Florentio Maschera Vidéos
compositeur, organiste, violiste et violoniste italien
Commémorations 2024 (Décès: Florentio Maschera)
- orgue
- Italie
- compositeur ou compositrice
Dernière mise à jour
2024-04-21
Actualiser
Frieda Hempel Bellini Stern Humperdinck Hänsel Selma Kurz Gatti Casazza Maschera Caruso Emmy Destinn Margarete Matzenauer Pasquale Amato Geraldine Farrar Antonio Scotti Weber Amelita Galli Curci Galli Schubert Schumann Brahms Jenny Lind Covent Garden Metropolitan Opera House 1885 1905 1907 1912 1913 1914 1916 1917 1919 1921 1955
From Wikipedia: Frieda Hempel (26 June 1885 – 7 October 1955) was a German soprano singer in operatic and concert work who had an international career in Europe and the United States. Hempel was born in Leipzig and studied first at the Leipzig Conservatory and afterwards at the Stern Conservatory, Berlin, where she was a pupil of Selma Nicklass-Kempner. Her earliest appearances were in Breslau, singing Violetta, the Queen of the Night and Rosina. She made a debut in Schwerin in 1905, and was engaged there for the next two years, singing also Gilda, Leonora (Il Trovatore) and Woglinde. She made such a success that the Kaiser Wilhelm II requested the Schwerin authorities to release her to sing also in Berlin. She made a debut there in 1905 as Frau Fluth (in Nicolai's Die Lustigen Weiber von Windsor). She sang at the Royal Court Opera, Berlin, from 1907 to 1912, where she was also admired as Lucia, Marguerite de Valois and Marie. She appeared at the Covent Garden, London in 1907 as Bastienne, as Humperdinck's Hänsel und Gretel, as Eva and Elsa and again as Frau Fluth: Melba and Selma Kurz were taking centre stage in the more popular roles. In 1912 she made her debut at the Metropolitan Opera, in New York City as Marguerite de Valois in Les Huguenots. She sang regularly in New York thereafter into the 1920s. She was the first to sing the Marschallin in Der Rosenkavalier in New York (for Gatti-Casazza, December 9, 1913) and in Berlin, and she also sang the role in London in 1913. She was in the Met 1913 Un Ballo in Maschera as Oscar, with Caruso, Emmy Destinn, Margarete Matzenauer and Pasquale Amato; also the 1916 Marriage of Figaro with Matzenauer, Geraldine Farrar and Antonio Scotti. Her La Fille du Régiment was presented there in 1917. Hempel had a very wide dramatic range, from Rosina or Queen of the Night to Wagner's Eva and Weber's Euryanthe (Metropolitan, 1914 revival). After 1919 she devoted herself to concert recitals, and left the Metropolitan Opera House somewhat abruptly, making way for the career of Amelita Galli-Curci. However she then made a second career on the concert platform, excelling in the performance of lieder of Mozart, Schubert, Schumann, Brahms and Wolf, in Mozart concert arias, and the like. She became famous for recitals in which she appeared in costume as the famous nineteenth-century soprano Jenny Lind. She died in Berlin in 1955 at the age of 70.
Frieda Hempel Puccini Stern Humperdinck Hänsel Selma Kurz Gatti Casazza Maschera Caruso Emmy Destinn Margarete Matzenauer Pasquale Amato Geraldine Farrar Antonio Scotti Weber Amelita Galli Curci Galli Schubert Schumann Brahms Jenny Lind Covent Garden Metropolitan Opera House 1885 1905 1907 1912 1913 1914 1916 1917 1919 1955
Hempel sings Mimi's aria from 'La Boheme,' recorded in Berlin on 18 September 1913. This side is a little more 'well-loved' than those I have previously uploaded, but still quite acceptable. From Wikipedia: Frieda Hempel (26 June 1885 – 7 October 1955) was a German soprano singer in operatic and concert work who had an international career in Europe and the United States. Hempel was born in Leipzig and studied first at the Leipzig Conservatory and afterwards at the Stern Conservatory, Berlin, where she was a pupil of Selma Nicklass-Kempner. Her earliest appearances were in Breslau, singing Violetta, the Queen of the Night and Rosina. She made a debut in Schwerin in 1905, and was engaged there for the next two years, singing also Gilda, Leonora (Il Trovatore) and Woglinde. She made such a success that the Kaiser Wilhelm II requested the Schwerin authorities to release her to sing also in Berlin. She made a debut there in 1905 as Frau Fluth (in Nicolai's Die Lustigen Weiber von Windsor). She sang at the Royal Court Opera, Berlin, from 1907 to 1912, where she was also admired as Lucia, Marguerite de Valois and Marie. She appeared at the Covent Garden, London in 1907 as Bastienne, as Humperdinck's Hänsel und Gretel, as Eva and Elsa and again as Frau Fluth: Melba and Selma Kurz were taking centre stage in the more popular roles. In 1912 she made her debut at the Metropolitan Opera, in New York City as Marguerite de Valois in Les Huguenots. She sang regularly in New York thereafter into the 1920s. She was the first to sing the Marschallin in Der Rosenkavalier in New York (for Gatti-Casazza, December 9, 1913) and in Berlin, and she also sang the role in London in 1913. She was in the Met 1913 Un Ballo in Maschera as Oscar, with Caruso, Emmy Destinn, Margarete Matzenauer and Pasquale Amato; also the 1916 Marriage of Figaro with Matzenauer, Geraldine Farrar and Antonio Scotti. Her La Fille du Régiment was presented there in 1917. Hempel had a very wide dramatic range, from Rosina or Queen of the Night to Wagner's Eva and Weber's Euryanthe (Metropolitan, 1914 revival). After 1919 she devoted herself to concert recitals, and left the Metropolitan Opera House somewhat abruptly, making way for the career of Amelita Galli-Curci. However she then made a second career on the concert platform, excelling in the performance of lieder of Mozart, Schubert, Schumann, Brahms and Wolf, in Mozart concert arias, and the like. She became famous for recitals in which she appeared in costume as the famous nineteenth-century soprano Jenny Lind. She died in Berlin in 1955 at the age of 70.
Frieda Hempel Stern Humperdinck Hänsel Selma Kurz Gatti Casazza Maschera Caruso Emmy Destinn Margarete Matzenauer Pasquale Amato Geraldine Farrar Antonio Scotti Weber Amelita Galli Curci Galli Schubert Schumann Brahms Jenny Lind Covent Garden Metropolitan Opera House 1885 1905 1907 1911 1912 1913 1914 1916 1917 1919 1955
This is a further title recorded in Berlin on 13 April 1911. From Wikipedia: Frieda Hempel (26 June 1885 – 7 October 1955) was a German soprano singer in operatic and concert work who had an international career in Europe and the United States. Hempel was born in Leipzig and studied first at the Leipzig Conservatory and afterwards at the Stern Conservatory, Berlin, where she was a pupil of Selma Nicklass-Kempner. Her earliest appearances were in Breslau, singing Violetta, the Queen of the Night and Rosina. She made a debut in Schwerin in 1905, and was engaged there for the next two years, singing also Gilda, Leonora (Il Trovatore) and Woglinde. She made such a success that the Kaiser Wilhelm II requested the Schwerin authorities to release her to sing also in Berlin. She made a debut there in 1905 as Frau Fluth (in Nicolai's Die Lustigen Weiber von Windsor). She sang at the Royal Court Opera, Berlin, from 1907 to 1912, where she was also admired as Lucia, Marguerite de Valois and Marie. She appeared at the Covent Garden, London in 1907 as Bastienne, as Humperdinck's Hänsel und Gretel, as Eva and Elsa and again as Frau Fluth: Melba and Selma Kurz were taking centre stage in the more popular roles. In 1912 she made her debut at the Metropolitan Opera, in New York City as Marguerite de Valois in Les Huguenots. She sang regularly in New York thereafter into the 1920s. She was the first to sing the Marschallin in Der Rosenkavalier in New York (for Gatti-Casazza, December 9, 1913) and in Berlin, and she also sang the role in London in 1913. She was in the Met 1913 Un Ballo in Maschera as Oscar, with Caruso, Emmy Destinn, Margarete Matzenauer and Pasquale Amato; also the 1916 Marriage of Figaro with Matzenauer, Geraldine Farrar and Antonio Scotti. Her La Fille du Régiment was presented there in 1917. Hempel had a very wide dramatic range, from Rosina or Queen of the Night to Wagner's Eva and Weber's Euryanthe (Metropolitan, 1914 revival). After 1919 she devoted herself to concert recitals, and left the Metropolitan Opera House somewhat abruptly, making way for the career of Amelita Galli-Curci. However she then made a second career on the concert platform, excelling in the performance of lieder of Mozart, Schubert, Schumann, Brahms and Wolf, in Mozart concert arias, and the like. She became famous for recitals in which she appeared in costume as the famous nineteenth-century soprano Jenny Lind. She died in Berlin in 1955 at the age of 70.
Jean Luc Chaignaud Régine Crespin Gabriel Bacquier Christa Ludwig Hans Hotter Herbert Karajan Maschera Verdi Plácido Domingo Josephine Barstow Sumi Jo Schlesinger Sir Georg Solti Eberhard Wächter Donizetti Luciano Pavarotti Puccini Mirella Freni Massenet Renée Fleming Roberto Alagna Bizet Zeffirelli Mahler Arditti Michel Béroff Cilea Rolando Villazón Riccardo Muti Giuseppe Sinopoli Richard Bonynge Seiji Osawa Pierre Boulez Valeri Guerguiev Jeffrey Tate Christian Thielemann Charles Dutoit Christoph Eschenbach Festival Salzbourg Scala Théâtre Liceu Barcelone Carnegie Hall Royal Albert Hall Opéra Monte Carlo Opéra Vienne Metropolitan Opera Quatuor Arditti Opmc 1988 1989 1990 1991 1992 1993 1994 2009 2010 2014
Kassis - Concerts à la maison : Jean-Luc Chaignaud -Leçon de chant Jean-Luc Chaignaud : un baryton soliste français, chanteur d'opéras, de lieders et d'oratorios. Étudie le chant avec Régine Crespin et Gabriel Bacquier au Conservatoire de Paris, puis entre à l’École d’Art Lyrique de l’Opéra de Paris où il participe aux master class de Christa Ludwig et Hans Hotter. Après avoir fait ses débuts en 1988 au mai musical de Bordeaux et au Festival Ossiachersee en Autriche, il est engagé par Herbert von Karajan pour le rôle de Silvano dans Un ballo in maschera de Verdi, aux côtés de Plácido Domingo, Josephine Barstow et Sumi Jo, enregistré pour la Deutsche Grammophon (1989). Une mise en scène par John Schlesinger de cette production, cette fois-ci sous la baguette de Sir Georg Solti, est réalisée pour le Festival de Salzbourg en 1989 et 1990 et également filmée (Arthaus/TDK, 1990). Sa formation avec la mezzo-soprano allemande Christa Ludwig est déterminante pour sa carrière, comme elle le relate dans ses mémoires Ma voix et moi au cours d’un passage dithyrambique sur le talent de ce baryton d’une « très belle voix » et qui « chante bien avec musicalité ». Au cours d’une première et seule audition pour le rôle de Figaro à l'Opéra de Vienne, le directeur Eberhard Wächter donne immédiatement à Jean-Luc Chaignaud un contrat de plusieurs années, le propulsant ainsi dans une carrière sur les grandes scènes intérnationales1. Durant la saison 1991-1992 à l'Opéra de Vienne, il incarne le personnage de Belcore dans L'elisir d'amore de Donizetti aux côtés du ténor italien Luciano Pavarotti et de Marcello dans La Bohème de Puccini avec la soprano italienne Mirella Freni. Son travail avec ces deux grands interprètes, « couple mythique de l’opéra », avec lesquels il partagera la scène plusieurs fois à Vienne et à Paris, a une grande influence sur son approche du chant ainsi que sur l’évolution de sa carrière. En 1993, la critique française chante ses louanges2. Le premier quotidien national français Le Figaro qualifie Jean-Luc Chaignaud de « prodige de scène » « éblouissant d’humanité et de tendresse » et fait l’éloge de sa voix « admirablement conduite, irisée de très belles couleurs. »3. Les grandes qualités d’interprétation et de musicalité de Jean-Luc Chaignaud vont de pair avec sa voix puissante et « son solide métier »4. Connu principalement pour les rôles de Lescaut dans l’opéra Manon de Massenet aux côtés de Renée Fleming, de Marcello dans l’opéra La Bohème de Puccini aux côtés de Roberto Alagna, et d’Escamillo dans l’opéra Carmen de Bizet mis en scène par Franco Zeffirelli, il chante dans un répertoire qui comprend notamment des opéras de Mozart, Verdi, Donizetti, Puccini et Bizet, dans des grandes salles comme le Metropolitan Opera de New York, l'Opéra de Paris, l'Opéra de Vienne, La Scala de Milan, le Grand théâtre du Liceu de Barcelone, Carnegie Hall de New York, Royal Albert Hall London, l’Opéra de Munich ou l’Opéra de Pékin. Au cours de plus de trente années de carrière internationale, Jean-Luc Chaignaud interprète à travers le monde entier un grand nombre de répertoires et styles variés : le répertoire italien du Bel canto mais aussi le Baroque, les lieder, les oratorio et les musiques contemporaines comme Ça Ira de Roger Waters. Parmi ses enregistrements figurent un récital exceptionnel au Musée du Louvre des Lieder eines fahrenden Gesellen de Mahler avec le Quatuor Arditti sous la direction de Michel Béroff à l’occasion de la réouverture du musée en 1989, l’opéra Adriana Lecouvreur de Cilea avec Mirella Freni (La sept Arte/Opéra national de Paris, France musique, 1994), Manon de Massenet avec Renée Fleming (Arthaus, 2009), L'elisir d'amore de Donizetti avec Rolando Villazón (Virgin Classics, 2010) et un hommage au poète-compositeur-interprète franco-monégasque Léo Ferré à l'Opéra de Monte-Carlo (OPMC Classics, 2014).Il a collaboré avec des chefs d’orchestre comme Herbert von Karajan, Sir Georg Solti, Riccardo Muti, Giuseppe Sinopoli, Richard Bonynge, Seiji Osawa, Pierre Boulez, Valeri Guerguiev, Jeffrey Tate, Christian Thielemann, Daniel Oren, Charles Dutoit ou Christoph Eschenbach.
ou
- chronologie: Compositeurs (Europe).
- Index (par ordre alphabétique): M...