Jan Adam z Questenberka Vidéos
compositeur ou compositrice, mécène
- République tchèque
Dernière mise à jour
2024-05-07
Actualiser
František Adam Míča Míča Tessarini Krebs Questenberg Mozart Veselý
★ Follow music ► (http•••) Composer: František Adam Míča +••.••(...)) Work: Symphony in E-flat Major (c.1770) Performers: Tеssarini Chamber Orchestra Symphony in E-flat Major (c.1770) 1. Andante moderato 0:00 2. Allegro molto 5:26 3. Minuetto 9:38 4. Finale, presto 11:36 Painting: Francis Bourgeois +••.••(...)) - Cavalry in a Landscape Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / František Adam (Jan Adam František de Paula) Míča [Micza, Mischa, Mitscha] (Jaroměřice nad Rokytnou, 11 January 1746 - Lemberg [now L'viv], 19 March 1811) Moravian composer. He was the nephew of František Antonín Míča +••.••(...)). He studied music probably with his father Karel Antonín Míča +••.••(...)), a Kammerdiener (valet) and musician of Count Questenberg at Jaroměřice, later a door-keeper and musician to the imperial court at Vienna. After law studies at Vienna (completed 1767), he became a government official there, and later in Styria (c.1786-96) as well as in the Austrian provinces of Poland (from May 1796). He devoted himself to music as an amateur, mostly while in Vienna (to December 1785). He played several instruments, and his compositions enjoyed considerable esteem, notably with W.A. Mozart and Emperor Joseph II. His symphonies (of which the earliest manuscript is dated 1771) and string quartets (manuscripts dated 1786) use the general expressive techniques of the period. They consist of three or four movements, the first two sometimes being reversed (slow–fast); the movements in sonata form usually have two contrasting themes. A manuscript biography of Míča, including a detailed though incomplete list of his works, is in the library of the Gesellschaft der Musikfreunde in Vienna, and was partly published in Veselý (1968).
Silvius Leopold Weiss Bach Hoffmann Kneller Charles Mouton Crespi Carnevale Graf Questenberg Zwinger 1690 1692 1697 1710 1711 1716 1717 1718 1719 1720 1730 1735 1740 1743 1748 1750 1752
To jump to a different movement, please click on the time stamp below: 0:00 Allemande 3:24 Courante 7:45 Tempo di Menueto 11:47 Gigue PROGRAM NOTES Silvius Leopold Weiss +••.••(...)) was the most prolific composer of lute music to have ever lived. He was well recognized even during his lifetime regarding both his performance and composing skills. There is a legend that Weiss, lute in hand, competed against J.S. Bach on the cembalo in a public venue. Weiss reinvigorated the lute, which had dominated Continental music in the Middle Ages and Renaissance but whose popularity was rapidly waning across Europe by the early 18th Century. This f minor suite is modeled after French chamber ensemble music that was all the rage in Germany between 1710-1720. The 21st Lute Suite is contemporary with Bach's keyboard music from the French Suites as well as ensemble music like the Orchestral Suites. It has a certain ethereal quality that is abstract, elegant and meditative despite its underlying dance rhythm. I edited a MIDI file uploaded to the website classicalarchives.com . I transposed the original file, which was in e minor up to f minor (the original key). It is possible that the original MIDI publisher (David Lovell) was applying Baroque pitch (approximately a semitone lower than modern pitch). I used the iPhone app MusicStudio2 to filter the sound to obtain a more lute-like tone. LIST OF ILLUSTRATIONS 1. Allemande, GB-Lbl Ms. Add. 30387, 1719 (The score is written out by hand in lute tabulature form which indicates finger position rather than absolute pitch) 2. Freifrau von Keyserlinck playing lute, Antoine Pesne, c1745 3. Baroque lute, J.C Hoffmann, 1730 4. View of Dresden from the left bank of the Elbe River, Bernardo Bellotto, 1748. Weiss performed twice in Dresden around 1718 and eventually settled down in this city. 5. Lute player, Willem van Mieris, 1711 6. Ending of the Allemande with Weiss' autograph, 1719 7. Dresden town center, Bernardo Bellotto, 1750 8. Courante, GB-Lbl Ms. Add. 30387, 1719 9. Dancers in a Pavilion, Nicolas Lancret, c1730 10. Arabella Hunt playing lute, Godfrey Kneller, 1692 11. Concerto, Donato Creti, 1697 12. Music Lesson (with lute player), Nicolas Lancret, 1743 13. Charles Mouton, François de Troy, Paris, 1690 14. Portrait of a Dancer (Mademoiselle Marie Sallé?), Nicolas Lancret, 1735 15. Dancers (in a pastoral setting), Nicolas Lancret, c1725 16. Tempo di Menueto, GB-Lbl Ms. Add. 30387, 1719 17. Colosseum and Arch of Constantine (probably visited by Weiss around 1717), Bernardo Bellotto, c1742 18. Woman tuning a Lute, Giuseppe Maria Crespi, c1705 19. Architectural Capriccio with the philosopher Diogenes, Giovanni Paolo Panini, c1720 20. Carnevale o Minueto, Giandomenico Tiepolo, c1754 21. Roman Forum, Bernardo Bellotto, 1743 22. Archlute, David Tecchler, Rome, c1725 23. Man playing lute (Weiss?), Unknown artist 24. Gigue, GB-Lbl Ms. Add. 30387, 1719 25. Baroque lute, Joachim Tielke, Hamburg, c1690 26. View of Dresden Fortress Wall, Bernardo Bellotto, c1750 27. Ending of Giggue with Weiss' autograph 28. La Camargo dancing, Nicolas Lancret, before 1740 29. Count Johann Adam Graf von Questenberg playing lute, Jan Kupecký, 1716 30. Concert in the Park, Nicolas Lancret, after 1720 31. Zwinger in Dresden, Bernardo Bellotto, 1752
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