Karl Böhmer Vidéos
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2024-04-28
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Jan Blomqvist (live) - Mayan Warrior - Burning Man 2019 It began with a crazy sandstormon around the Mayan Warrior Bus so there were not that many bike-riders following us when it was my turn to start playing live. But with every second of this wild desert sunset, more and more people joined our stage. In the end I couldn't even see the end of the crowd. I am so thankful to everybody who faced the sandstorm and danced with us in the dust. You guys and mother nature created a very special vibe, which I will never forget. In dust we trust :) Connect with Jan Blomqvist: (http•••) (http•••) (http•••) (http•••) (http•••) •••@••• Tracklist: Jan Blomqvist – Connect One Jan Blomqvist – The Space In Between Jan Blomqvist – Elephant Shunned Jan Blomqvist – Drift (feat. Aparde) Jan Blomqvist – Empty Floor Jan Blomqvist – Time Again Jan Blomqvist – Our Broken Mind Embassy Jan Blomqvist – Dark Noise Jan Blomqvist – Winter Roads Jan Blomqvist – 404 Not found Jan Blomqvist – More (feat. Elena Pitoulis) Ben Böhmer & Jan Blomqvist – Decades Jan Blomqvist – The Space In Between (Ben Böhmer Remix) Jan Blomqvist – Maybe Not Jan Blomqvist – The Six Degrees Theory (Burningman Remix) Jan Blomqvist – Dancing People Are Never Wrong (feat. TbS) Jan Blomqvist – I don’t Think About You #industwetrust #blackrockcity #sandstorm #burn2019 #mayanwarrior #janblomqvist #disconnected #robotheart #playa #burningman #2019 #sunset #deephouse #electroniclivemusic #vocalhouse #melodictechno #lyrics #poetic
Leopold Damrosch Walter Johannes Damrosch Ries Dehn Franz Liszt Beethoven Handel Carl Bergmann Helm Severe Pacific Symphony New York Philharmonic Oratorio Society New York Metropolitan Opera Gewandhaus 1340 1832 1859 1862 1867 1871 1873 1874 1876 1877 1880 1881 1883 1884 1885 1922
It is my sincere and express desire that any and all remuneration that may be due me from this presentation be instead directed towards all holders of copyright. Should any copyright holders require its removal, I hereby request that I be notified directly and I will not hesitate to delete it as soon as possible. Leopold Damrosch +••.••(...)) Symphony in A Major I. Poco andante - Allegro vivace con fuoco 0:00 II. Intermezzo scherzando: Vivace con leggierezza 13:40 III. Quasi marcia: Solenne 19:22 IV. Allegro vivace assai 37:25 Azusa Pacific Symphony Orchestra Christopher Russell, conductor Leopold Damrosch (1832 – 1885) was a German American orchestral conductor and composer. Damrosch was born in Posen (Poznań), Kingdom of Prussia, the son of Heinrich Damrosch. His father was Jewish and his mother was Lutheran. Leopold Damrosch was baptized a Lutheran when marrying his wife, former opera singer Helene von Heimburg. Damrosch began his musical education at the age of nine, learning the violin against the wishes of his parents, who wanted him to become a doctor. Capitulating to the wishes of his parents he entered the University of Berlin and completed his PhD in medicine but during his spare time he studied violin under Ries, and thorough bass with Dehn and Bohmer. After he completed his degree Damrosch decided to dedicate his life and energy to music. He gained fame as a violinist and began to play to large audiences in many major German cities including Berlin and Hamburg. He went to Weimar, and was received by Franz Liszt, who appointed him solo-violinist in the Ducal orchestra. It has been said mistakenly that Liszt dedicated his Symphonic poem № 2 to Damrosch. However, Liszt did dedicate the similarly named Le Triomphe funèbre du Tasse, the third part of Trois odes funèbres, to Damrosch who conducted the first performance in New York on March 24, 1877. Damrosch first appeared as a conductor during the season of 1859 where he conducted the Philharmonic concerts in Breslau. He continued to conduct the Philharmonic for three years due to the success of this season. In 1862 Damrosch founded a symphonic society in Breslau with an orchestra of eighty performers, modelled after the Gewandhaus concerts of Leipzig. This society gained fame throughout Germany and Damrosch invited Liszt to conduct several of the performances, an invitation which he accepted. Wagner also accepted the invitation to conduct his own manuscript compositions in the winter of 1867. In 1871, Damrosch emigrated to the United States of America at the invitation of the Arion Society in New York. At his first concerts in the United States he introduced himself as conductor, composer, and violinist. At his successful debut in New York on 6 May 1871, Leopold Damrosch played as violin soloist at the first time with the New York Philharmonic, performing Beethoven's violin concerto with his own cadenza on the program at the Academy of Music. He participated in many concerts over this period and in 1873 he founded the Oratorio Society of New York. In 1874 Damrosch gave another concert at the Oratorio Society, this time with a full orchestra, consisting of Handel's Samson. For Christmas that year Messiah was performed. In 1876, Damrosch succeeded Carl Bergmann at the helm of the New York Philharmonic, but his high-minded programming frightened the typical New York subscriber, so his tenure with the orchestra ended quickly. The next year he established the Symphony society, which became closely identified with the Oratorio Society and several joint performances were organized. The co-operation of these societies reached its climax in the great "musical festival" which was held in the armory of the 7th regiment in New York, from 3 till 7 May 1881. The orchestra was composed of 250 pieces, and Dr. Damrosch selected a large number of artists for soloists. The degree of Doctor of Music was conferred upon him by Columbia in 1880. In 1883, Damrosch traveled extensively through the west with his orchestra. In September 1884, he began a remarkable series of operatic performances as General Manager and chief conductor of the Metropolitan Opera in New York. For its second season it turned to Damrosch to direct the company in German repertory. The company comprised some of the greatest artists of the German opera houses, and, in contrast with the hitherto prevailing mode, every part, even the smallest, was carefully presented. He conducted every performance except during the last week of his life, when he took a severe cold, from which he never recovered. He died in New York City in 1885. Damrosch was buried in Woodlawn Cemetery in The Bronx, New York City. His sons Frank Damrosch and Walter Johannes Damrosch, both born in Breslau, in 1859 and 1862 respectively, both succeeded him as conductors of the Oratorio Society of New York. His daughter, Clara Mannes, was a music teacher. His grandchildren were musician Leopold Mannes and writer Marya Mannes.
Beethoven Andersen Bastian Ponti Hesse Baumgartner Rosenkranz Pohl Amalie Sebald Brauchle Linke Hess Hol Bürger Stein Theater Krefeld Mönchengladbach 1812
(http•••) Mit Mitgliedern des Jungen Theaters Krefeld und Mönchengladbach Musikalische Leitung, Arrangements und Klavier: Michael Preiser Inszenierung und Konzeption: Katja Bening Choreografie: Robert North Choreografieassistenz: Sheri Cook Kostüme Tänzerinnen: Luisa Spinatelli Ausstattung: Katja Bening, Ulrike Aistleitner Projektleitung Junges Theater: Ulrike Aistleitner Director of Photography: Jurek Wieben Kamera und Schnitt: Jens Bussang Produktion: bird’s eye productions Team Backstage Tontechnik Stephan Ecklebe Conan Fildebrandt-Stracke Agnes Giesler Mario Piras Andreas Reichenheim (Ltg.) Herman Rigmants Hans-Josef Stegers Beleuchtung Christian Andersen Bastian Bertho Ali Büyükkernic Kai Lörwald Holger Münten René Scholten Tobias Wagener (Ltg.) Thomas Wagner Bühnenmeister Gregor Tusch Inspizienz Luca Ponti Requisite Ibrahim Alsaeid Sandra Breitmar Stefan Eckers Ausstattungsleitung Udo Hesse Kostümabteilung Ina Schotes Maske Manuel Amate Frank Baumgartner (Ltg.) Petra Block Stefanie Möskens Garderobe Gianfranco Brogna Muriel Fergloute Annette Kuhnert Axel Neubert Kostümfundus Sebastian Rosenkranz Auszubildende Ton/Video Max Bohmer Agnieszka Wiecha Simon Pohl Gefördert wird das Projekt Junges Theater Krefeld und Mönchengladbach im Rahmen des Förderprogramms NEUE WEGE durch das NRW KULTURsekretariat und das Ministerium für Kultur und Wissenschaft des Landes NRW. Musik- und Textabfolge Die Musik stammt von Ludwig van Beethoven, sämtliche Arrangements von Michael Preiser Auswahl und Konzeption von Katja Bening, Michael Preiser Für Elise /Texte aus Briefen an die unsterbliche Geliebte Aus Acht Gesänge und Lieder: Lied (Lessing); Op. 52 Nr. 6 Ausschnitt aus einem Brief an Amalie Sebald (1812; Teplitz) Kanon: Brauchle, (Linke) WoO 167 Der Liebende (C.L. Reissig); WoO 139 Ausschnitt aus Adelaide (Matthisson); Op. 46 und Traute Henriette; Hess 151 und Schilderung eines Mädchens; WoO 107 Kanon: Falstaff, lass dich sehen, WoO 184 Neue Liebe, neues Leben (Goethe); Op.75 Nr. 2 und Texte aus Brief: An die unsterbliche Geliebte Kanon: Hol euch der Teufel; WoO 173 Beginn von Seufzer eines Ungeliebten (G.A. Bürger); WoO 118 L´amante impaziente (Metastasio); Op.82 Nr. 3 Zärtliche Liebe (Herrosee); WoO 123 Kanon: Das Reden; WoO 168/ 2 Sehnsucht (Goethe); WoO 134 in 4 Fassungen Kanon: Hol euch der Teufel; WoO 173 Der Kuss (C.F. Weisse); Op 128 Auf, Freunde, singt dem Gott der Ehen (A. J. Stein) - Hochzeitslied für Anna Giannatasio del Rio; WoO 105 Kanon: Esel aller Esel; WoO deest 6. Lied aus dem Liederkreis: An die ferne Geliebte (A. Jeitteles); Op. 98 www.theater-kr-mg.de
Theodore Oesten Böhmer Carl Friedrich Rungenhagen Schneider Bach 1813 1870
Theodore Oesten (also Theodor in German) (December 31, 1813 / March 16, 1870) was a German composer, musician, and music teacher. Oesten was born in Berlin. He learned to play wind and string instruments from the Stadtmusikus in Fürstenwalde (a small town outside Berlin). At the age of nineteen he studied composition with Böhmer, Carl Friedrich Rungenhagen, Schneider, and A. W. Bach in Berlin. Oesten is perhaps best known for his easy to play piano compositions, including transcriptions of operatic works, written in the sentimental style of his day. He died in his native city of Berlin. His son Max also became a composer. This cute piece is describe Dolly is dreaming in her sweet dream and awakening when she sleeps full. Thanks for watching!
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