Anthony Powers Vidéos
compositeur britannique
- musique classique
- Royaume-Uni
- compositeur ou compositrice
Dernière mise à jour
2024-05-02
Actualiser
Theo Bruins Willem Pijper Beinum Ravel Debussy Mahler Toscanini Boulez Lark Leeuw Visser Johan Wagenaar Concertgebouw Orchestra 1456 1912 1916 1921 1931 1934 1937 1938 1940 1941 1943 1944 1945 1946 1947 1948 1955 1957 1958 1959 1960 1961 1964 1966 1967 1968 1969 1971 1977 1980
Rudolf Escher +••.••(...)) Arcana : suite for piano solo, Op. 9 (1944) 1. Preludio (Largo) - 00:00 2. Toccata (Presto) - 04:26 3. Ciaccona (Lento Con Grazia) - 08:48 4. Finale (Moderato Molto - Allegro Risoluto) - 14:56 Theo Bruins, piano dedicated to Luctor Ponse Rudolf Escher was a Dutch composer. From 1916 to 1921 he lived with his parents on Java, where his father worked as a geologist and mineralogist. Back in the Netherlands he studied the piano, the violin and harmony privately. At the Rotterdam Conservatory he studied the piano +••.••(...)) and composition (with Pijper, 1934--1937). Until 1940 he lived in Rotterdam, where most of his scores were destroyed during the bombing by the Germans in May of that year. During World War II Escher composed Musique pour l'esprit en deuil +••.••(...)), which was first performed in 1947 by the Concertgebouw Orchestra under van Beinum and which made him overnight the most important composer in the Netherlands. From 1945 until his death he lived in Amsterdam. After a short study at the Electronic Studio of the Delft Technical University he taught +••.••(...)) at the Amsterdam Conservatory. From 1964 to 1977 he taught theory of contemporary music at the University of Utrecht. The result of his teaching is to be found in many studies in the field of music theory and audiology. He was also a talented writer and painter, continuing to publish poetry in literary magazines until well into the 1950s. From 1945--1946 he wrote on music and art for the Groene Amsterdammer. Escher's music is lyrical, expressive and elegiac, with a great propulsive force, more French then German in its orientation (the main influences being Ravel, Debussy and Mahler). It is always basically tonal, and mostly cast in a strictly contrapuntal frame with chains of variations. Everything he wrote can be clearly discerned by the ear. In 1938 he wrote: 'The miracles of a piece of music will never be revealed, unless in a natural way, through sounding and hearing. That means sounding well and hearing well. The latter condition is a priori impossible if the former one cannot be fulfilled'. (Toscanini en Debussy). Apart from this technical aspect of composing, Escher discerned a psychic one: 'The technique of a composer is intimately related to his spiritual and intellectual self, his psyche'. This can be seen in his war compositions, such as Musique pour l'esprit en deuil, the Sonate concertante (1943) for cello and piano, Arcana (1944) for piano (originally called Arcana Musae Dona), and the first two movements of the Sonata for cello solo (1945; the third movement was completed in 1948). Each of these compositions is in a way an impressive 'document humain'. The works written immediately after 1945 do not reflect the war in the same way, but Escher's longing for peace is reflected in the 'Arcadian' choral works such as Songs of Love and Eternity (1955) and Ciel, air et vents (1957). As a theorist, Escher analysed many 20th-century scores from Debussy to Boulez, explaining the latter on the basis of Escher's own analysis of the former's music. As a composer, however, he preferred to remain true to the music of Debussy and Ravel without denying the technical implications of the music of the serialists, as in his Second Symphony (1958, revised in 1980), Wind Quintet (1967) and Monologue for flute solo (1969). In the early sixties Escher tried to extend his technique towards electronic music and serialism, but after several crises he was unable to find a technique which would allow him at the same time to remain true to his psyche. The results of this search are nevertheless interesting, and the brilliant Wind Quintet (1967) and Summer Rites at Noon for two orchestras (1971) are examples of Escher's technical and emotional powers. The sound of the Wind Quintet is dominated by the timbres of alto flute, oboe d'amore and bass clarinet. Only at the end is the alto flute replaced by a normal flute for a brilliant and exciting 'lark solo'. Here Escher combines Debussian intervallic manipulations with Boulezian structural formulae. Kernels of intervals grow into motifs and melodies through rhythmical development. The main structure consists of three movements (A1--B--A2), which are linked by two short bridges (Z1 and Z2). Each movement consists again of three segments (a--x--a), which results in six 'a' segments accelerating from Largo to Prestissimo, while at the same time the 'x' segments slow down from Moderato to Largo. The Prestissimo combines the flute's 'lark solo' with the other instruments playing Largo underneath. Escher received several prizes for his compositions, including the van der Leeuw Prize (1959) for Le tombeau de Ravel, the Visser-Neerlandia Prize (1961 and 1968) for Nostalgies and the Wind Quintet, the Willem Pijper prize (1966) for the Sonata concertante for cello and piano and the Johan Wagenaar prize for his total output.
PS4 Spider-Man Miles Morales Walkthrough Gameplay Part 9 includes a PS4 Review, Intro and Playstation 4 Campaign Mission 9 for Marvel's Spider-Man Miles Morales on PS5, Playstation 5, and PS4 Pro. My Full Game Marvel's Spider-Man Miles Morales PS4 Walkthrough Gameplay will include a Review, Story Missions, Cut Scenes, Cinematics, Suits, Peter Parker, Miles Morales, Finn, Tinkerer, All Campaign Missions, Bosses, Skills with the Full Story until the Ending of the Single Player Campaign. Spider-Man Miles Morales missions include: Hold Onto Your Web-Shooters, Parting Gift, New Thwip, We're Here For You, La Nochebuena, Reconnecting, Time to Rally, Someone Left the Lights On, Corporate Espionage, Underground Undercover, Curtain Call, Breaking Through the Noise, Tinker Tailor Spider Spy, Thick Than, Like Real Scientists and Battle for Harlem. Spider-Man Miles Morales Suits include: Sportswear Suit, Great Responsibility Suit, Homemade Suit, TRACK Suit, Animated Suit, Brooklyn Visions Academy Suit, Crimson Cowl Suit, STRIKE Suit, The End Suit, Miles Morales 2099 Suit, Into the Spider-Verse Suit, Classic Suit, Uptown Pride Suit, Winter Suit, Miles Morales 2020 Suit, Programmable Matter Suit, Purple Reign Suit, Bodega Cat Suit and Spider-Training Suit. The narrative continues from Marvel's Spider-Man and its downloadable content The City That Never Sleeps, during which Miles Morales is bitten by a genetically-enhanced spider and gains powers similar to Peter Parker's. A year after the first game and its DLC, Miles has fully integrated himself into the black and red suit as an experienced Spider-Man while defending both his new home in Harlem and the rest of New York City from a gang war between the Roxxon energy corporation and a high-tech criminal army lead by the Tinkerer. Parker tells Miles that he has to be like his late father and walk on the path to becoming a hero for the city of New York. Marvel's Spider-Man is a 2018 action-adventure game developed by Insomniac Games and published by Sony Interactive Entertainment. Based on the Marvel Comics superhero Spider-Man, it is inspired by the long-running comic book mythology and adaptations in other media. In the main storyline, the super-human crime lord Mister Negative orchestrates a plot to seize control of New York City's criminal underworld. When Mister Negative threatens to release a deadly virus, Spider-Man must confront him and protect the city while dealing with the personal problems of his civilian persona, Peter Parker.
Here’s the second part of my interview with global brand strategist, Edward Farley. In it, we continued our conversation about the research going into artificial intelligence and how AI affects the brand experience. In addition, we discussed: * How KFC in Canada and the National Australia Bank are creating two unique brand voices using the same type of deep learning technology that powers the voice of Alexa * How Mastercard uses a consistent track of chords that reflects the DNA of their brand but caters it to the culture in which their audio is being utilized * The connection between audio and memory * The importance of a brand matching its visual identity to its audio identity * How brands use audio to build trust * How audio is more than just a tool in a toolkit—it’s a tool to be invested in Jingles, NBC, and other audio branding that goes back many, many years * What is included in a brand’s soundscape * How Starbucks and others use audio to facilitate loyalty and improve how their customers feel * Things to consider when choosing music to play at events in different countries * The tactics businesses use to bring their audio strategy to life and the difference those tactics make in consumer experience * Ed’s work with a product incubator accelerator that is engaged in startup products in the clean technology space You can find out more about Ed by connecting with him on LinkedIn at (http•••) . This episode was very skillfully made to sound beautiful by the talented Humberto Franco ((http•••) Would you consider reviewing the Audio Branding Podcast? If so, here's the Apple Podcast link: (http•••) And if you like what you hear (and read!) - please do share it with anyone you think might be interested. Thanks so much!
Indy Olsson Kyhle Kamiński Weiss Linke Mikolaj Johnsen Spies Roussel 1942
It's that time of the year again- the time when the Axis Powers drive deep into the Soviet Union. Fall Blau is the name of this year's huge offensive, and it begins this week, making great gains from the very beginning, but the Axis Powers are also making big gains this week in North Africa, taking Mersa Matruh and pushing to within 100 km of Alexandria. Can nothing stop them? Join us on Patreon: (http•••) Or join The TimeGhost Army directly at: (http•••) Check out our TimeGhost History YouTube Channel: (http•••) Follow WW2 day by day on Instagram @ww2_day_by_day -(http•••) Like us on Facebook: (http•••) Between 2 Wars: (http•••) Source list: (http•••) Written and Hosted by: Indy Neidell Director: Astrid Deinhard Producers: Astrid Deinhard and Spartacus Olsson Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer Creative Producer: Maria Kyhle Post-Production Director: Wieke Kapteijns Research by: Indy Neidell Edited by: Lucas Aimó Sound design: Marek Kamiński Map animations: Daniel Weiss Map research by: Markus Linke Colorizations by: Daniel Weiss, Mikolaj Uchman, Lucas Aimó Sources: US Army Archive Wikipedia Commons USHMM Archive by Screenocean/Reuters (http•••) Soundtracks from Epidemic Sound: Dark Beginning - Johan Hynynen Not Safe Yet - Gunnar Johnsen Break Free - Fabien Tell Evening Spies - Sage Oursler Last Minutes - Etienne Roussel Last Strike for Glory - Dream Cave Weapon of Choice - Fabien Tell A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
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