Leon Berg Vidéos
Dernière mise à jour
2024-05-29
Actualiser
Manuel Barrueco Isaac Albéniz Turina Berg Paulsen 1860 1909 1992
Provided to YouTube by Warner Classics Suite española No. 1, Op. 47: II. Cataluña (Curranda) . Allegro (Arr. Manuel Barrueco) · Manuel Barrueco Manuel Barrueco Plays Albéniz & Turina ℗ A Warner Classics release, ℗ 1992 Warner Music Group Germany Holding GmbH Producer: Gerd Berg Engineer: Hartwig Paulsen Guitar: Manuel Barrueco Composer: Isaac Albéniz +••.••(...)) Arranger: Manuel Barrueco Auto-generated by YouTube.
Enesco Béla Bartók Alban Berg László Pro Arte Quartet 1925 1926 1927 1928 1929 1998
The String Quartet No. 4 by Béla Bartók was written from July to September 1928 in Budapest. It is one of six string quartets by Bartok. This work, like the String Quartet No. 5, and several other pieces by Bartók, exhibits an "arch" structure — the first movement is thematically related to the last, and the second to the fourth with the third movement standing alone. Also, the outer four movements feature rhythmic sforzandos that cyclically tie them together in terms of climactic areas. The quartet shares a similar harmonic language to that of the String Quartet No. 3, and as with that work, it has been suggested that Bartók was influenced in his writing by Alban Berg's Lyric Suite (1926) which he had heard in 1927. The quartet employs a number of extended instrumental techniques. For the whole of the second movement all four instruments play with mutes, while the entire fourth movement features pizzicato. In the third movement, Bartók sometimes indicates held notes to be played without vibrato, and in various places he asks for glissandi (sliding from one note to another) and so-called Bartók pizzicati (a pizzicato where the string rebounds against the instrument's fingerboard). The work is dedicated to the Pro Arte Quartet but its first public performance was given by the Waldbauer-Kerpely Quartet in Budapest on March 20, 1929. It was first published in the same year by Universal Edition. A study of the manuscript sources, as published by László Somfai finds that Bartók originally intended the quartet to have four movements, not five. Recording made in 1998, with the record label "Pierre Verany" Picture : Vassily Kandinsky, "Jaune-Rouge-Bleu" (1925)
Enesco Béla Bartók Alban Berg László Pro Arte Quartet 1926 1927 1928 1929 1952 1998
The String Quartet No. 4 by Béla Bartók was written from July to September 1928 in Budapest. It is one of six string quartets by Bartok. This work, like the String Quartet No. 5, and several other pieces by Bartók, exhibits an "arch" structure — the first movement is thematically related to the last, and the second to the fourth with the third movement standing alone. Also, the outer four movements feature rhythmic sforzandos that cyclically tie them together in terms of climactic areas. The quartet shares a similar harmonic language to that of the String Quartet No. 3, and as with that work, it has been suggested that Bartók was influenced in his writing by Alban Berg's Lyric Suite (1926) which he had heard in 1927. The quartet employs a number of extended instrumental techniques. For the whole of the second movement all four instruments play with mutes, while the entire fourth movement features pizzicato. In the third movement, Bartók sometimes indicates held notes to be played without vibrato, and in various places he asks for glissandi (sliding from one note to another) and so-called Bartók pizzicati (a pizzicato where the string rebounds against the instrument's fingerboard). The work is dedicated to the Pro Arte Quartet but its first public performance was given by the Waldbauer-Kerpely Quartet in Budapest on March 20, 1929. It was first published in the same year by Universal Edition. A study of the manuscript sources, as published by László Somfai finds that Bartók originally intended the quartet to have four movements, not five. Recording made in 1998, with the record label "Pierre Verany" Picture : Victor Vasarely, "Zint" (1952)
Enesco Béla Bartók Alban Berg László Pro Arte Quartet 1908 1926 1927 1928 1929 1998
The String Quartet No. 4 by Béla Bartók was written from July to September 1928 in Budapest. It is one of six string quartets by Bartok. This work, like the String Quartet No. 5, and several other pieces by Bartók, exhibits an "arch" structure — the first movement is thematically related to the last, and the second to the fourth with the third movement standing alone. Also, the outer four movements feature rhythmic sforzandos that cyclically tie them together in terms of climactic areas. The quartet shares a similar harmonic language to that of the String Quartet No. 3, and as with that work, it has been suggested that Bartók was influenced in his writing by Alban Berg's Lyric Suite (1926) which he had heard in 1927. The quartet employs a number of extended instrumental techniques. For the whole of the second movement all four instruments play with mutes, while the entire fourth movement features pizzicato. In the third movement, Bartók sometimes indicates held notes to be played without vibrato, and in various places he asks for glissandi (sliding from one note to another) and so-called Bartók pizzicati (a pizzicato where the string rebounds against the instrument's fingerboard). The work is dedicated to the Pro Arte Quartet but its first public performance was given by the Waldbauer-Kerpely Quartet in Budapest on March 20, 1929. It was first published in the same year by Universal Edition. A study of the manuscript sources, as published by László Somfai finds that Bartók originally intended the quartet to have four movements, not five. Recording made in 1998, with the record label "Pierre Verany" Picture : Arkhip Kuinji, "Night Watch" (1908)
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- chronologie: Compositeurs (Amérique du Nord).
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