Klaus Tennstedt Vidéos
chef d'orchestre allemand
- musique classique
- Allemagne, République démocratique allemande
- chef ou cheffe d'orchestre, premier violon
Dernière mise à jour
2024-04-20
Actualiser
Johannes Brahms Eugen Jochum Klaus Tennstedt Bruno Walter Bruckner Abbado Beethoven London Philharmonic Orchestra Berlin Philharmonic 1702 1976 2003
00:00 - I. Un poco sostenuto — Allegro – Meno allegro 17:02 - II. Andante sostenuto 25:52 - III. Un poco allegretto e grazioso 30:36 - IV. Adagio — Più andante — Allegro non troppo, ma con brio – Più allegro Recorded: 29-30.VI, 1-5.VII and 1-3 & 8-9.X, 1976 Kingsway Hall, London (http•••) (http•••) Brummy21 5.0 out of 5 stars Wonderful and Inspired Brahms Reviewed in the United Kingdom on 7 November 2003 "It is difficult to concentrate on writing this while I listen to Jochum's Brahms 1st which just sweeps you along with its inspired conducting, wonderful orchestral playing and brilliant sound. These Jochum performances of three of Brahms' four symphonies, together with the Academic Festival and Tragic overtures, are vintage 1970s Kingsway Hall recordings, remastered on a 2CD bargain price issue from EMI. And what a bargain ! Eugen Jochum, steeped in the Germanic tradition, knows exactly how he wants these symphonies to sound and the London Philharmonic Orchestra rise to the occasion with playing they have probably never bettered, with producer Christopher Bishop giving them a sound to match. A dramatic First Symphony is followed by a wonderfully lyrical Second and a warm and weighty Third. What a pity then, that to complete the Jochum Brahms Symphony set you will have to buy another 2CD bargain EMI issue to get the Fourth, but coupled with a far less inspiring Brahms German Requiem and Schicksalslied, from Klaus Tennstedt. Still, don't let that put you off these 2CDs of inspired Brahms at almost a giveaway price. This set has replaced my Bruno Walter discs as my first choice listening for these Brahms symphonies - there can be no higher praise !" (http•••) "Brahms: I've written elsewhere about Jochum's extraordinary achievements in the symphonic works of Brahms and – aside from Bruckner – this is the music for which the conductor is most remembered. Jochum's first cycle was made with a post-war Berlin Philharmonic, and not only did he obtain staggering results given the time period, but nobody in Berlin has yet been able to match it (though Abbado comes close!) Late in his career, Jochum led the London Philharmonic in these marvelous performances. At first, it might have been disappointing to listeners to discover the Philharmonic had been chosen. After all, EMI had been making important recordings in Dresden, Vienna, and Berlin. The London Philharmonic would have (rightly) been seen as inferior, and maybe it still is. Even for modern listeners, there's a good chance that some of us missed these recordings the first time around. The cycle was split across two two-disc sets a few years back, and while that might have made sense at EMI, it would probably have been best to just box the cycle up and call it a day. Here at last, everything is sensibly collected, along with the overtures and a smattering of overtures by Beethoven from elsewhere in London. The cycle shows the London Philharmonic in absolutely smashing form. Jochum elicits stunning virtuosity from his players, to the point where one doesn't regret the choice of orchestra at all. Again, comparisons with Furtwangler are telling, because at no point does the older conductor come close to executing similar results in his Brahms. Sure, Furtwangler has perhaps some of the greatest "conceptions" of Brahms ever, but what is a conception if you can't hear it outside of the conductor's head? Each disc in this box is generously filled, sounds great, and represents each composer faithfully within the "Romantic" and Germanic tradition. Purists will undoubtedly prefer a lighter and more (currently) idiomatic sound, but for those of us who like this kind of thing (and admit it, there's still lots of us), this Icon set is one of the brightest and best in terms of how to acquire all of this music at once. I say this a lot these days, but both seasoned veterans and curious listeners will find endless enjoyment here." Brian Wigman (http•••)
Ulf Hoelscher Klaus Tennstedt Johannes Brahms Mendelssohn Sinfonieorchester Norddeutschen Rundfunks 1980
Provided to YouTube by Warner Classics Violin Concerto in D Major, Op. 77: II. Adagio · Ulf Hoelscher/Sinfonieorchester des Norddeutschen Rundfunks/Klaus Tennstedt Brahms/Mendelssohn : Violin Concertos ℗ A Warner Classics release, ℗ 1980 Warner Music Group Germany Holding GmbH Producer: Christfried Bickenbach Conductor: Klaus Tennstedt Orchestra: Sinfonieorchester des Norddeutschen Rundfunks Violin: Ulf Hoelscher Engineer: Wolfgang Gülich Composer: Johannes Brahms Auto-generated by YouTube.
Klaus Tennstedt Beethoven Weingartner Mortimer Mecklenburgische Staatskapelle Schwerin Vienna Philharmonic 1937 1968
Klaus Tennstedt and the Mecklenburgische Staatskapelle Schwerin with Beethoven's symphony no.1 in C major. August 18-19, 1968 (studio recording). "Although the Mecklenburgische Staatskapelle Schwerin is nobody's idea of a world-class orchestra, under Tennstedt in the First its playing is full of light and clarity and elegance and wit." James Leonard, AllMusic "Particularly impressive is No. 1. In many respects, it recalls the old Weingartner recording: never rushed, yet aptly buoyant and animated in outer movements, and pointedly flowing in its con moto andante . Interestingly, too, this provincial orchestra is more polished technically than Weingartner’s 1937 Vienna Philharmonic." Mortimer H. Frank, Fanfare magazine 1) Adagio molto - Allegro con brio 2) Andante cantabile con moto 3) Menuetto: Allegro e vivace 4) Adagio - Allegro molto e vivace And hear Klaus Tennstedt rehearse the first and second movements here: 1st movement: (http•••) 2nd movement: (http•••)
Klaus Tennstedt Gustav Mahler Keck Waltraud Meier London Philharmonic Orchestra 1860 1911 1986
Gustav Mahler +••.••(...)) Symphony No.3 in D minor (00:00:00) 1. Kraftig. Entschieden (00:32:19) 2. Tempo Di Menuetto. Sehr Massig (00:42:28) 3. Comodo. Scherzando. Ohne Hast (00:59:41) 4. Sehr Langsam. Misterioso. Durchaus Ppp (01:09:17) 5. Lustig Im Tempo Und Keck Im Ausdruck (01:13:27) 6. Langsam. Ruhevoll. Empfunden Eton college Boys Chorus Waltraud Meier, mezzosoprano Klaus Tennstedt London Philharmonic Orchestra & Chorus October 5, 1986
ou
- chronologie: Chefs d’orchestre (Europe). Interprètes (Europe).
- Index (par ordre alphabétique): T...