Ottorino Respighi Vidéos
compositeur italien
- violon, alto
- poème symphonique, musique impressionniste
- royaume d'Italie
- compositeur ou compositrice, chef ou cheffe d'orchestre, musicologue, professeur ou professeure de musique, professeur ou professeure d'université, altiste
streaming
Dernière mise à jour
2024-04-24
Actualiser
Isaac Albéniz Zaragoza Ravel Respighi Rachmaninoff
This new recording presents the two Suites Espanola, including popular works like Cadiz and Asturias (with its unique guitar imitations), as well as the third Suite Ancienne, which contains baroque dance forms in romantic disguise. Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): (http•••) More Information: (http•••) Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: (http•••) Composer: Isaac Albéniz Artist: Sebastian Stanley (piano) The first volume of Sebastian Stanley’s Albéniz survey was greeted with enthusiasm for the repertoire and praise for the interpretations in the pages of Fanfare and elsewhere: ‘He is tender and sentimental in the lyrical moments, animated and energetic in his attack elsewhere. He clearly loves the music, and dispatches it with unapologetic flair.’ His sequel opens with the First Suite Española which contains several of the composer’s most colourful and best-known pieces. It begins with the vibrant guitar-strumming textures and Moorish harmonies of ‘Granada (Serenata)’ and continues with his own interpretation of a dance from his native Catalonia. Evocations of Seville, Cadiz and Asturias all spring from the pages with the sharp colours of a Goya canvas, and the suite comes to an exotic, sensuous conclusion with a Cuban habanera. The Second Suite Española is much smaller and less well-known. Its two movements are evocations of Zaragoza and (once more) Seville. Sebastian Stanley includes two further landscapes in sound: the Zambra granadina (Danse orientale) evokes flamenco dance that features a haunting melody to a seductively syncopated accompaniment. The rolled chords of Cádiz (Gaditana) suggest the strumming of guitars, setting the scene for an animated copla dance. The neoclassical side of Albéniz comes to the fore with the third of his Suites Anciennes – consisting of a graceful Minuet and sprightly Gavotte – which anticipate similar projects to revive Baroque forms in modern guise by Ravel and Respighi. As a reminder of the incomparable richness of the finest Spanish piano music,’ Sebastian Stanley’s Albéniz series should invite the attention of curious listeners and pianophiles alike. Social media links: Facebook: (http•••) Spotify: (http•••) Brilliant Classics: Facebook: (http•••) Spotify: (http•••) Instagram: (http•••) TikTok: (http•••) Tracklist: Suite espanola No. 1, Op. 47: 0:00:00 I. Granada 0:05:09 II. Cataluna 0:07:45 III. Sevilla 0:12:38 IV. Cadiz 0:17:09 V. Asturias 0:23:50 VI. Aragon 0:28:59 VII. Castilla 0:32:08 VIII. Cuba Suite espanola No. 2, Op. 97: 0:38:12 I. Zaragoza 0:42:07 II. Sevilla Suite ancienne No. 3: 0:49:20 I. Minuetto 0:52:57 II. Gavota 0:56:55 Zambra granadina (danse orientale) 1:00:14 Cadiz (gaditana) Spotify Playlists: Most Popular Piano Classics: (http•••) Top 50 Rachmaninoff: (http•••) Best Piano Music: (http•••) Peaceful and Relaxing Piano Music: (http•••) Beautiful Piano Nocturnes: (http•••) Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. (http•••) #Albinez #Suite #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
Ottorino Respighi Marta Moretto 2007
Provided to YouTube by NAXOS of America 4 Liriche, P. 125: No. 4, Sopra un'aria antica · Aldo Orvieto Respighi: Liriche da camera ℗ 2007 Stradivarius Released on: 2007-05-30 Artist: Aldo Orvieto Artist: Marta Moretto Composer: Ottorino Respighi Auto-generated by YouTube.
Georg Friedrich Händel Majer Alfred Cortot Lučić Anđelko Klobučar André Jolivet Franjo Dugan Max Reger Ferruccio Busoni Ottorino Respighi Vatroslav Lisinski Ruža Pospiš Baldani Ivanka Boljkovac Ljiljana Molnar Talajić Stilinović Dubravka Šeparović Mušović Puškarić Dupré Duruflé Langlais Dubois Widor Hakim Kolb Varaždin Baroque Evenings Osor Musical Evenings Vatroslav Lisinski Concert Hall Ensemble Syntagma 1685 1759 1855 1947 1972 1973 1987 1998 2008 2013 2017
Georg Friedrich Händel +••.••(...).) Ombra mai fu (Largo from Xerxes); organ arrangement Hvalimira Bledšnajder, organ Instrument: Walcker, 1855. Zagreb Cathedral, April 23rd 2017. Hvalimira Bledšnajder (Zagreb, 27.IX.1947.) is Croatian organist and pianist, currently on position as titular organist of Zagreb Cathedral. After graduation at "Pavao Markovac" Music School in Zagreb (in class of Maša Majer), she continued her studies at Music Academy in Zagreb; piano with Petar Dumičić (student of Alfred Cortot), organ with Vlasta Hranilović (student of Franjo Lučić) and Anđelko Klobučar (student of André Jolivet), a brother of conductor Berislav Klobučar, and harmony with Natko Devčić (student of Franjo Dugan (Max Reger's student), and Svetislav Stančić (student of Ferruccio Busoni)). After she graduated as concert pianist and organist in 1972, she continued her education with famous Fernando Germani (student of Ottorino Respighi) at Accademia Nazionale di Santa Cecilia in Rome, where she perfected her pedal technique and gained delicate registration skills. In the early 1970s, after several solo recitals she gave in Zagreb Cathedral, she started to perform duty of deputy organist and assistant of Anđelko Klobučar, main cathedral organist whose position she succeeded as main titular organist in 1987 until today! Maestro Klobučar (also a composer) dedicated several compositions for organ to her as a token of respect. She also worked as permanent church organist of St. Joseph Church for more than four decades and organist of St. Blaž Church in Zagreb for one decade. She continued her international career in Slovenia, Austria, Germany, France, Switzerland and Netherlands as concert organist. As a soloist, she has played at many international music festivals, churches and concert halls, such as "Europaeische Kirchenmusik", "Orgelmusik in Domkirche-Wien", "Organ of the Zagreb Cathedral", "Varaždin Baroque Evenings", "Osor Musical Evenings", "Heferer Organs", "Požega Organ Evenings", "Hvar Summer Concerts", "Organ of St. Mark's Church in Zagreb", "Vatroslav Lisinski" Concert Hall... In chamber ensembles, she performed with artists as Ruža Pospiš Baldani (mezzosoprano), Josip Klima (violinist), Ivanka Boljkovac (soprano), Ljiljana Molnar Talajić (soprano), Branka Oblak-Stilinović (soprano), Dubravka Šeparović Mušović (mezzosoprano), Želimir Puškarić (tenor), as well as permanent piano and organ accompanist of several choirs ("Ivan Goran Kovačić" Male Vocal Ensemble, "Zagreb Doctor's Choir", "Zagreb Cathedral Mixed Choir", etc.). She made several recordings for labels Jugoton (later Croatia Records) and "Sacred Music", both as soloist, accompanist in sacred music and with her early music ensemble "Syntagma musicum", where she played positive, portative organ and harpsichord. Her organ repertoire consists of works from renaissance and baroque period up to contemporary composers, with a special affinty for late romantic and modern French composers (Dupré, Duruflé, Franck, Langlais, Dubois, Boëllmann, Widor, Hakim...) and modern Croatian authors (Dugan, Kolb, Vidaković, Odak, Klobučar, Njirić, Magdić, Lešćan...). As claimed by herself, she never gave a recital without playing at least one composition by Anđelko Klobučar, the professor whom she was most grateful for. In her long career, she especially emphasizes her playing at the liturgical celebration in Marija Bistrica during the visit of Pope John Paul II. to Croatia in 1998. Apart from concert career and contribution to liturgical celebrations, she left an enormous impact in musical pedagogy in Croatia. She worked as assistant professor (docent) of organ at "Albe Vidaković" Church Music Institute +••.••(...)) as well as organ and piano professor at "Pavao Markovac" Music School in Zagreb +••.••(...)). In those four decades, she raised many students and several prominent organists, always imparting them her knowledge of pedal technique and registration, until her retirement in 2013. As a member of "Organum" organological society, she held several masterclasses and courses as part of the Organ Summer School in Šibenik (Croatia). Hvalimira Bledšnajder was appointed by the Croatian Episcopal Conference in the Professional Organ Protection Trust of the Cultural Heritage Directorate of the Ministry of Culture of the Republic of Croatia. She was often invited to play at the formal collaudation concerts of new or renewed organs in Croatia and abroad.
Johann Sebastian Bach Alessandro Marcello Majer Alfred Cortot Lučić Anđelko Klobučar André Jolivet Franjo Dugan Max Reger Ferruccio Busoni Ottorino Respighi Vatroslav Lisinski Ruža Pospiš Baldani Ivanka Boljkovac Ljiljana Molnar Talajić Stilinović Dubravka Šeparović Mušović Puškarić Dupré Duruflé Langlais Dubois Widor Hakim Kolb Varaždin Baroque Evenings Osor Musical Evenings Vatroslav Lisinski Concert Hall Ensemble Syntagma 1685 1750 1855 1947 1972 1973 1987 1998 2008 2013 2020
Johann Sebastian Bach +••.••(...).) Adagio from Concerto in D minor (after Alessandro Marcello), BWV 974 Hvalimira Bledšnajder, organ Instrument: E. F. Walcker (1855) at Zagreb Cathedral February 9th, 2020 NOTE: a non-concert performance; the piece was shortened to fit into the holy mass. Hvalimira Bledšnajder (Zagreb, 27.IX.1947.) is Croatian organist and pianist, currently on position as titular organist of Zagreb Cathedral. After graduation at "Pavao Markovac" Music School in Zagreb (in class of Maša Majer), she continued her studies at Music Academy in Zagreb; piano with Petar Dumičić (student of Alfred Cortot), organ with Vlasta Hranilović (student of Franjo Lučić) and Anđelko Klobučar (student of André Jolivet), a brother of conductor Berislav Klobučar, and harmony with Natko Devčić (student of Franjo Dugan (Max Reger's student), and Svetislav Stančić (student of Ferruccio Busoni)). After she graduated as concert pianist and organist in 1972, she continued her education with famous Fernando Germani (student of Ottorino Respighi) at Accademia Nazionale di Santa Cecilia in Rome, where she perfected her pedal technique and gained delicate registration skills. In the early 1970s, after several solo recitals she gave in Zagreb Cathedral, she started to perform duty of deputy organist and assistant of Anđelko Klobučar, main cathedral organist whose position she succeeded as main titular organist in 1987 until today! Maestro Klobučar (also a composer) dedicated several compositions for organ to her as a token of respect. She also worked as permanent church organist of St. Joseph Church for more than four decades and organist of St. Blaž Church in Zagreb for one decade. She continued her international career in Slovenia, Austria, Germany, France, Switzerland and Netherlands as concert organist. As a soloist, she has played at many international music festivals, churches and concert halls, such as "Europaeische Kirchenmusik", "Orgelmusik in Domkirche-Wien", "Organ of the Zagreb Cathedral", "Varaždin Baroque Evenings", "Osor Musical Evenings", "Heferer Organs", "Požega Organ Evenings", "Hvar Summer Concerts", "Organ of St. Mark's Church in Zagreb", "Vatroslav Lisinski" Concert Hall... In chamber ensembles, she performed with artists as Ruža Pospiš Baldani (mezzosoprano), Josip Klima (violinist), Ivanka Boljkovac (soprano), Ljiljana Molnar Talajić (soprano), Branka Oblak-Stilinović (soprano), Dubravka Šeparović Mušović (mezzosoprano), Želimir Puškarić (tenor), as well as permanent piano and organ accompanist of several choirs ("Ivan Goran Kovačić" Male Vocal Ensemble, "Zagreb Doctor's Choir", "Zagreb Cathedral Mixed Choir", etc.). She made several recordings for labels Jugoton (later Croatia Records) and "Sacred Music", both as soloist, accompanist in sacred music and with her early music ensemble "Syntagma musicum", where she played positive, portative organ and harpsichord. Her organ repertoire consists of works from renaissance and baroque period up to contemporary composers, with a special affinty for late romantic and modern French composers (Dupré, Duruflé, Franck, Langlais, Dubois, Boëllmann, Widor, Hakim...) and modern Croatian authors (Dugan, Kolb, Vidaković, Odak, Klobučar, Njirić, Magdić, Lešćan...). As claimed by herself, she never gave a recital without playing at least one composition by Anđelko Klobučar, the professor whom she was most grateful for. In her long career, she especially emphasizes her playing at the liturgical celebration in Marija Bistrica during the visit of Pope John Paul II. to Croatia in 1998. Apart from concert career and contribution to liturgical celebrations, she left an enormous impact in musical pedagogy in Croatia. She worked as assistant professor (docent) of organ at "Albe Vidaković" Church Music Institute +••.••(...)) as well as organ and piano professor at "Pavao Markovac" Music School in Zagreb +••.••(...)). In those four decades, she raised many students and several prominent organists, always imparting them her knowledge of pedal technique and registration, until her retirement in 2013. As a member of "Organum" organological society, she held several masterclasses and courses as part of the Organ Summer School in Šibenik (Croatia). Hvalimira Bledšnajder was appointed by the Croatian Episcopal Conference in the Professional Organ Protection Trust of the Cultural Heritage Directorate of the Ministry of Culture of the Republic of Croatia. She was often invited to play at the formal collaudation concerts of new or renewed organs in Croatia and abroad.
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