Hans Werner Henze Vidéos
compositeur allemand
- piano
- opéra, symphonie, musique vocale, musique classique
- Allemagne
- compositeur ou compositrice, musicologue, musicien ou musicienne de jazz, professeur ou professeure d'université, chef ou cheffe d'orchestre, compositeur de musique de film, professeur ou professeure de musique
streaming
Dernière mise à jour
2024-03-26
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Staatsoper Staatsoper Hannover Tichina Vaughn Henze Rohde Mottl Eggert Heide Baumann Franz Mazura Scharf Carmen Fuggiss Sitkovetsky Simon Bode Bode Gihoon Kim 2017
Henze Der junge Lord Staatsoper Hannover September 2017. Musikalische Leitung Mark Rohde Inszenierung Bernd Mottl Bühne Friedrich Eggert Kostüme Alfred Mayerhofer Licht Sascha Zauner Choreographie Anastasiya Bobrykova Choreinstudierung Dan Ratiu Leitung Kinderchor Heide Müller Dramaturgie Christopher Baumann BESETZUNG Sir Edgar Franz Mazura Sekretär Stefan Adam Lord Barrat Sung-Keun Park Begonia Tichina Vaughn Bürgermeister Martin Busen Oberjustizrat Hasentreffer Frank Schneiders Ökonomierat Scharf Marco Vassalli Professor von Mucker Edward Mout Baronin Grünwiesel Julie-Marie Sundal Frau von Hufnagel Josy Santos Frau Oberjustizrat Hasentreffer Carmen Fuggiss Luise Rebecca Davis Ida Julia Sitkovetsky Ein Kammermädchen Ylva Stenberg Wilhelm Simon Bode Amintore La Rocca Uwe Gottswinter Ein Lichtputzer Gihoon Kim 1. Junger Herr Martin Rainer Leipoldt 2. Junger Herr Thomas Kubitza 3. Junger Herr Sebastian Franz Chor der Staatsoper Hannover Kinderchor der Staatsoper Hannover Niedersächsisches Staatsorchester Hannover
Wolfgang Boettcher Hans Werner Henze 1999
Provided to YouTube by The Orchard Enterprises Serenade: I. Adagio rubato · Wolfgang Boettcher · Hans Werner Henze 20th Century Works for Solo Cello ℗ 1999 Wyastone Estate Limited Released on: 1999-01-01 Auto-generated by YouTube.
Hans Werner Henze Blatt Ivan Sardi Dohnányi Weber 1968 1996
Provided to YouTube by Universal Music Group Henze: Der junge Lord / Act 1 - Introduction "Herr Professor, ich nehme kein Blatt.." · Ivan Sardi · Orchester der Deutschen Oper Berlin · Christoph von Dohnányi Henze: The Young Lord ℗ 1968 Deutsche Grammophon GmbH, Berlin Released on: 1996-01-01 Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Heinz Wildhagen Studio Personnel, Editor: Volker Martin Studio Personnel, Editor: Helmut Najda Composer: Hans Werner Henze Author: Ingeborg Bachmann Auto-generated by YouTube.
Igor Levit Franz Liszt Richard Wagner Gustav Mahler Hans Werner Henze Franz Welser Möst Gewandhausorchester Leipzig 1837 1973 2018 2020
Official music video of Igor Levit performing "Liebestraum No. 3 in A-Flat Major, S. 541/3 " by Franz Liszt. Listen here: (http•••) Subscribe to Igor Levit’s official YouTube channel here: (http•••) The official music video of Igor Levit playing “Liebestraum No. 3 in A-Flat Major, S. 541/3 ,” from his upcoming album “Tristan,” which will be released by Sony Classical on September 9. "Liebestraum was originally a song Liszt wrote, which he later transcribed for piano solo. The song gives you, almost in a very simplistic way — although I think the piece is extraordinary — but the message is very clear if you read the lyrics, that this is a paranoid piece of pain. Like someone advising you better love as long as your beloved is there because the day will come when your beloved is gone and you will regret and you will suffer, and then it‘s too late. It shows you it‘s not the fireplace kitsch music you hear all the time." — Igor Levit “Tristan” is a double album in which the pianist explores nocturnal themes of love and death, fear, ecstasy, loneliness & redemption in the music of Richard Wagner, Franz Liszt, Gustav Mahler & Hans Werner Henze. It includes Levit’s first concerto recording with the Gewandhausorchester Leipzig under Franz Welser-Möst with the album’s central work Henze’s “Tristan” for piano, electronic tapes and orchestra. The five works on the album span from 1837 to 1973 and represent very different genres. Only “Harmonies du Soir” was originally conceived for piano solo, but Igor Levit’s exploration of borderline experiences in our lives — death in Life (2018), spirituality in Encounter (2020) and now, with Tristan, the link between love, death and our need for redemption — means that it is not just masterpieces for the piano that are central to his concern but, above all, compositions in which certain thematic associations find their most personal expression. Here Levit’s own thoughts revolve more around the experience of night and of the nocturnal as a dark alternative to our conscious actions by day: “Night has so many faces. It can signal a place of refuge or the loss of control, it signifies love and death, and it is the place where we feel our deepest, most paranoid fears.” Video Director: Boris Fromageot FOLLOW IGOR LEVIT: Website & Tour Dates – (http•••) Twitter – (http•••) Instagram – (http•••) TikTok – (http•••) FOLLOW SONY CLASSICAL: Instagram – (http•••) Facebook – (http•••) Twitter – (http•••) TikTok – (http•••) YouTube – (http•••) Website – (http•••) #IgorLevit #Liszt #Tristan
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