Paul Creston Vidéos
compositeur américain
Commémorations 2025 (Décès: Paul Creston)
- piano
- symphonie
- États-Unis
- pianiste, compositeur ou compositrice
Dernière mise à jour
2024-04-28
Actualiser
Daniel Deffayet Bergmann Forst 2016
Provided to YouTube by NAXOS of America Saxophone Sonata, Op. 19: I. With vigor · Daniel Deffayet 20th Century Music for Saxophone & Piano ℗ 2016 SWR Classic Archive Released on: 2016-05-01 Artist: Daniel Deffayet Artist: Maria Bergmann Composer: Paul Creston Engineer: Anita Forst Producer: Walter Lessing Auto-generated by YouTube.
Kenneth Radnofsky Barnes 2000 2020
Provided to YouTube by The Orchard Enterprises Saxophone Sonata, Op. 19: II. With Tranquility · Kenneth Radnofsky · Paul Creston · Rosemary Barnes Fascinatin' Rhythms ℗ 2020 Tresona Multimedia Released on: 2000-06-01 Auto-generated by YouTube.
Sir Eugene Aynsley Goossens Bizet Eugène Goossens Fils Eugène Goossens Père Charles Villiers Stanford Villiers Thomas Beecham Igor Stravinsky Vladimir Rosing Fritz Reiner Ernest Bloch Aaron Copland Roy Harris Walter Piston Bernard Rogers Roger Sessions Deems Taylor Carl Rosa Opera Company Rochester Philharmonic Orchestra American Opera Company Cincinnati Symphony Orchestra Sydney Symphony Orchestra 1845 1867 1893 1906 1907 1912 1915 1916 1921 1923 1926 1931 1946 1947 1956 1958 1962
Eugene Goossens conducts the Royal Opera Orchestra in Bizet's 'L'Arlesienne Suite' - in fact, excerpts from the two suites from 'L'Arlesienne' - recorded in Kingsway Hall on 15 July 1926. The movements are: 00:00 Prelude 08:39 Adagietto 11:43 Farandole For those interested, I have posted some photos of Kingsway Hall in the Community section. I made the transfers from solid stock Australian pressings (C 1319/20), but they are fortunately less gritty than many specimens. From Wikipedia: Sir Eugene Aynsley Goossens (26 May 1893 – 13 June 1962) was an English conductor and composer. He was born in Camden Town, London, the son of the Belgian conductor and violinist Eugène Goossens (fils, 1867–1958) and Annie Cook, a Carl Rosa Opera Company singer. He was the grandson of the conductor Eugène Goossens (père, 1845–1906; his father and grandfather spelled Eugène with a grave accent; he himself did not). He studied music at the age of ten in Bruges, three years later in Liverpool, and in 1907 in London on a scholarship at the Royal College of Music under composer Charles Villiers Stanford and the violinist Achille Rivarde among others. He won the silver medal of the Worshipful Company of Musicians and was made associate of the Royal College of Music. He was a violinist in Thomas Beecham's Queen's Hall Orchestra from 1912 to 1915 and performed in the Philharmonic Quartet before coming to attention as Beecham's assistant conductor with a performance of Stanford's opera The Critic (1916). In 1921 he decided to make conducting his career and founded his own orchestra; with this ensemble he made a number of gramophone records for Edison-Bell's Velvet Face label. He gave the British concert premiere of Igor Stravinsky's The Rite of Spring on 7 June 1921 at the Queen's Hall with the composer present. For nearly a quarter of a century, he accepted positions at U.S. orchestras. At the invitation of George Eastman he was conductor of the Rochester Philharmonic Orchestra from 1923 to 1931. This post also involved teaching at the Eastman School of Music. During the late 1920s he often conducted for Vladimir Rosing's American Opera Company, an organization which grew out of the Eastman School. From 1931 to 1946 he succeeded Fritz Reiner as the conductor of the Cincinnati Symphony Orchestra. In a tribute to Goossens on his departure for Australia, nine American composers collaborated on Variations on a Theme by Eugene Goossens, for orchestra. The composers were Ernest Bloch, Aaron Copland, Paul Creston, Anis Fuleihan, Roy Harris, Walter Piston, Bernard Rogers, Roger Sessions and Deems Taylor, with Goossens himself writing the finale. Goossens spent nine years in Australia, from 1947 to 1956. He conducted the Sydney Symphony Orchestra and other groups, and was the director of the NSW State Conservatorium of Music. He held these positions concurrently until March 1956, when he was forced to resign after a major public scandal, only a year after being knighted... He died of rheumatic fever and a haemorrhaging gastric ulcer on 13 June 1962 at Hillingdon Hospital in Middlesex. He was buried in St Pancras and Islington Cemetery. He left his estate including copyrights and royalties 'to my faithful companion and assistant Miss Pamela Main.'
Robert Marcellus George Szell Cleveland Orchestra 1957
Paul Creston / Toccata. Op.68 George Szell & Cleveland Orchestra Robert Marcellus (clarinet) 1957/10/17.19
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