Fanny Heldy Vidéos
artiste lyrique
- soprano
- Belgique
Dernière mise à jour
2024-03-28
Actualiser
Dunja Vejzović Bayreuth James Levine Herbert Karajan Lorin Maazel Carlos Kleiber Riccardo Muti Christoph Eschenbach Santi Eugen Jochum Armin Jordan Fanny Heldy Wagner Bayreuth Festival Salzburg Festival Teatro Scala 1971 1976 1980 1982 1984 2000 2004 2010 2013
The Croatian mezzo-soprano Dunja Vejzović begins her career at he Zagreb National Theatre. From 1971 to 1976 she is a member of the Nürnberg Opera and until 1980 of the Opernhaus Frankfurt, where she appeares in several principal roles such as Venus in Wagners Tannhäuser. At the Bayreuth Festival she portrayes Kundry in Parsifal during three seasons und makes her Metropolitan debut as Venus with James Levine conducting. Herbert von Karajan engages her to appear in the Salzburg Festival, where she sings Kundry in the 1980/81 season and Ortrud in Lohengrin in 1984. In 1982 she has her debut a the Teatro alla Scala. In the following years she sings these roles in the leading opera houses in Europa and America and appears also as Senta in Der Fliegende Holländer as well as Brünnhilde in Die Walküre. Her versatile repertoire also includes amongst other roles Eboli in Don Carlo, Lady Macbeth in Macbeth, Abigaille in Nabucco, Adalgisa in Norma. She sings under conductors as Georges Prêtes, Lorin Maazel, Carlos Kleiber, Riccardo Muti, Christoph Eschenbach, Zubin Metha, Giannandrea Gavazzini, Nello Santi, Eugen Jochum and Armin Jordan. In 2004 she bids farewell to the stage as Charlotte in Werther in Zagreb. Dunja Vejzović has twice won the PRIX Fondation Fanny Heldy for her recording of Kundry and of Ortrud. After teaching at Academia in Zagreb and Hochschule in Graz, she is appointed at the Hochschule für Musik in Stuttgart 2000. The German government has award her their Federal Cross of Merit. Dunja Vejzovic was a member of the IVC jury in 2010. She also gave masterclasses and coachings during the IVC Wagner Academy in 2013.
André Pernet Marchand Reynaldo Hahn Hahn Shakespeare Heldy Singher Narçon Philippe Gaubert Jacques Ibert Maurice Emmanuel Louis Dumas Dumas Joseph Canteloube Maximilien Darius Milhaud Georges Enesco Max Ollone Georges Thill Vanni Marcoux Massenet Gustave Charpentier Charpentier Grace Moore Moore Opéra Comique Palais Garnier 1875 1894 1921 1928 1931 1935 1939 1948 1962 1966
CREATEUR DU ROLE « Le Marchand de Venise », musique de Reynaldo Hahn, paroles de Miguel Zamacoïs , d’après « Le Marchand de Venise » de Shakespeare a été créé le 21 mars 1935 à l’Opéra de Paris avec dans les principaux rôles Mmes Heldy, Mahé, MM. Pernet, Singher, Cabanel,Narçon sous la direction de Philippe Gaubert. André Pernet « André Pernet est né à Rambervilliers (Vosges) le 8 janvier 1894. Il travailla au Conservatoire de Paris avec André Gresse , débuta à Nice en 1921 et se produisit pendant 7 ans dans les théâtres de province. Jacques Rouché l’engagea à l’Opéra de Paris en 1928. Pernet resta un des premières valeurs de la troupe jusqu’en 1948 et chanta tout le répertoire. : Méphistophélès, Athanael, Wotan, Basile, don Juan etc.… Il mit aussi son talent au service des créations d’œuvres contemporaines et notamment celle de Persée et Andromède ( de Jacques Ibert), Salamine ( de Maurice Emmanuel), La Vision de Mona (de Louis Dumas), La Duchesse de Padoue ( de Maurice Le Boucher), Vercingétorix ( de Joseph de Canteloube de Malaret), Maximilien (de Darius Milhaud ), Le Marchand de Venise ( de Reynaldo Hahn), Œdipe ( de Georges Enesco), La Samaritaine ( de Max d’Ollone). C’est en 1931 qu’il entra à l’Opéra-Comique en campant un Don Quichotte en grand comédien. Son activité s’étendit à l’Europe. Il tint la vedette, aux côtés de Georges Thill, avec qui il tourna le film Louise et enregistra la version abrégée. Il fut frappé par la maladie qui, peu à peu, le paralysa et il mourut à Paris le 17 juin 1966. Il a eu, comme acteur, l’envergure d’un Vanni-Marcoux…Quant à sa voix, elle manqua quelque peu d’ampleur, mais enrichie d’un timbre grave et incisif et, déployée par une diction impeccable, elle lui permit de régner sur sa génération. » Sources : « Nouveau dictionnaire des chanteurs de l’Opéra de Paris du 17ème siècle à nos jours » Jean Gourret « L’Opéra au Palais Garnier +••.••(...)) « Stéphane Wolff André Pernet (1894–1966) was a French bass-baritone opera performer. After serving as a military officer in World War I, Pernet studied at the Paris Conservatory before making his operatic debut in Massenet's Hérodiade at Nice, in 1921. He sang at the Paris Opéra beginning in 1928. He also performed in Amsterdam, Brussels, London and Monte Carlo. He is perhaps best remembered today for his role as the father in the 1939 film version of Gustave Charpentier's Louise, directed by Abel Gance and also featuring Grace Moore and Georges Thill. He was noted for singing the title parts in Mefistofele, Boris Godunov, Don Giovanni and Don Quichotte. Among the operas in which he created roles during the premiere performances were Le marchand de Venise (Hahn), Oedipe (Enesco), Maximilien (Milhaud) and Vercingétorix (Canteloube). Pernet's smooth, elegant, well-produced voice can be heard on a number of recordings which he made between the two world wars. Some of his records are available on CD re-issues. Source : Wikipedia André Pernet - Le Marchand de Venise - Air de Shylock - Gramophone DA 4871André Pernet
Jules Massenet Henri Büsser Fanny Heldy Ponzio Opéra Comique 1923
Henri Büsser conducts the Paris OPÉRA-COMIQUE in the first complete recording of MANON by Jules Massenet. The title role is sung by the legendary Fanny Heldy; Le chevalier des Grieux by Jean Marny, and Lescaut by Léon Ponzio. Recorded in February 1923. Digitally transferred from analog discs sourced from the original 78 rpm records with applied Magix audio restoration software to reduce noise. No added reverb or artificial ambiance was used.
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