Eugen Doga Vidéos
compositeur roumain
- opéra, ballet, romance, chanson, cantate, musique instrumentale
- Moldavie, Union soviétique, Russie
- compositeur ou compositrice, compositeur de musique de film, professeur ou professeure de musique
réseaux sociaux
streaming
chaînes vidéo
Dernière mise à jour
2024-03-29
Actualiser
Doga Borowicz Istanbul State Symphony Orchestra 2017
Amadeus Nobel Talent of Music School 11th grade student ( 16 years old ) IDSO ( Istanbul State Symphony Orchestra ) 19th May 2017 Conductor: Lukasz BOROWICZ
Antonio Vivaldi Streicher Catenhusen Santonja Kraus Suzuki Roth Pham Gutiérrez 1678 1724 1741 2019
Antonio Vivaldi (1678–1741), Concerto c-Moll RV 441 für Blockflöte, Streicher und Basso continuo, Venedig, wohl nach 1724/25 Sätze: Allegro non molto – Largo – (Allegro non molto) Barockorchester der Hochschule für Musik und Theater Hamburg Solistin: Luise Catenhusen (Blockflöte) Leitung: Gerhart Darmstadt Violine 1: Guillermo Santonja di Fonzo, Magdalena Kraus, Akari Muraoka, Yuma Toyota Violine 2: Doğa Çetin, Mario Suzuki, Fiona Helbing Viola: Yoojin Hong, Dohee Ko Violoncello: Hannah Ruschepaul, Johannes Turkat, Fridolin Wissemann Kontrabass: Stefania Secci, Jonas Hensell, Thomas Siebenkotten Cembalo: Johannes Zeinler Kameras Jan von Roth Christoph Dobbitsch Philippe Czerlinski Tam Thi Pham Audio Víctor Gutiérrez Cuiza Video Postproduktion Christoph Dobbitsch Aufgenommen in Museum für Kunst und Gewerbe Hamburg, Spiegelsaal Mit freundlicher Unterstützung des Museums für Kunst und Gewerbe Hamburg Besuchen Sie uns auf: hoou.de 2019 CC BY SA 4.0
Francis Poulenc Rondeau Alvarez Doga Aguilar Felix Klieser Rebekka Robert Jackson Weller Rameau Stravinsky 1899 1928 1929 1930 1963
Francis Poulenc +••.••(...)) Aubade ('concerto choréographique'), for piano and 18 instruments (1929) 1. Toccata: Lento et pesante. Molto animato 2. Récitatif: Les Compagnes de Diane (Larghetto) 3. Rondeau: Diane et ses compagnes. Allegro. Entrée de Diane. Più mosso. Sortie de Diane. 4. Presto: Toilette de Diane 5. Récitatif: Introduction à la Variation de Diane (Larghetto) 6. Andante: Variation de Diane (Andante con moto) 7. Allegro féroce: Désespoir de Diane 8. Conclusion: Adieux et départ de Diane (Adagio) Gintaras Janusevicius, piano Plathner's Eleven Symphony Orchestra / Alon Sariel Since 5 years "Plathner's Eleven" Concert Series, directed by Lithuanian pianist Gintaras Janusevicius, is one of most famous concert series in Hanover and one of most remarkable students' project in the world. This recording is part of their anniversary concert, where almost 120 musicians took part. More information online on (http•••) Alon Sariel (Conductor), Gintaras Janusevicius (Piano), Jimena Vicente Alvarez & Öncü Ucar (Flutes), Doga Sacilik & Rafael Aguilar (Oboes), Macdara O Seireadain & Jordi Juan Perez (Clarinets), Daniel Mazaki & Withold Furmanowicz (Bassoons), Algirdas Janusevicius (Trumpet), Felix Klieser, Yeon Sun Oh (Horns), Lindsay McLay & Mihyung Oh (Violas), Rebekka Wittig & Robert Jackson (Cellos), Maximilian Weller & Marko Munjin (Double-Basses), Kai Altendorf (Timpani). Poulenc's Aubade is a curious if charming blend of piano concerto, ballet, and chamber salon piece. The work's unconventional makeup and manageable scale were in some part determined by its origins: It was commissioned by Poulenc's friends (and noted patrons and salon hosts) Marie-Laure and Charles de Noailles. A concert version was premiered December 1, 1929 in the couple's townhouse, followed by a full stage version on January 21, 1930. Aubade is segmented into eight movements: Toccata, Récitatif, Rondeau, Presto, Récitatif, Andante, Allegro féroce, and Conclusion (Adagio). Given its hybrid structure, it is less a strict piano concerto than a modern cousin to Rameau's opéra-ballets in the galant style. That said, Poulenc fashioned his musical materials with great care and sophistication, blending themes which borrow from such sources as Stravinsky's Le Sacre du printemps and Petrushka, as well as Mozart's keyboard works. Poulenc also incorporates two melodies from earlier minor piano works—a Sérénade from Trois pièces (1928) and the Première nocturne (1929)—which serve to unify the various strands of Aubade. The music alternates between Stravinskian percussiveness and Mozartean lyricism, at the same time incorporating several brass fanfares, gracious eighteenth century rondos and moments of Lisztian grandiosity. Poulenc described Aubade as "amphibious," implying that the role of protagonist is more or less shared between the onstage woman dancer and the pianist in the orchestra pit. The ballet is a series of tableaux said to be inspired by paintings from the École de Fontainebleau. At the work's center is Diana, the mythological huntress, who finds herself "burning with a love that consumes her purity." Awaking at dawn in the forest of Fontainebleau, she is dressed by her woman friends. Condemned to chastity and despondent over an impure love, she dances a variation, clasping to her breast a bow her friends had given her. Suddenly, she throws the bow away and darts into the woods. The choreographer for the Paris production was George Balanchine, who ignored Poulenc's plot for the dance, introducing a handsome, muscular dancer to portray Actéon in a pas de deux with Diana. The composer complained that Aubade was to be exclusively "a woman's ballet," but Balanchine ultimately had his way. The ballet was designed by Jean-Michel Frank, who redid the interior of the Noailles' home with fanciful, stylized sets. ~ All Music Guide
Shostakovich Strauss II Eugen Doga Rota Chopin
My top 10 favorite waltz part2 - (http•••) Download these waltz here -(http•••) 1.Dmitri Shostakovich - Waltz No 2 - 0:0 2.Johann Strauss II - Voices of Spring Waltz-3:41 3.Johann Strauss II The Blue Danube -9:14 4.My Sweet and Tender Beast - Waltz by Eugen Doga-18:54 5.Eugen Doga Gramafon -22:24 6.Nino Rota - Waltz (BSO -El Padrino-) -27:22 7.Tchaikovsky - Waltz of the Flowers 31:05 8.Johann Strauss II - Vienna Blood Waltz 38:35 9.Frederic Chopin waltz op.64 no 2 -45:42 10.Frederic Chopin: Waltz in A minor (Op. Posth.)- 50:10 More music (http•••)
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