Aulis Sallinen Vidéos
compositeur finlandais
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2024-04-24
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Aarre Merikanto Oskar Merikanto Holder Väinö Raitio Ernest Pingoud Sibelius Einojuhani Rautavaara Aulis Sallinen Paavo Heininen Schott Turku Philharmonic Orchestra 1838 1893 1911 1912 1914 1916 1917 1919 1951 1957 1958
It is my sincere and express wish that any and all financial compensation that may accrue to me from this video presentation be instead directed towards all holders of copyright. Should a change in copyright status or holder render its removal necessary, I hereby request only that I be notified immediately prior to the filing of a claim with YouTube and I will not hesitate to delete it as soon as possible. Aarre Merikanto +••.••(...)) Symphony No. 1 in B minor, Op. 5 I. Allegro 0:00 II. Scherzo fantastique: Vivace 9:31 III. Andante con moto 18:38 IV. Allegro vivace 36:06 Turku Philharmonic Orchestra Petri Sakari, conductor Aarre Merikanto +••.••(...)) was a Finnish composer. He was the son of Liisa Häyrynen and the famous romantic composer, professor Oskar Merikanto. His childhood he spent in Vilppula, Finland. In 1919 he married Meri Grönmark. He is considered a key figure in early Finnish modernism (together with Väinö Raitio and Ernest Pingoud) and several of his works, most notably the opera Juha, have obtained posthumous attention. As professor of composition in the Sibelius Academy (1951–1958) Merikanto taught several Finnish composers of the next generation, including Einojuhani Rautavaara, Usko Meriläinen, Aulis Sallinen and Paavo Heininen. He studied music in Helsinki 1911, Leipzig 1912–1914 and Moscow 1916–1917. Merikanto's early style was rooted in Finnish romanticism, but in the 1920s he developed a personal, atonal but not dodecaphonic Modernist style. The reception of Merikanto's works of this period was mixed: the "Schott" Concerto for nine instruments was awarded in a competition organized by the German publishers Schott & Söhne, but his domestic Finnish audiences and critics were generally unenthusiastic and his opera Juha, today considered one of his major works, was never performed during Merikanto's lifetime. Disappointed with the reactions, starting in the early 1930s, Merikanto gradually abandoned his more radical style and turned towards a more traditional idiom based on Neoclassicism. He also destroyed or mutilated the scores of several works from his earlier style period, some of which were later reconstructed by his last composition student Paavo Heininen. Merikanto was diagnosed with lung cancer in the summer of 1957, and he died on 28 September the following year, aged 65. His son was the sculptor Ukri Merikanto.
Aulis Sallinen Gustafsson Tobias Ringborg Ringborg 2011
Aulis Sallinen - Nocturnal Dances of Don Juan Quixote Jan-Erik Gustafsson - cello DalaSinfoniettan Tobias Ringborg - conductor Vinterfest 2011, Sweden
Gidon Kremer Gustav Mahler Dimitri Schostakowitsch Zinman Beethoven Leonid Desyatnikov Astor Piazzolla Nino Rota Herbert Karajan Sibelius Sallinen Kremerata Baltica Semperoper 2007
From Semperoper in Dresden Kremerata Baltica Gidon Kremer, leader & violin 0:36 Gustav Mahler - Adagio from Symphony No.10, arranged by Hans Stadlmaier and Kremerata Baltica 25:55 Dimitri Schostakowitsch - Violinsonate, Op. 134 (Andante, Allegretto, Largo), arranged by Michail Zinman and Andrei Pushkarev) 57:53 SEMPRE PRIMAVERA (Zyklus) compiled by Gidon Kremer for violin, percussion and strings 57:53 Victoria Poleva - Warm Wind 1:01:39 Ludwig van Beethoven - Sonata for Piano and Violin No. 5 (Spring), Op. 24 (1. Allegro) 1:04:27 Leonid Desyatnikov - Christovskaya from „The Russian Season“ 1:06:47 Astor Piazzolla - Primavera porteña from “Cuatro Estaciones Porteñas”, arranged by Andrei Pushkarev 1:14:41 Astor Piazzolla - Fuga y Mistero, arranged by Andrei Pushkarev 1:21:32 Nino Rota - La Dolce Vita, arranged by Andrei Pushkarev Gidon Kremer is, and has always been, one of the most headstrong and original artists in the music business and he was once hailed by Herbert von Karajan as the world’s best violinist. He celebrated his 60th birthday in 2007 and he has always kept himself young musically with his spontaneity and a readiness to take risks. In his artistic development over the past 25 years, Kremer often found himself functioning as a crossover figure as he discovered fresh routes through well-trodden paths in music. It was in this spirit, that his fine young ensemble Kremerata Baltica, which he founded by bringing together young musicians from the Baltic states, presents music by Mahler, Shostakovish, Sibelius, Sallinen, Piazzola, Rota and a cycle called “Sempre Primavera” compiled by himself.
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