Michele Esposito Vidéos
chef ou cheffe d'orchestre, compositeur ou compositrice, pianiste, enseignant ou enseignante
Commémorations 2025 (Naissance: Michele Esposito)
- piano
- royaume d'Italie
Dernière mise à jour
2024-03-26
Actualiser
CAMILÚ + Alejandro Santamaría | Me Enamoré [Behind the scenes] Escuchá “ME ENAMORÉ” Spotify (http•••) Deezer (http•••) Apple Music (http•••) Itunes (http•••) Tidal (http•••) Toda la música de CAMILÚ la encontras en SPOTIFY (http•••) Mirá "CAMILÚ [Full Álbum]" (http•••) Mirá "Me Enamoré” (http•••) Mirá "Sirena” (http•••) Mirá "Para el amor” (http•••) Mirá "Desayuno” (http•••) Mirá "No vuelvas” (http•••) Mirá "Valiente” (http•••) Suscribite al canal oficial de YOUTUBE de CAMILÚ (http•••) Seguí a CAMILÚ: INSTAGRAM (http•••) FACEBOOK (http•••) TWITTER (http•••) TIK TOK (http•••) WEB OFICIAL (http•••) Seguí a ALEJANDRO SANTAMARÍA: YOUTUBE (http•••) SPOTIFY (http•••) INSTAGRAM (http•••) FACEBOOK (http•••) TWITTER (http•••) AlejandroSantamariaT / CANCIÓN Composición: Camilú, Alejandro Santamaria, Felipe Gonzalez Abad, German Gonzalo Duque Molano. Producción: Juan Blas Caballero. Mix: Nicolás Cotton. Master: Javier Fracchia. VIDEO Dirección: Guido Adler & Lautaro Espósito. Asist. Dirección: Dante Miani. Dirección de Fotografía: Patricio Deart. Dirección de Arte: Norah Busto. Producción: Lautaro Espósito & Dante Miani. Gaffer: Nicolás Bucci. Vestuario: Bernarda & Margarita. Make Up: Nati Rayo. Montaje: Lautaro Espósito & Guido Adler. Corrección de Color: Julian De Luca. VFX: Mariano Landet. Management | Booking | Contacto •••@••• | •••@••• 2020 | LEB Records #Camilu #AlejandroSantamaria #BTS
Leoncavallo Emiliya Pavlovskaya Alexander Dodonov Esposito Enrico Caruso John McCormack Drury Tchaikovsky Bolshoi Mariinsky Theatre Washington National Opera Metropolitan Opera 1882 1903 1904 1907 1910 1911 1912 1914 1917 1926 1929 1932 1944
'Mattinata' was recorded in Paris on 28 May 1912. From Wikipedia: Dimitri Alexeyevich Smirnoff November 19 [O.S. November 7] 1882 – April 27, 1944) was a leading Russian operatic tenor with a lyric voice and a bravura singing technique. A Muscovite, Smirnoff was a student of Emiliya Pavlovskaya and Alexander Dodonov. He made his début in St Petersburg in 1903 as Gigi in Eugenio Domenico Esposito's La Camorra. The venue was the Hermitage Theatre. In 1904, Smirnoff became a member of the Bolshoi company in Moscow, singing there until 1910. He then sang at the Mariinsky Theatre, St Petersburg, from 1911 to 1917. (He had first appeared at the Mariinsky in 1907.) Smirnoff made his French début at the Paris Opéra in 1907. His successful Parisian performances led to an invitation for him to appear at the Metropolitan Opera, where he sang in 1911–12. Competition from the celebrated international tenors Enrico Caruso and John McCormack, who were also singing at the Met at that time, resulted in Smirnoff's achieving limited success with New York audiences. In 1914, he performed in the 'Russian Seasons' at London's Theatre Royal, Drury Lane. He would not sing in the United States again except for two performances of Tchaikovsky's The Queen of Spades with the Washington National Opera—a semi-professional company not related to its present namesake—in 1926. The tenor left his native land after the Russian Revolution of 1917, preferring to continue his career in the West. Among the cities which he visited were Berlin, Monte Carlo, Milan, Rome, Madrid and Buenos Aires. In 1929, he returned to the Soviet Union for a concert tour. Smirnoff became a citizen of the Estonian Republic on 4 February 1932, and took an active part as a soloist in the opera theatre, 'Estonia.' He taught singing in London and Athens and later retired to Riga (then USSR, now Latvia), where he died in 1944, aged 61. Smirnoff was equally comfortable performing lyric roles in Russian, French or Italian opera. His voice was plaintive in tone with easy high notes, great breath control, and a distinctive vibrato...
Mariusz Kwiecień Alex Esposito Esposito Véronique Gens Malin Byström Byström Elizabeth Watts Watts Antonio Poli Poli Alexander Tsymbalyuk Devlin Kragh Fabricius 1787
The finale of Act I of Kasper Holten's Royal Opera production of Don Giovanni Find out more at (http•••) Starring Mariusz Kwiecień, Alex Esposito, Véronique Gens, Malin Byström, Elizabeth Watts, Antonio Poli, Alexander Tsymbalyuk and Dawid Kimberg. Mozart’s Don Giovanni – first staged in 1787 – offers boundless scope for directors. Kasper Holten's interpretation focuses on the power of the creative imagination. Don Giovanni is cast as an artist who seduces an endless stream of women through his ability to create wonderful illusions. His catalogue of sexual conquests is a vain attempt to escape his own mortality, and ultimately comes at a high price. Holten’s production is rich in both colourful comedy and exhilarating drama. Set designs by Es Devlin (Les Troyens) and costume designs by Anja Vang Kragh (Stella McCartney, John Galliano for Christian Dior), with video projections by Luke Halls and choreography by Signe Fabricius, portray the visually entrancing world of Don Giovanni. At the heart of the production are the beauty and invention of Mozart’s dazzling score, which ranges from gorgeous arias and dramatic duets to the brilliant layering of dance melodies that bring Act I to a virtuoso close.
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