Kurt Rydl Vidéos
artiste lyrique
- basse profonde
- opéra
- Autriche
Dernière mise à jour
2024-04-23
Actualiser
Barbara Bonney Dawn Upshaw Anna Tomowa Sintow Kurt Rydl Kathleen Battle Helga Müller Molinari Molinari James Levine Richard Strauss Behrens Wiener Philharmoniker 1986 1987
Provided to YouTube by Universal Music Group R. Strauss: Ariadne auf Naxos, Op. 60 / Opera - "Ach! - Wo war ich?" - "Ein Schönes war" · Barbara Bonney · Dawn Upshaw · Anna Tomowa-Sintow · Urban Malmberg · Kurt Rydl · Kathleen Battle · Josef Protschka · Helga Müller-Molinari · Wiener Philharmoniker · James Levine Richard Strauss: Ariadne auf Naxos ℗ 1987 Deutsche Grammophon GmbH, Berlin Released on: 1986-01-01 Producer: Cord Garben Producer, Executive Producer: Klaus Behrens Producer, Executive Producer: Jürgen Bulgrin Composer: Richard Strauss Author: Hugo Von Hofmannsthal Auto-generated by YouTube.
Verdi Sergiu Celibidache Kurt Rydl Reinhild Runkel 1993
Verdi: Messa da Requiem Münchner Philharmonie Dirigent: Sergiu Celibidache Kurt Rydl Peter Dvorsky Elena Filipova Reinhild Runkel 1993, München
Hildegard Behrens Uta Priew Faulkner Kurt Rydl Wimberger Dohnányi Richard Wagner Siegfried Jerusalem Oskar Hillebrandt Jadwiga Rappé Carla Pohl Pohl Gabriele Fontana Fontana Gabriele Sima Orchester Wiener Staatsoper Wiener Staatsoper 1993
GÖTTERDÄMMERUNG Oper in einem Vorspiel und drei Aufzügen von Richard Wagner. Dritter Tag zu dem Bühnenfestspiel "Der Ring des Nibelungen". Siegfried: Siegfried Jerusalem Gunther: Peter Wimberger Hagen: Kurt Rydl Alberich: Oskar Hillebrandt Brünnhilde: Hildegard Behrens Gutrune: Julia Faulkner Waltraute: Uta Priew 1. Norn: Jadwiga Rappé 2. Norn: Lioba Braun 3. Norn: Carla Pohl Woglinde: Gabriele Fontana Wellgunde: Gabriele Sima Floßhilde: Jutta Geister Chor und Orchester der Wiener Staatsoper Christoph von Dohnányi Wiener Staatsoper, 20. Juni 1993 Excellent digital in-house recording 32 Khz DAT to WAV 3 FLAC files: (http•••) (http•••)
Hanns Eisler Sophie Koch Masur Eike Eike Wilm Schulte Wilm Kurt Rydl Eliahu Inbal Lothar Zagrosek Karl Marx Marx Fischer Igor Stravinsky Aaron Copland Leonard Bernstein Leipzig Gewandhaus Orchestra Gewandhaus 1240 1544 1805 1898 1927 1934 1935 1937 1947 1948 1956 1957 1959 1962 1992 1995 1998
Hanns Eisler (6 July 1898 – 6 September 1962) was an Austrian composer (his father was Austrian, and Eisler fought in a Hungarian regiment in World War I). He is best known for composing the national anthem of East Germany, for his long artistic association with Bertolt Brecht, and for the scores he wrote for films. The Hochschule für Musik "Hanns Eisler" is named after him. Please support my channel: (http•••) Deutsche Sinfonie, Op. 50 1. Präludium (1) (0:00) 2. An die Kämpfer in den Konzentrationslagern [To the fighters in the concentration camps] (2) (5:28) 3. Etüde für Orchester (9:20) 4. Erinnerung (Potsdam) [Memory] +••.••(...):40) 5. In Sonnenburg +••.••(...):44) 6. Intermezzo für Orchester (18:05) 7. Begräbnis des Hetzers im Zinksarg [Burial of the trouble-maker in a zinc coffin] +••.••(...):29) 8. Bauernskantate: A. Mißernte, B. Sicherheit, C. Flüstergespräche, D. Bauernliedchen [Peasant Cantata: A. Crop failure, B. Security, C. Dialogue in whispers, D. Sickle song] (Omitted due to copyright) 9. Arbeiterkantate [Song of the class enemy] +••.••(...):25) 10. Allegro für Orchester (41:35) 11. Epilog (52:21) Sophie Koch I; Carolyn Masur, Mezzo-Soprano II & Alt. Eike Wilm Schulte, Bariton/Bass; Kurt Rydl, Bass Radio France Philharmonic Orchestra and Chorus conducted by Eliahu Inbal Movements 3, 6, 10 and 11 Fragments from the movie "Berlin - Symphonie einer Groszstadt" (1927) von Walther Ruttmann were used. Movement 8 has been omitted due to copyright. Deutsche Sinfonie, Op. 50, is a composition for soloists, chorus and orchestra by Hanns Eisler. Despite the title, it is considered to be more in the style of a cantata than a symphony. Principally composed between 1935 and 1947, but not completed until 1957, it is an eleven-movement setting of poems by Bertolt Brecht, drawn mainly from Brecht's Songs, Poems and Choruses of 1934, and by Ignazio Silone, adapted by Eisler. It was premiered in its full form at the German State Opera, East Berlin, on 24 April 1959. Brecht had died in 1956. Eisler's theme was the advance of Nazism in Germany. Yet the composer encountered difficulties in both reception and performance of the work throughout its long period of composition and development. When the first two movements (at this stage subtitled An Anti-Hitler Symphony) won a prize at the 15th Festival of the International Society for Contemporary Music, gaining a promised performance of them at the 1937 Paris World Exhibition, the Nazi regime persuaded the French government to have the performance cancelled. And it was not until 1995 that the work was finally given a studio recording, with soloists and the Leipzig Gewandhaus Orchestra under Lothar Zagrosek; this was released in Decca Records' Entartete Musik series. Eisler's promising career in the U.S. was interrupted by the Cold War. He was one of the first artists placed on the Hollywood blacklist by the film studio bosses. In two interrogations by the House Committee on Un-American Activities, the composer was accused of being "the Karl Marx of music" and the chief Soviet agent in Hollywood. Among his accusers was his sister Ruth Fischer, who also testified before the Committee that her other brother, Gerhart, was a Communist agent. The Communist press denounced her as a "German Trotskyite." Among the works that Eisler composed for the Communist Party was the "Comintern March", including the words "The Comintern calls you / Raise high the Soviet banner / In steeled ranks to battle / Raise sickle and hammer." His supporters Eisler's supporters—including his friend Charlie Chaplin and the composers Igor Stravinsky, Aaron Copland and Leonard Bernstein—organized benefit concerts to raise money for his defense fund, but he was deported early in 1948. Folksinger Woody Guthrie protested the composer's deportation in his lyrics for "Eisler on the Go"—recorded fifty years later by Billy Bragg and Wilco on the Mermaid Avenue album (1998). In the song, an introspective Guthrie asked himself what he would do if called to testify before the House Committee on Un-American Activities: "I don't know what I'll do / I don't know what I'll do / Eisler's on the come and go / and I don't know what I'll do. Hanns Eisler chose to emigrate to the US instead of the Soviet Union, when asked why, he stated that the abhorred Stalin. To get better insight in the man and times watch the German documentary (1992) Hanns Eisler - Komponist +••.••(...)) (http•••)
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