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Beethoven Osmo Vänskä Yevgeny Sudbin Haydn Tapiola Sinfonietta 1503 1795 1801 2020
Tapiola Sinfonietta conducted by Osmo Vänskä. Yevgeny Sudbin as the piano soloist. I - Allegro con brio: 0:00 II - Largo: 15:03 III - Rondo. Allegro - Adagio - Tempo I: 25:22 Beethoven's Piano Concerto No.1 was composed between 1795-8, it being his third but first to be published. It was apparently premiered in Vienna in 1795, with Beethoven as soloist, but the piece wasn't still written down and he kept making changes. The premiere in its final form was done in April 2 of 1801, with the composer also at the piano in the Vienna’s Burgtheater. The work, apart of being a vehicle to present his virtuosity in Vienna, showcases Beethoven's assimilation of the classical style of Mozart and Haydn, the latter being his teacher for a brief period. However, and as always with Beethoven's music, subtle things that already distinguish the composer above the rest, like abrupt harmonic shifts and gestures many considered as capriccious. Compared with the previous ones, No.1 uses a larger orchestra, is more ambitious and richer. Beethoven wrote up to three cadenzas for the piece, each one longer and more virtuosistic that the previous one. The first movement is structured in a modified sonata form. A solemn main theme is presented by the orchestra, followed by a lyrical second theme on the violins. The music wanders through several tonalities before the development begins, with the piano entering modestly. The main theme reappears, answered by cascacades of arpeggios from the soloist. The second also appears, then taken and ornamented by the pianist. The music audaciously wanders to several tonalities, before the recapitulation brings back the main themes. Follows a substantial cadenza, in this case written by Sudbin himself. An orchestral coda, based on the main theme, ends the movement firmly. The second movement is structured in ternary form. It begins with a widely lyrical main theme presented by the soloist, over the the soft chords from the strings. The clarinet takes it, before the soloist takes the spotlight. The middle section opens with a delicate second theme, which doesn't offer much contrast. It is briefly developed with Beethoven's characteristic harmonic twists. The main theme is then recapitulated. A long coda, featuring dialogues between piano and clarinet, lead us to a calm ending. The third movement is structured as a rondo (A-B-A'-C-A''-B'-Cadenza-A'''-Cadenza-Coda). It begins with the piano presenting a lively and rhythmic main theme, then taken by the orchestra. A more melodic second theme is presented, before the main theme is recapitulated in a varied manner. A playful third theme is also presented, with brief solos of the woodwinds. The main theme is recapitulated, followed by the more melodic second one. A brief but brilliant cadenza takes place, also written by Sudbin, leading to a new recapitulation of the main theme. A short but lyrical second cadenza takes place, followed by an intense coda that ends the work forcefully. Picture: A frame from the 2020 German film "Louis van Beethoven". Sources: (http•••) and (http•••) To check the score: (http•••)
Edvard Grieg Yevgeny Sudbin Hannu Lintu Finnish Radio Symphony Orchestra 2019
Edvard Grieg Piano Concerto in a minor 1st mov. allegro moderato Piano, Yevgeny Sudbin Conductor, Hannu Lintu Finnish Radio Symphony Orchestra 27 September 2019, Helsinki Music Center
Sudbin Maurice Ravel Haag 2008
Yevgeni Sudbin piano Festival Classique 2008 the Hague (den Haag) Maurice Ravel Gaspard de la nuit part part 1 Ondine
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