Friedrich Wieck Vidéos
pianiste allemand
Commémorations 2025 (Naissance: Friedrich Wieck)
- piano
- musique classique
- Électorat de Saxe, royaume de Saxe, Reich allemand
- pianiste, musicologue, professeur ou professeure de musique, critique musical, compositeur ou compositrice
Dernière mise à jour
2024-04-25
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Clara Wieck Wieck Robert Schumann 2010
Provided to YouTube by Warner Music Group - X5 Music Group Grand Sonata No. 3 in F Minor for Piano, Op. 14: III. Quasi variazioni: Andantino de Clara Wieck · Edith Picht-Axenfield · Edith Picht-Axenfield The 99 Most Essential Schumann Masterpieces ℗ 2010 Warner Music Group - X5 Music Group Released on: 2010-10-04 Composer: Robert Schumann Auto-generated by YouTube.
Robert Schumann Zubin Mehta Clara Wieck Wieck Felix Mendelssohn Böttger Wiener Philharmoniker 1840 1841 1915
Robert Schumann: Symphony No. 1 in B-flat major, Op. 38 "Spring" (with Score) Composed: 1841 Conductor: Zubin Mehta Orchestra: Wiener Philharmoniker 00:00 1. Andante un poco maestoso - Allegro molto vivace (B-flat major) 11:51 2. Larghetto (E-flat major) 19:15 3. Scherzo: Molto vivace (G minor) 25:08 4. Allegro animato e grazioso (B-flat major) The Symphony No. 1 in B♭ major, Op. 38, also known as the Spring Symphony, is the first completed symphonic work composed by Robert Schumann. Although he had made some "symphonic attempts" in the autumn of 1840 soon after he married Clara Wieck, he did not compose his first symphony until early 1841. Until then, Schumann was largely known for his works for the piano and for voice. Clara encouraged him to write symphonic music, noting in her diary, "it would be best if he composed for orchestra; his imagination cannot find sufficient scope on the piano... His compositions are all orchestral in feeling... My highest wish is that he should compose for orchestra—that is his field! May I succeed in bringing him to it!" Schumann sketched the symphony in four days from 23 to 26 January and completed the orchestration by 20 February. The premiere took place under the baton of Felix Mendelssohn on 31 March 1841 in Leipzig, where the symphony was warmly received. According to Clara's diary, the title "Spring Symphony" was bestowed upon it due to Adolf Böttger's poem Frühlingsgedicht. Originally, each movement had its own title, with the first movement nicknamed "The Beginning of Spring", the second "Evening", the third "Merry Playmates", and the last "Spring in Full Bloom". However, Schumann withdrew the titles before publication. The first movement was described by the composer as a "summons to awakening", and "The vernal passion that sway men until they are very old, and which surprises them with each year." One scholar wrote that "If that makes this a kind of Last Judgment, then the rest of the symphony is a Garden of Heavenly Delights."[10] The first trio of the third movement quotes motifs from the first movement. The last movement of the symphony also uses the final theme of Kreisleriana, and therefore recalls the romantic and fantastic inspiration of the composer's piano compositions.
Robert Schumann Serre Clara Wieck Friedrich Wieck Beethoven Chopin Tchaikovsky Bach Vivaldi Brahms Haydn Liszt Strauss II 1838 1839
#schumann #musicaclasica #Blumenstück Blumenstück (pieza de flor) en re bemol, op. 19, es una obra para piano de Robert Schumann, escrita en 1839. Blumenstück es una serie de episodios breves, conectados y temáticamente relacionados, de los cuales el segundo forma un estribillo recurrente mientras experimenta cambios tanto de tono como de humor. Se considera que refleja las actividades humanas amorosas con las que se asocian las flores, más que como representaciones de las flores mismas. Blumenstück fue escrito en Viena en enero de 1839; su pieza compañera, el Arabeske en C, op. 18, fue escrito en diciembre de 1838. Otras obras escritas en esta época fueron Humoreske , Op. 20, y el movimiento final de la Sonata No. 2 en sol menor, Op. 22. Schumann escribió que compuso Arabeske y Blumenstück "con la esperanza de elevarme a la primera fila de los compositores favoritos de las mujeres de Viena". Las dos piezas se publicaron simultáneamente en agosto de 1839, aunque no como un conjunto. Ambas obras fueron dedicadas a Majorin Friederike Serre auf Maxen, la esposa del Mayor Anton Serre, quienes juntos prestaron un gran estímulo a Schumann en su romance con Clara Wieck, a pesar de ser amigos cercanos de su padre Friedrich Wieck , quien se opuso implacablemente al matrimonio. Blumenstück presenta un motivo descendente de cuatro notas que Schumann había usado anteriormente para referirse a Clara Wieck en Carnaval , op. 9. Suscríbete a nuestro canal Mundo Sinfónico ➥ (http•••) También escucha♫➥Arabeske en Do Mayor (Op. 18): (http•••) También escucha♫➥Humoreske (Op. 20): (http•••) ★ Más de Schumann♫➥ (http•••) ★ Escucha a Beethoven♫➥ (http•••) ★ Escucha a Mozart♫➥(http•••) ★ Escucha a Chopin♫➥(http•••) ★ Escucha a Tchaikovsky♫➥(http•••) ★ Escucha a Bach♫➥(http•••) ★ Escucha a Vivaldi♫➥(http•••) ★ Escucha a Brahms ♫➥(http•••) ★ Escucha a Wagner♫➥(http•••) ★ Escucha a Haydn♫➥(http•••) ★ Escucha a Liszt♫➥(http•••) ★ Escucha a Strauss II♫➥ (http•••) REDES SOCIALES Síguenos en Instagram: (http•••) Danos like en Facebook: (http•••) ☛ ¿Quieres escuchar más música como ésta. Lo podemos hacer! Apoya a nuestro Canal con una Donación Apóyanos con una Donación en Paypal (http•••)
Clara Wieck Schumann Schumann Korliss Uecker Wieck 2006
Provided to YouTube by The Orchard Enterprises Ich Stand In Dunklen Träumen, Op.13, No.1 · Clara Schumann · Joanne Polk / Korliss Uecker Completely Clara: Lieder By Clara Wieck Schumann ℗ 2006 Arabesque Recordings Released on: 2006-01-01 Auto-generated by YouTube.
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