Eduardo Garcia-Mansilla Vidéos
compositeur et diplomate argentin
- opéra
- Argentine
- compositeur ou compositrice, diplomate
Dernière mise à jour
2024-05-20
Actualiser
En 2011 propusimos un espacio en nuestros talleres de canto dedicado a los que querian y podian interpretar arreglos vocales para mas de tres o cuatro voces.. Nuestra primera experiencia juntos arreglando voces y dirigiendo un grupo vocal amateur.. En este caso casi acapella Stand by me..para 6 voces , piano,clarinete y duo solista.
Carlos Guastavino Alberti Schubert Stark Alberto Ginastera Albéniz Granados Rachmaninoff Chabrier Falla Debussy Ravel Alberto Williams Ernesto Drangosch Hargreaves Eduardo García Mansilla Julián Julián Aguirre Neruda Lopez Teatro Colón 1912 1942 1960 2000
CARLOS GUASTAVINO HERMANO Canciones Populares Argentinas LUCA PACCAGNELLA cello - SABRINA ALBERTI piano Carlos Guastavino (April 5, 1912 - October 29, 2000) was one of the foremost Argentine composers of the 20th century. His production amounted to over 500 works, most of them songs for piano and voice, many still unpublished. His style was quite conservative, always tonal and lusciously romantic. His compositions were clearly influenced by Argentine folk music. His reputation was based almost entirely on his songs, and Guastavino has sometimes been called "the Schubert of the Pampas." Some of his songs, for example Pueblito, mi pueblo, La rosa y el sauce ("The Rose and the Willow") and Se equivocó la paloma ("The Dove Was Wrong"), became national favorites. Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he really had little need for other income. Guastavino's musical style marked a stark contrast with the works of his 20th-century Argentine contemporaries such as Alberto Ginastera and reveals the influence of European composers such as Albéniz, Granados, Rachmaninoff, Chabrier, De Falla, Debussy, and Ravel, but also is clearly inherited from the luminaries of 19th-century Argentine nationalist composers, such as Alberto Williams, Ernesto Drangosch, Francisco Hargreaves, Eduardo García Mansilla and Julián Aguirre. Aguirre’s delicate and intimate piano writing is an especially evident influence on Guastavino. Guastavino's stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians in the 1960. Guastavino published more than a hundred and fifty songs for voice and piano, numerous piano solo pieces, choral works, school songs, and chamber music. The poets whose works he set to music included Rafael Alberti, Leon Benarós, Hamlet Lima Quintana, Atahualpa Yupanqui, Pablo Neruda, Gabriela Mistral, and Jorge Luis Borges, among others. A small number of his songs are settings of his own texts. His works for orchestra included Divertissement; fue una vez, commissioned by Colonel de Basil for his original Ballet Russe and premiered at the Teatro Colón, in Buenos Aires, in 1942; and Suite Argentina which was performed in London, Paris, Barcelona, and Havana by the Ballet Español of Isabel Lopez. He also wrote three Sonatas for guitar.
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