François-Hippolyte Barthélemon Vidéos
compositeur français
- violon
- opéra
- France
- compositeur ou compositrice, violoniste
Dernière mise à jour
2024-04-28
Actualiser
Franz Joseph Haydn Helmut Müller Brühl Brühl Charles Rosen Wolfgang Amadeus Mozart 1530 1779 1781 1792 1847
Franz Joseph Haydn: Symphony No. 75 in D major, Hob. I/75 (with Score) Composed: 1779-81 Conductor: Helmut Müller-Brühl Orchestra: Cologne Chamber Orchestra 00:00 1. Grave — Presto (D major) 06:34 2. Poco adagio (G major) 15:30 3. Menuetto: Allegretto — Trio (D major) 18:47 4. Finale: Vivace (D major) The Symphony No. 75 in D major (Hoboken 1/75) is a symphony composed by Joseph Haydn between 1779 and 1781. The opening slow introduction is marked Grave. The first theme features a lyrical rising half-step motif followed by three loud chords. Mozart wrote down this theme along with the openings of symphonies 47 and 62, presumably, as Charles Rosen noted, "with an eye to conducting them at his concerts." The second theme is very brief and also contains a rising half-step. The second theme is omitted from the recapitulation. The second movement is a theme in muted strings followed by four strophic variations. The second variation features a dialogue between wind & brass fanfares with simple string writing. The third features a solo string trio against a pizzicato accompaniment. Here, the solo cello plays continuously weaving sixteenth notes under the melody in the two other solo strings. Haydn reported a curious story during his first visit to London: "On 26th March 1792 at Mr Barthelemon's Concert, there was an English clergyman who sank into the deepest melancholy on hearing my Andante [here Haydn cites the opening of the second movement of Symphony No. 75], because the night before he had dreamt that such an Andante was a premonition of his death. — He immediately left the company and took to his bed, and today, the 25th of April, I learnt from Herr Barthelemon that this Protestant clergyman had died." Elaine Sisman has postulated that Wolfgang Amadeus Mozart modeled the slow movement of his Piano Concerto No. 15 on the second movement of this symphony. The fourth movement is "a rounded binary form with repeats of both halves," sometimes mistaken for sonata form.
Elisabetta Gambarini Marianne Martinez Auenbrugger Haydn 1731 1744 1751 1759 1765 1767 1782 1812 1859 2020
PRVO VEČE FESTIVALA 16.11.2020. u 19.30, Svečana sala Skupštine Grada Žensko stvaralaštvo u drugoj polovini osamnaestog veka Koncert čembalistkinje BOJANE DIMKOVIĆ Program: Elizabeta de Gambarini (1731–1765) Menuet i varijacije, op. 2 04:57 Marijana Martinez (1744–1812) Sonata u A–duru Allegro: Rondo 10:07 Adagio 13:41 Tempo di Menuetto 20:03 Marijana Fon Auenbruger (1759–1782) Sonata u Es–duru Moderato 22:50 Adagio 28:55 Rondo Allegro 35:06 Cecilija Marija Bertelemon (1767–1859) Sonata u Ge–duru, op. 3 (posvećena J. Hajdnu) Allegro vivace 39:10 Adagio 44:40 Rondo alla hornpipe 47:52 Iz perspektive izvođača, druga polovina 18. veka je vrlo interesantan period koji nameće dosta pitanja o muzičkim stilovima i izvođačkoj praksi. Ovim resitalom, Bojana Dimković je pokušala da se osvrne na bogatstvo ideja i pravaca koji su koegzistirali u ovom momentu u istoriji a sve kroz predstavljanje odabranog ali zapostavljenog opusa kompozitorki. Publika će imati priliku da čuje dela koja predstavljaju novinu na našim prostorima i koja bi trebalo da preispitaju ideju o ženskom stvaralaštvu kao pukom hobiju. Instrument: franko-flamansko čembalo, replika rađena prema originalima Hemša (c. 1751), graditelj: Kristijan Bjelanović / 17th International Festival “Harpsichord, Living Art”: BOJANA DIMKOVIĆ FIRST EVENING OF THE FESTIVAL 16/11/2020 at 19.30, City Hall Women composers in the second half of the 18th century BOJANA DIMKOVIĆ, harpsichord Program: Elisabetta de Gambarini +••.••(...)) Menuet and variations, Op. 2 Marianne von Martinez +••.••(...)) Sonata in A major Allegro: Rondo Adagio Tempo di Menuetto Marianna fon Auenbrugger +••.••(...)) Sonata in E flat major Moderato Adagio Rondo Allegro Cecilia Maria Barthelemon +••.••(...)) Sonata in G major Op. 3 (dedicated to J. Haydn) Allegro vivace Adagio Rondo alla hornpipe Through the lens of a performer, the second half of the Eighteenth century represents a fascinating period urging us to find answers regarding musical styles and performance practice. For this recital, Bojana Dimković has attempted to reminisce on the wealth of musical ideas and directions that coexisted in this moment in history and all through the selected yet neglected repertoire by women composers. The audience will have the rare opportunity to hear pieces which are meant to reexamine the idea about female creativity as a mere distraction. Instrument: Franco-Flemish harpsichord, after Hemsch (c. 1751), Maker: Kristijan Bjelanović
Cristo François Hippolyte Barthélémon 2013
Flauta piano e oboé 13 de fevereiro de 2013 musica - françois hippolyte barthélémon
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