Lucille Marcel Vidéos
artiste lyrique américaine
- soprano
- États-Unis
- artiste lyrique
Dernière mise à jour
2024-05-02
Actualiser
Evangelista Ramos Carreira 2023
Bom de Bola Bom de Papo - Programa 03 - 30/01/2023 Hoje (30/01) começa o terceiro programa "Bom de Bola, Bom de Papo" com apresentação de Charles Evangelista e comentários de Marcel Fazzolini e Marcos Andrez. Programa que vem sendo sucesso toda segunda e com muita repercussão em toda a cidade, hoje recebe o ex-atleta Augusto Ramos, com uma vasta carreira profissional e atuante no Futebol Amador de Ribeirão Preto. Toda segunda das 20hrs ás 21hrs, você irá acompanhar de perto todas as novidades de Botafogo e Comercial, e poderá conferir tudo que rolou nos campeonatos da série A1 e A2 do Campeonato Paulista. E tudo isso com transmissão simultânea aqui no Facebook e no Youtube. Se inscreva no link: (http•••) E fiquem ligados que tem mais novidades chegando logo logo no Canal Jogo Limpo, o canal do esporte, o canal da comunidade! #BomDeBola #BomDePapo #CanalJogoLimpo #Esporte #Comunidade
Louis Andriessen Brouwer Claron McFadden Cristina Zavalloni Casella Marcel Beekman Reinbert Leeuw Hartley Gilman Zielinski Dutch National Opera 1959 2011
00:00 Part 1 - The City of Dis, or the Ship of Fools 19:59 Part 2 - Racconto Dall'inferno 39:24 Part 3 - Lucifer 1:03:08 Part 4 - The Garden of Earthly Delights 1:19:50 Part 5 - Luce Etterna Composer: Louis Andriessen Electronic Music: Anke Brouwer Beatrice: Claron McFadden Dante: Cristina Zavalloni Lucifer: Jeroen Willems Casella: Marcel Beekman Children’s Chorus de Kickers of Music School Waterland Orchestra: Asko|Schönberg Conductor: Reinbert de Leeuw Dutch National Opera Film by Hal Hartley Editor: Kyle Gilman Robby Duiveman: Costume Design Scott Zielinski: Light Design A powerful, beautiful, and fun opera, very justly winning the 2011 Grawemeyer Award Unfortunately, the film is now out of print The libretto and translation are available here: (http•••)
Lebanese-French organist and composer Naji Hakim wrote this bassoon quartet in 1983. It's dedicated to Marcel Bitsch, and you can really hear how Hakim took inspiration from Bitsch's Concertino for bassoon in the solo voice of the opening prelude. The fugue that follows, with its syncopated and chromatic theme, explores every combination and texture that the four bassoons can create in its short duration. I hope you enjoy. Learn more about Naji Hakim at his website, (http•••) You can purchase this piece from United Music Publishing.
Reynaldo Hahn Hahn Bernhardt Magda Tagliaferro Graham Johnson Jules Massenet Orchestre National Lorraine 1212 1502 1874 1930 1947 1961 2002 2006 2020
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon singer. Best known as a composer of more than 100 songs, he wrote in the French classical tradition of the mélodie. He was close friends with Marcel Proust and Sarah Bernhardt amongst many others. Please support my channel: (http•••) Piano Concerto in E major (1930) Dedication: à Magda Tagliaferro 1. Improvisation: Modéré très liberement (0:00) 2. Danse: Vif (12:12) 3. Rêverie (15:02), Toccata (23:00) et Finale Angelyne Pondepeyre, piano and Orchestre National de Lorraine conducted by Fernand Quatrocchi Graham Johnson writes that Hahn "was never truly of the twentieth century"; he was for many years regarded chiefly as evoking the spirit of fin de siècle Paris. He was not in sympathy with the more obviously modern music of the early decades of the 20th century, but he moved with the times. According to a 2020 analysis: Trained in the canons of Late Romanticism by his mentor and patron Jules Massenet, he succeeded in adjusting his style to the modernity of the Années folles, composing musical comedies with echoes of jazz, foxtrot and Argentinian tango, making masterly use of the saxophone and the piano in his orchestra … a catalogue of compositions ranging from chamber music – the sublime Piano Quartet and Piano Quintet – to ballet and the orchestral repertory. Hahn's biographer Jacques Depaulis writing in 2006, comments that many composers suffer a period of neglect after their deaths and are then rediscovered, a process known in France as "la traversée du désert" – crossing the desert. In 1947 a British newspaper remarked that Hahn "is hardly remembered today outside the boundaries of France". In 1961, 14 years after the composer's death, the musicologist Hans Heinz Stuckenschmidt dismissed Hahn as "a talented gossip who had a gift for grinding out operettas and little, tastefully performed ballads in limitless quantities". In the last decades of the 20th century there was a revival in interest in Hahn's music: Johnson (2002) refers to "an ever-widening range of his mélodies to be heard regularly on the concert platform".
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