Jean Baptiste Édouard Du Puy Vidéos
musicien suisse
- violon, voix
- Suède, Danemark, Suisse
- artiste lyrique, compositeur ou compositrice, acteur ou actrice, pianiste, maître de chapelle, violoniste, chanteur ou chanteuse
streaming
Dernière mise à jour
2024-04-28
Actualiser
Camille Saint Saëns Gordan Nikolitch Kobayashi Svetlin Roussev Jean Yves Bosseur Yann Robin Ferrand Webern Cherubini Beethoven Opéra Vichy 1984 1990 2007 2020
Danse macabre, opus 40 . Camille Saint-Saëns d'après le poème d'Henri Cazalis l'Orchestre Symphonique des Dômes vous présente ses meilleurs vœux pour l'année 2020 Danse macabre (Saint-Saëns) Concert à l'Opéra de Vichy. Direction : Gilles Raynal Créé en 1984 afin d’offrir un cadre de formation complémentaire aux musiciens enseignants de la région ainsi qu’aux futurs musiciens professionnels, l’Orchestre Symphonique des Dômes est aujourd’hui composé de 76 musiciens venant de l’ensemble de la région Auvergne et propose un large répertoire orienté sur la fin du XIXe et sur le XXe siècle. Il peut se produire également en petite formation Mozart. Depuis 1984, l’activité régulière de l’association a permis d’accueillir plus de 500 musiciens régionaux et l’élaboration de 110 programmes symphoniques au travers de 500 concerts sous la direction de Gilles Raynal. Plusieurs grands solistes internationaux sont venus encourager cette phalange auvergnate parmi lesquels : Gordan Nikolitch, Marie Kobayashi, Natalia Troull, Svetlin Roussev ... Cette formation a également ouvert ses portes aux talents régionaux : Olivier Besnard, Angélique Pourreyron, Beatrice Berne, Claudine Simon, Patrick Garayt, William Sabatier, ... L’Orchestre a inspiré plus de 40 créations internationales de compositeurs actuels : Daniel Meier, Jean -Yves Bosseur, Wataru Miyakawa, Yann Robin pour ne citer que les dernières oeuvres interprétées. L’Orchestre Symphonique des Dômes s’intègre dans le paysage musical auvergnat et a suscité des collaborations fructueuses avec les principaux acteurs : Comédie de Clermont-Ferrand scène nationale - Gilles Raynal 20 ans de composition. Création contemporaine (J.Y. Bosseur) - Concert XXe siècle autour de l’opus 6 de Webern. Centre Lyrique d’Auvergne : Djamileh - Requiem Cherubini - Beethoven symphonie N° IX. Enfin, cet ensemble a donné naissance à de grands projets fédérateurs rassemblant Choeurs et Orchestre avec les partenaires suivants : La Grande Vocale, le Canto Général Auvergne, le Choeur de Chambre de Clermont-Ferrand, les Choeurs de Paris, le Choeur Régional d’Auvergne, Dômes en Choeur. Depuis 2007 , avec l’aide du Conseil Général, la tournée départementale a permis la diffusion décentralisée d’une quarantaine de concerts symphoniques sur tout le département du Puy-de-Dôme. En résidence à Cournon-d’Auvergne depuis 1990, l’Orchestre est soutenu par la DRAC Auvergne-Rhône-Alpes, le Conseil Départemental du Puy-de-Dôme, la Fondation d’Entreprise Michelin, la ville de Cournon-d'Auvergne, le Conseil Régional Auvergne-Rhône-Alpes, et par Clermont- Communauté.
Gravat el 09/10/2021 al Monestir de Sant Cugat pel Cor de Guies i Scouts d'Europa. Jacques Berthier +••.••(...)) va ser un organista i compositor francès, que va compondre nombroses obres per a scouts. Destaca la seva obra "Missa Pro Europa" que va composar en motiu d'una trobada de Guies i Scouts d'Europa l'any 1994 a Puy-en-Velay i que ha anat més enllà de l'entorn de l'escoltisme.
Buckley Gervais Cassel Sauveur 2019 2020
Musiques : Rise by Punch Deck | (http•••) Musique promue par (http•••) Creative Commons Attribution 3.0 Unported License (http•••) Restabilized by Punch Deck | (http•••) Music promoted by (http•••) Creative Commons Attribution 3.0 Unported License (http•••) Ashes Of A Fallen Year de Scott Buckley | (http•••) Musique promue par (http•••) Attribution 4.0 International (CC BY 4.0) (http•••) Autres Videos Saint Gervais les Bains / (http•••) Saint-Gervais-Mont Blanc Le Bettex / (http•••) Le Bourg d'Oisans / (http•••) Découvrez les plus beaux paysages de France / (http•••) Les 21 Lacets de l'Alpe d'Huez / (http•••) Le Viaduc De Millau / (http•••) Le Massif Des Maures (Var) / (http•••) Saint-Gervais - Mont Blanc / (http•••) L'Alpe d'Huez - La Descente / (http•••) L'Alpe d'Huez - La Montée / (http•••) Saint-Tropez / (http•••) Face Au Mont Blanc / (http•••) Cassel en Flandre / (http•••) Super-Besse (Auvergne) / (http•••) Les Pyrénées (Hautes-Pyrénées) / (http•••) Le Bettex 2019 (Haute-Savoie) / (http•••) Col du Tourmalet par Luz-Saint-Sauveur / (http•••) Le Bettex 2020 (Haute-Savoie) / (http•••) Timelapse Mont Blanc / (http•••) Col de la Bonette par Saint-Etienne-de-Tinée (Alpes-Maritimes)--- (http•••) Le Grand Ballon par Uffholtz (Haut-Rhin)--------------------------------------- (http•••) Montée de la Station du Sancy (Puy-de-Dôme)------------------------------(http•••) Montée de Super-Besse (Puy-de-Dôme)-----------------------------------------(http•••) Montée du col de la Croix-Morand (Puy-De-Dôme)------------------------(http•••) Montée du col de la Geneste (Puy-De-Dôme) / (http•••) Autour du Sancy (Puy-De-Dôme) / (http•••) Le Mont Ventoux par Bédoin (Vaucluse) / (http•••) Le Bettex été hiver (Haute-Savoie) / (http•••) Saint-Gervais-les-Bains au printemps (Haute-Savoie) / (http•••) Le Puy-En-Velay (Haute-Loire) / (http•••) Le Mont Lozère (Lozère) / (http•••)
Franz Adolf Berwald Tobias Ringborg Ringborg Niklas Willén Blunt Felix Mendelssohn Carl Nielsen Forge Swedish Chamber Orchestra 1440 1796 1811 1822 1829 1835 1841 1866 1868 1911
Franz Adolf Berwald - Violin Concerto in C sharp minor, Op. 2, Tobias Ringborg (violin), Swedish Chamber Orchestra, Niklas Willén (conductor) I. Allegro moderato – 00:00 II. Adagio – 12:15 / III. Rondo. Allegretto – 14:40 Franz Adolf Berwald (born in Stockholm on July 23, 1796 and died there on April 3, 1868) was a Swedish Romantic composer who was generally ignored during his lifetime and had to make his living as an orthopedic surgeon and, later, as the manager of a saw mill and glass factory. He is now considered the finest Swedish composer of the 19th century, indeed probably the finest Swedish composer of any century. Berwald came from a family with four generations of musicians; his father, a violinist in the Royal Opera Orchestra, taught young Berwald the violin from an early age. He soon appeared in concerts. In 1811, Karl XIII (brother of Gustavus III) came to power and reinstated the Royal Chapel; the following year Berwald started working there, as well as playing the violin in the court orchestra and the opera, receiving lessons from Edouard du Puy. He also started composing. The summers were off-season for the orchestra, and Berwald travelled around Scandinavia, Finland and Russia. His early compositions were not well received, with a critic writing, “It seems as if Herr Berwald’s hunt for originality and his constant striving to impress with great effects has deliberately banished all melodiousness from his compositions.” Berwald’s reply was equally blunt, and he basically managed to alienate the entire musical establishment of Stockholm. As such he applied for a grant from the king to travel to Germany in 1822. After several unsuccessful applications, Berwald finally managed to depart for Berlin in 1829 and met with Felix Mendelssohn. However, a number of operatic projects failed to reach fruition, and as his funding dried up he decided to make a living by founding an orthopedic institute in 1835. His foray into bone setting turned out to be rather successful, and apparently, some of the orthopedic devices he invented were still in use decades after his death. He also ran a saw-mill and a glass works. Once, when he was asked if he was a composer his reply was "No, I'm a glassblower". Financially more stable, Berwald sold his business and moved to Vienna in 1841 to resume his compositional career. In 1866, Berwald received the Swedish Order of the Polar Star, in recognition of his musical achievements. The following year, the Board of the Royal Musical Academy appointed Berwald professor of musical composition at the Stockholm Conservatory, only to have the Conservatory Board reverse the decision a few days later, and appoint another. The royal family stepped in, and Berwald got the post. At around that time he was also given many important commissions, but he did not live to fulfill them all. Berwald died in Stockholm in 1868 of pneumonia and was interred there in the Norra begravningsplatsen (Northern Cemetery). The second movement of the Symphony No. 1 was played at his funeral. „Both the man and his music were often misunderstood. We now appreciate his musical legacy, particularly his symphonies and opera overtures, his tone poems and his music for violin. But relatively little of his music was performed in his own lifetime - and that which was performed was sometimes badly received and reviewed. A reputation for arrogance and reserve probably didn't help either and he was outspoken in his criticism of the Swedish musical establishment. Yet he was also capable of great generosity to friends, students, and even to complete strangers.” Almost completely forgotten, it was not until the beginning of the 20th century that Berwald’s music became a reference point for a younger generation of Swedish composers. Carl Nielsen wrote in 1911, “Neither the media, money nor power can damage or benefit good Art. It will always find some simple, decent artists who forge ahead and produce and stand up for their works. In Sweden, you have the finest example of this: Berwald.”
ou
- chronologie: Compositeurs (Europe). Artistes lyriques (Europe). Interprètes (Europe).
- Index (par ordre alphabétique): P...