Radio Sinfonietta Composer: Wolfgang Amadeus Mozart Auto-generated by YouTube.
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