Thomas Roseingrave Vidéos
compositeur
- orgue
- musique baroque
- royaume de Grande-Bretagne
- compositeur ou compositrice
Dernière mise à jour
2024-05-16
Actualiser
Giuseppe Domenico Scarlatti Alessandro Scarlatti Johann Sebastian Bach George Frideric Handel Gaetano Greco Francesco Gasparini Bernardo Pasquini Muzio Clementi Carlo Francesco Pollarolo Thomas Roseingrave Gentili Farinelli Ralph Kirkpatrick 1685 1701 1703 1709 1715 1719 1727 1728 1729 1733 1739 1757
Divertiti ed impara! Have fun and learn! 玩得開心,學習! 즐기고 배우십시오! Amusez-vous et apprenez! 楽しんで学んでください! Διασκεδάστε και μάθετε! Bersenang-senang dan belajar! Skemmtu þér og lærðu! Veel plezier en leer! Divirta-se e aprenda! Distrează-te și învață! Веселись и учись! Ha kul och lära dig! Viel Spaß und lernen! Eğlen ve öğren! Веселіться та вчіться! Jó szórakozást és tanulni! Hãy vui vẻ và học hỏi! Zithokozise futhi ufunde! (http•••) Giuseppe Domenico Scarlatti (Naples, 26 October 1685 – Madrid, 23 July 1757) was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families. Domenico Scarlatti was born born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. Scarlatti was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician. Scarlatti first studied music under his father. Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, and Bernardo Pasquini, all of whom may have influenced his musical style. Muzio Clementi brought Scarlatti's sonatas into the classical style by editing what is known to be its first publication. He was appointed as composer and organist at the royal chapel in Naples in 1701. In 1703, he revised Carlo Francesco Pollarolo's opera Irene for performance at Naples. Soon afterwards, his father sent him to Venice. After this, nothing is known of Scarlatti's life until 1709, when he went to Rome and entered the service of the exiled Polish queen Marie Casimire. It was in Rome that he met Thomas Roseingrave. Scarlatti was already an accomplished harpsichordist: there is a story of a trial of skill with George Frideric Handel at the palace of Cardinal Ottoboni in Rome where he was judged possibly superior to Handel on the harpsichord, although inferior on the organ. Scarlatti has been heralded as the "greatest Italian harpsichord composer of all time". Later in life, Scarlatti was known to cross himself in veneration when speaking of Handel's skill. While in Rome, Scarlatti composed several operas for Queen Casimire's private theatre. He was Maestro di Cappella at St. Peter's from 1715 to 1719. In 1719 he travelled to London to direct his opera Narciso at the King's Theatre. Detail of a painting by Gaspare Traversi, showing Scarlatti tutoring Princess Barbara of Portugal According to Vicente Bicchi, Papal Nuncio in Portugal at the time, Domenico Scarlatti arrived in Lisbon on 29 November 1719. There he taught music to the Portuguese princess Maria Magdalena Barbara. He left Lisbon on 28 January 1727 for Rome, where he married Maria Caterina Gentili on 6 May 1728. In 1729 he moved to Seville, staying for four years. In 1733 he went to Madrid as music master to Princess Maria Barbara, who had married into the Spanish royal house. The Princess later became Queen of Spain. Scarlatti remained in the country for the remaining twenty-five years of his life, and had five children there. After the death of his first wife in 1739, he married a Spaniard, Anastasia Maxarti Ximenes. Among his compositions during his time in Madrid were most of the 555 keyboard sonatas for which he is best known. Scarlatti befriended the castrato singer Farinelli, a fellow Neapolitan also enjoying royal patronage in Madrid. The musicologist and harpsichordist Ralph Kirkpatrick commented that Farinelli's correspondence provides "most of the direct information about Scarlatti that has transmitted itself to our day". Domenico Scarlatti died in Madrid, at the age of 71. His residence on Calle Leganitos is designated with a historical plaque, and his descendants still live in Madrid. He was buried at a convent there, in Madrid, but his grave no longer exists.
Giuseppe Domenico Scarlatti Alessandro Scarlatti Bernardo Pasquini Francesco Gasparini Corelli Zuccari Capranica Handel Thomas Roseingrave Charles Avison Joseph Kelway Thomas Arne Quantz Farinelli Hasse Cappella Giulia Teatro Capranica 1685 1703 1708 1709 1710 1714 1715 1718 1720 1724 1725 1728 1729 1733 1737 1738 1739 1740 1742 1744 1757
Domenico Scarlatti Giuseppe Domenico Scarlatti was born in Naples on October 26th, 1685. The high rank of his godparents is proof of the esteem in which his father, Alessandro Scarlatti, was held as maestro di cappella. Domenico's musical gifts developed with an almost prodigious rapidity. At the age of sixteen he became a musician at the chapel royal, and two years later father and son left Naples and settled in Rome, where Domenico became the pupil of the most eminent musicians in Italy. The originality of Bernardo Pasquini"s inventions and his skill in elaborating them, and Francesco Gasparini's solid science and intense vitality united to form the basis on which Domenico developed his own genius. His association with Corelli (Gasparini being a pupil of Corelli) also contributed to the evolution of his adolescent genius and soon Domenico Scarlatti became famous in his country principally as a harpsichordist. He served for five years +••.••(...)) as maestro di cappella at the Cappella Giulia in the Vatican. He composed at least one oratorio (1709) and more than a dozen operas for his father's Neapolitan theatre, San Bartolomeo +••.••(...)), the Roman Palazzo Zuccari +••.••(...)), and Teatro Capranica +••.••(...)). His patrons in Rome included the exiled Polish queen Maria Casimira +••.••(...)) and the Portuguese ambassador to the Vatican, the Marquis de Fontes (from 1714), who in 1720 was to succeed in winning Scarlatti for the patriarchal chapel in Lisbon (his serenata, Applause genetliaco, was performed at the Portuguese Embassy in 1714 and his Contessa Delle stagioni at the Lisbon royal chapel in 1720). Scarlatti was also a familiar figure at the weekly meetings of the Accademie Poetico-Musicali hosted by the indefatigable music-lover and entertainer Cardinal Pietro Ottoboni, at which the finest musicians in Rome met and performed chamber music. There Scarlatti met Handel, who had been born in the same year as Scarlatti. At the time of their meeting, in 1708, they were both twenty-three, and were prevailed upon to compete together at the instigation and under the refereeship of Ottoboni; they were adjudged equal on the harpsichord, but Handel was considered the winner on the organ. Thenceforward they held each other in that mutual respect which forms the surest basis for a life friendship. Through Ottoboni, Scarlatti also met Thomas Roseingrave who became his enthusiastic champion and, back in London, published the first edition of Scarlatti's Essercizi per gravicembalo +••.••(...)) from which, in turn, the Newcastle-born English composer Charles Avison drew material from at least 29 Scarlatti sonatas to produce a set of 12 concertos in 1744. Joseph Kelway and Thomas Arne also helped to popularize Scarlatti's music in England. Attracted by the unknown, Scarlatti abandoned the post of maestro di cappella at St. Peter's Basilica in Rome. Natural curiosity and the fascination of distant countries induced him to undertake a voyage to London, where his opera Narciso met with only a moderate success. From London Scarlatti went to Lisbon +••.••(...)). As a harpsichordist at the royal court, he was entrusted with the musical education of the princesses. The death of his father recalled him to Naples in 1725, but he did not long remain in his native town. His old pupil, the Portuguese princess, who had married Ferdinand VI, invited him to the Spanish court. Scarlatti accepted and in 1733 after a period in Seville (from 1729-33) he went to Madrid, where he lived until his death. Scarlatti returned to Italy on three occasions. In 1724 in Rome he met Quantz and Farinelli, who himself joined the Spanish court in 1737. In 1725 he returned at the death of his father in Naples - where he met Hasse. And in 1728 he returned to Rome, where he met and married his first wife by whom he had five children (she died in 1739, and by 1742 he has married again, to a Spanish woman, by whom he had four more children). In 1738, sponsored by King John V of Portugal, he passed secret trials to become a Knight of the Order of Santiago, and about 1740 Velasco painted the portrait which heads this page, and for which he wore the full regalia of the Order. He died in Madrid on July 23, 1757. baroquemusic.org 00:00 1.[Sonata For Harpsichord] C major K. 49 06:05 2.[Sonata For Harpsichord] E flat major K. 123 11:16 3.[Sonata For Harpsichord] G minor k.426 18:04 4.[Sonata For Harpsichord] B flat major, K.70 20:33 5.[Sonata For Harpsichord] D minor, K.9 24:46 6.[Sonata For Harpsichord] F Minor K.519 28:21 7.[Sonata For Harpsichord] B Minor K.87 34:51 8.[Sonata For Harpsichord] G major, K. 375 37:26 9.[Sonata For Harpsichord] B major, K.244 42:10 10.[Sonata For Harpsichord] D minor, K.1 44:51 11.[Sonata For Harpsichord] F major "Pastoral" K.446 50:37 12.[Sonata For Harpsichord] A major K. 113
Giuseppe Domenico Scarlatti Alessandro Scarlatti Johann Sebastian Bach George Frideric Handel Gaetano Greco Francesco Gasparini Bernardo Pasquini Muzio Clementi Carlo Francesco Pollarolo Thomas Roseingrave Gentili Farinelli Ralph Kirkpatrick 1685 1701 1703 1709 1715 1719 1727 1728 1729 1733 1739 1757
(http•••) Giuseppe Domenico Scarlatti (Naples, 26 October 1685 – Madrid, 23 July 1757) was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families. Domenico Scarlatti was born born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. Scarlatti was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician. Scarlatti first studied music under his father. Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, and Bernardo Pasquini, all of whom may have influenced his musical style. Muzio Clementi brought Scarlatti's sonatas into the classical style by editing what is known to be its first publication. He was appointed as composer and organist at the royal chapel in Naples in 1701. In 1703, he revised Carlo Francesco Pollarolo's opera Irene for performance at Naples. Soon afterwards, his father sent him to Venice. After this, nothing is known of Scarlatti's life until 1709, when he went to Rome and entered the service of the exiled Polish queen Marie Casimire. It was in Rome that he met Thomas Roseingrave. Scarlatti was already an accomplished harpsichordist: there is a story of a trial of skill with George Frideric Handel at the palace of Cardinal Ottoboni in Rome where he was judged possibly superior to Handel on the harpsichord, although inferior on the organ. Scarlatti has been heralded as the "greatest Italian harpsichord composer of all time". Later in life, Scarlatti was known to cross himself in veneration when speaking of Handel's skill. While in Rome, Scarlatti composed several operas for Queen Casimire's private theatre. He was Maestro di Cappella at St. Peter's from 1715 to 1719. In 1719 he travelled to London to direct his opera Narciso at the King's Theatre. Detail of a painting by Gaspare Traversi, showing Scarlatti tutoring Princess Barbara of Portugal According to Vicente Bicchi, Papal Nuncio in Portugal at the time, Domenico Scarlatti arrived in Lisbon on 29 November 1719. There he taught music to the Portuguese princess Maria Magdalena Barbara. He left Lisbon on 28 January 1727 for Rome, where he married Maria Caterina Gentili on 6 May 1728. In 1729 he moved to Seville, staying for four years. In 1733 he went to Madrid as music master to Princess Maria Barbara, who had married into the Spanish royal house. The Princess later became Queen of Spain. Scarlatti remained in the country for the remaining twenty-five years of his life, and had five children there. After the death of his first wife in 1739, he married a Spaniard, Anastasia Maxarti Ximenes. Among his compositions during his time in Madrid were most of the 555 keyboard sonatas for which he is best known. Scarlatti befriended the castrato singer Farinelli, a fellow Neapolitan also enjoying royal patronage in Madrid. The musicologist and harpsichordist Ralph Kirkpatrick commented that Farinelli's correspondence provides "most of the direct information about Scarlatti that has transmitted itself to our day". Domenico Scarlatti died in Madrid, at the age of 71. His residence on Calle Leganitos is designated with a historical plaque, and his descendants still live in Madrid. He was buried at a convent there, in Madrid, but his grave no longer exists.
Giuseppe Domenico Scarlatti Alessandro Scarlatti Johann Sebastian Bach George Frideric Handel Gaetano Greco Francesco Gasparini Bernardo Pasquini Muzio Clementi Carlo Francesco Pollarolo Thomas Roseingrave Gentili Farinelli Ralph Kirkpatrick 1685 1701 1703 1709 1715 1719 1727 1728 1729 1733 1739 1757
Divertiti ed impara! Have fun and learn! 玩得開心,學習! 즐기고 배우십시오! Amusez-vous et apprenez! 楽しんで学んでください! Διασκεδάστε και μάθετε! Bersenang-senang dan belajar! Skemmtu þér og lærðu! Veel plezier en leer! Divirta-se e aprenda! Distrează-te și învață! Веселись и учись! Ha kul och lära dig! Viel Spaß und lernen! Eğlen ve öğren! Веселіться та вчіться! Jó szórakozást és tanulni! Hãy vui vẻ và học hỏi! Zithokozise futhi ufunde! (http•••) Giuseppe Domenico Scarlatti (Naples, 26 October 1685 – Madrid, 23 July 1757) was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families. Domenico Scarlatti was born born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. Scarlatti was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician. Scarlatti first studied music under his father. Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, and Bernardo Pasquini, all of whom may have influenced his musical style. Muzio Clementi brought Scarlatti's sonatas into the classical style by editing what is known to be its first publication. He was appointed as composer and organist at the royal chapel in Naples in 1701. In 1703, he revised Carlo Francesco Pollarolo's opera Irene for performance at Naples. Soon afterwards, his father sent him to Venice. After this, nothing is known of Scarlatti's life until 1709, when he went to Rome and entered the service of the exiled Polish queen Marie Casimire. It was in Rome that he met Thomas Roseingrave. Scarlatti was already an accomplished harpsichordist: there is a story of a trial of skill with George Frideric Handel at the palace of Cardinal Ottoboni in Rome where he was judged possibly superior to Handel on the harpsichord, although inferior on the organ. Scarlatti has been heralded as the "greatest Italian harpsichord composer of all time". Later in life, Scarlatti was known to cross himself in veneration when speaking of Handel's skill. While in Rome, Scarlatti composed several operas for Queen Casimire's private theatre. He was Maestro di Cappella at St. Peter's from 1715 to 1719. In 1719 he travelled to London to direct his opera Narciso at the King's Theatre. Detail of a painting by Gaspare Traversi, showing Scarlatti tutoring Princess Barbara of Portugal According to Vicente Bicchi, Papal Nuncio in Portugal at the time, Domenico Scarlatti arrived in Lisbon on 29 November 1719. There he taught music to the Portuguese princess Maria Magdalena Barbara. He left Lisbon on 28 January 1727 for Rome, where he married Maria Caterina Gentili on 6 May 1728. In 1729 he moved to Seville, staying for four years. In 1733 he went to Madrid as music master to Princess Maria Barbara, who had married into the Spanish royal house. The Princess later became Queen of Spain. Scarlatti remained in the country for the remaining twenty-five years of his life, and had five children there. After the death of his first wife in 1739, he married a Spaniard, Anastasia Maxarti Ximenes. Among his compositions during his time in Madrid were most of the 555 keyboard sonatas for which he is best known. Scarlatti befriended the castrato singer Farinelli, a fellow Neapolitan also enjoying royal patronage in Madrid. The musicologist and harpsichordist Ralph Kirkpatrick commented that Farinelli's correspondence provides "most of the direct information about Scarlatti that has transmitted itself to our day". Domenico Scarlatti died in Madrid, at the age of 71. His residence on Calle Leganitos is designated with a historical plaque, and his descendants still live in Madrid. He was buried at a convent there, in Madrid, but his grave no longer exists.
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