Boris Chtokolov Vidéos
chanteur russe
Commémorations 2025 (Décès: Boris Chtokolov)
- basse
- opéra, romance
- Russie, Union soviétique
- artiste lyrique
Dernière mise à jour
2024-05-07
Actualiser
Glinka Boris Shtokolov Tchaikovsky Barber Rossini Musorgsky Kochubey Gounod Stern Fomin Kirov Opera 1949 1959
1)ARIA of IVAN SUSANIN in GLINKA'S OPERA. Peoples Artist of Russia he was the leading soloist of the Academic Kirov Opera & Ballet Theatre in Petersburg. On the stage of this theatre he created a whole gallery of unforgottable characters. In 1949 eighteen-year old Boris enterd at the Sverdlovsk (Ekaterinburg) Conservatory. When still a sophomore he sings at the Opera. Very soon the young singers name appears among the names of the leading artists of the Sverdlovsk Opera. His repertory includes Russian & foreign classical music: Gremin (Eugene Onegin by Tchaikovsky), Don Basilio (The barber of Ceville by G.Rossini), Dosifey, Pimen, Boris Godunov (Khovanshchina & Boris Godunov by M.P.Musorgsky etc) His skill & aspiration to deeply fathom the role he is performing, grow to one performance to another. In things discovered long ago I would like to discover their innermost meaning, get to the very heart of my characters, - writes Shtokolov. I want to rediscover each role. For instance I want to sing the part of Boris again & again. The profound quality of music, text & character is so great then even if I could live three lives it still would not be enough to apprehend it all In 1959 Boris Shtokolov is invited to sing at the Opera & Ballet Theatre in Leningrad. Besides the aforementioned roles Shtokolovs repertory includes Ivan Susanin, Ruslan in Glinkas operas, Demon in Demon by Rubinstain A.G., Kochubey in Mazepa by Tchaikovsky, Mephistopheles in Faust Gounod etc Boris Shtokolov is an exellent chamber singer. His chamber repertory consists of Russian folk songs & romances, which he performes with great feeling & expressiveness. Folk songs incarnate the voice, history & soul of the people whove created them, glorifying human feelings & aspirations. Folk songs arising from the necessity of man to give vent to his intermost feelings perfine to the most lively, versafile & emotional form of popular art. Whose heart can remain cold to the sounds of a slow Russian song with its stern grandeur & broadness of melody? Old Russian romances born in the end of 18th & the beginning of the 19th centuries still adorn the concert programmes of the singers of today. They are appreciated for their melodiousness, emotionality & sincerity which always find their way to peoples hearts. The subject & theme of old romances written mostly to words by Russian classical poets determined the originality of this musical form. Romances-elegies & romances-monologues are prevalent here. I loved you (music by B.Sheremetiev, words by A.Pushkin,), I go to the road alone (music by E.Shashina, words by M.Lermontov), I met you (music by unknown author, words by F.Tutchev) Such is Only once(music by Fomin, words by German) you can listen to this video post. They all fascinate the audience by their lyrical mood, beautiful melodies, veracity of feelings, simplicity of musical language & unpretentiouseness of accompaniment. 2)The widow tells about her famous husband.
Boris Shtokolov Anton Rubinstein Rubinstein Pyotr Ilyich Tchaikovsky 1854 1955
Boris Shtokolov is 25 years old here. He is singing a song from "12 Persian Songs, Op.34 Anton Rubinstein, words by Mirza Shafi Vazeh (Russian translations by Pyotr Ilyich Tchaikovsky) 1854 Date of Composition Клубится волною кипучею Кур (river) Восходит дневное светило Ах, как весело сердцу! Душе моей легко О, если б навеки так было Ох, если б навеки так было Кубок мой полный; я впиваю с вином и бодрость, и радость, и силу Ах, ослепляет меня О, чудный блеск очей твоих А.. если б навеки так было Ох, если б навеки так было Если хочешь ты, чтоб душа моя Всю любовь в твои очи излила О, приходи, приходи тогда О, в тёмной ночи Ах, если б навеки так было Ох, если б навеки так было О-о... было
Boris Shtokolov Anton Rubinstein Rubinstein
Boris Shtokolov Swirling Waves of the Ebullient Kura Persian Love Songs Op.34/9 Anton Rubinstein Mirzə Şəfi Vazeh Swirling ebullient waves of Kura The daystar rises; How much fun has the heart, and the soul as easily! Would that forever it was! My cup is full, I imbibe wine And cheerfulness, joy, and strength; Marvelous eyes shine, blinding me. Oh! if only forever it was! Here night falls, heavenly nature with light the gentle moon has lit up, but in the darkness shining is the star of love Oh! if ever it was! If you wish, you are that, my soul, all the love in your eyes poured out, Quickly will come the same dark in the night, oh! if ever it was! Клубится волною кипучею Кур, восходит дневное светило; как весело сердцу, душе как легко! О, если б навеки так было! Кубок полон мой, я впиваю с вином и бодрость, и радость, и силу; ослепляет меня чудный блеск очей, о! если б навеки так было! Вот ночь наступает, природу с небес светом кротким луна озарила, но и в мраке сияет звезда любви, о! если б навеки так было! Если хочешь ты, чтоб душа моя всю любовь в твои очи излила, скорей приходи же, темно в ночи, о! если б навеки так было!
Bolshoi Urania Shtokolov Reizen Mozart Ferencsik Klemperer 1901 1947 1959 1963
Mihaly Szekely +••.••(...)) Does anyone remember the marvelous Hungarian bass Mihaly Szekely? He was highly acclaimed during his career, which took him abroad regularly, including the MET (where he first appeared as Hunding in 1947), Bolshoi Theater, and Glyndebourne. The reason for his popularity becomes clear when one listens to his recordings. The voice, a magnificently plump, rolling basso profondo, is coupled with a keen intelligence and innate dignity of utterance that immediately place him in the top echelon of singers. Indeed, he stands firmly alongside Shtokolov and Reizen in my estimation. Szekely was quite a stylish Mozartean, surely aided by the purity and smoothness of his sound. These qualities are clearly present in this recording of Osmin's 1st act aria, 'Wer ein Liebchen hat gefunden' (sung in Hungarian), from Mozart's "Die Entführung aus dem Serail". Szekely's Osmin is a full-blooded character, neither too crusty or buffoonish, and quite convincing at that. Recorded in 1959, he is accompanied by the Hungarian State Opera Orchestra led by Janos Ferencsik. Szekely also left a complete recording of the role, under Otto Klemperer, formerly available on the Urania label.
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