Boris Tichtchenko Vidéos
compositeur russe
- piano
- opéra, symphonie
- Union soviétique, Russie
- compositeur ou compositrice, pianiste, chorégraphe, musicologue, professeur ou professeure d'université
Dernière mise à jour
2024-04-25
Actualiser
Nina Oksentyan Boris Tishchenko 2021
Provided to YouTube by NAXOS of America 12 Organ Inventions, Op. 27 (Excerpts) : No. 6, Descending Variants · Nina Oksentyan Tishchenko: Works ℗ 2021 Northern Flowers Released on: 2021-06-18 Artist: Nina Oksentyan Composer: Boris Tishchenko Auto-generated by YouTube.
Tishchenko Shostakovich 1200 1952
The first, and already excellent Tishchenko's piano sonata. Dedicated to to D. D. Shostakovich. Pianist : Dinara Mazytova I : Sostenuto - 00:00 II : Presto - 12:00 III : Sostenuto dolce - 19:52 IV : Allegro Risoluto - 31:31
Bach Boris Tishchenko Eduard Serov Serov
Isaiah Braudo / Исайя Браудо Anastasia Braudo /Анастасия Браудо Boris Tishchenko /Борис Тищенко The Leningrad Philharmonic Orchestra conducted by Eduard Serov / Оркестр Ленинградской филармонии, дирижер - Эдуард Серов Live rec. at the Grand Hall, Leningrad Philharmonia, 1960s
Boris Tishchenko Dmitri Shostakovich Gennady Rozhdestvensky 1520 1966 1972 1973 1976
Boris Tishchenko - Symphony No. 5, Op.67 (1976) Dedicated to Dmitri Shostakovich USSR Ministry of Culture Symphony Orchestra Gennady Rozhdestvensky I. Prelude - 0:00 II. Dedication - 8:17 III. Sonata - 15:20 IV. Interlude - 21:41 V. Rondo - 32:02 The relationship between Tishchenko and Shostakovich was not one-sided; it was one of mutual respect. They corresponded, debated, and shared their music and impressions. In a rare gesture of esteem, Shostakovich re-orchestrated one of Tishchenko’s works and presented it to him as a gift. In 1966, Tishchenko dedicated his Third Symphony to Shostakovich. Tishchenko’s Fifth Symphony, completed in 1976, was his musical reaction to the older composer’s death. It, too, is dedicated to Shostakovich. Tishchenko’s Fifth Symphony is in five movements, played without pause. In scale, in the dramatic contrast of movements, in rhetoric, in raw emotive force, it inhabits the familiar sound world of a Shostakovich symphony. There are a number of quotations from and allusions to Shostakovich’s music, most notably his musical monogram “DSCH” (D—Eb—C—B). But these are balanced by references to Tishchenko’s own works, including his Third Symphony, Concerto for Flute, Piano and Strings (1972) and Fifth Piano Sonata (1973). From this perspective, the symphony can be regarded as an imagined musical dialogue between two composers in close creative rapport. Plaintive solos for woodwind instruments in the opening movement are offset by stentorian orchestral chords, eventually disintegrating into chaos. In the second, “Dedication,” grief expends itself in chromatic dissonance. The nervous, mechanical propulsion of the third movement builds to a terrifying climax; references to passages in Shostakovich’s Eighth and Tenth symphonies can be heard. The roiling trills and glissandi of the fourth movement contain hints of a passacaglia. The theme of the rondo finale has the quality of a stylized dance; in the penultimate episode reminders of earlier movements, including the pensive monologues and intertwined quotations, reappear. Join the Score Video Creator Discord Server: (http•••) Support me on Patreon: (http•••)
ou
- chronologie: Compositeurs (Europe). Interprètes (Europe).
- Index (par ordre alphabétique): T...