Sue Harvard Vidéos
artiste lyrique
- soprano
- Royaume-Uni de Grande-Bretagne et d'Irlande, États-Unis
Dernière mise à jour
2024-05-07
Actualiser
Michael Brown Rosenfeld 1500 1719 1912 1949 2006 2008 2014 2018
This is a conversation between Shamika Klassen and host, Johannes Castner, about Shamika's original concept Techno Womanism, what influenced her to create the concept and many other related ideas, such as identity. Shamika's paper on Techno womanism can be downloaded here: (http•••) Here is her paper, with Dr. Xeturah Woodley: (http•••) In our discussion we referred to a number of people and books: (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••)ign/PDF/speculative-everything.pdf (http•••) 00:00 Techno Womanism 00:00 theme song (written, performed and mixed by Neal Rosenfeld, sang by Jennifer Youngs) 00:35 welcoming message 00:47 introducing Shamika Klassen 02:04 introduction to Techno Womanism 02:30 what is Womanism 03:48 the three waves of Womanism 04:53 how Shamika came to create Techno-Womanism 08:02 Liberation Theology 10:06 theology and ethics 11:12 the tenets of Techno-Womanism 15:00 biases and the need for intersectionality 17:19 Foucault's critique of human categories as domination 19:12 is removing categories cultural erasure? 19:49 can AGI (Artificial General Intelligence) force us to rethink our identites as humans? 20:48 where does identity come from? 21:51 human identity after the white supremacist system falls 31:57 technological perpetuation of the white suprimacist system 32:59 biases and blind justice, the case of recidivism 41:47 technologists must understand whom they are building things for 43:58 what does scaling mean for diversity; is Techno Womanism a global concept? 45:03 the need to teach humanities alongside computer science 45:46 the Black Mirror Writer's Room exercise 46:33 Speculative Design 49:24 the ethical dimension of Speculative Design 52:18 Augmented Intelligence 55:19 who is and who will be in the driver's seat, AI, corporate leaders, or most of us? 58:33 user experience research to bring marginalized peoples into the process of building the future 59:44 how to keep up with Shamika's work 01:00:30 call to keep the conversation going 01:00:50 what's next on the show
Denny Kang Charles Neidich Eli Eban Shifrin Howard Klug Skaggs Yeh Silverstein London Symphony Orchestra Chicago Symphony Orchestra 2000 2019
Pick up your copy of the book at (http•••) Coaching video 14 of 40: "Embrace" from Finger Fitness Études, Book 2, by Dr. Kristen Denny-Chambers is simple and beautiful and allows the player to explore rubato while refining some common finger hurdles on the clarinet. Join me in this brief coaching video for some helpful tips as you learn this music. "Embrace" is dedicated to Seunghee Lee (aka Sunny Kang) - a multi-faceted recording artist, a TEDx speaker, and a music entrepreneur based in New York City. Ms. Lee has recorded with the London Symphony Orchestra and she has been recognized by the Clarinet Magazine as "an uncompromising soloist, destined to be an upcoming contender of top stature". Ms. Lee’s multiple solo albums were featured as “CD of the Week” worldwide at Classic FM Nederland, Symphony 92.4 (Singapore), at Fine Music Radio in Cape Town (South Africa) to name a few. Upon the release of her debut album BRAVA (2000), produced by multi-Grammy Award-winning producer Joanna Nickrenz together with legendary recording engineer Marc Aubort, she was included in ‘Top 30 Classical Stars Under 30’ at KDFC Classical Radio in San Francisco. Her recordings have gained numerous air-plays around the world including at New York’s WQXR, KDFC, KUSC, "Girl Power" at WRR 101 (Dallas/Fort Worth), WFMT (Chicago), NPR among many others. Ms. Lee is the founder of Musica Solis Productions, an independent classical record label, sheet music publisher, and creative concert presenter based in New York City. Through the artist consulting initiative, Ms. Lee aims to guide and mentor emerging classical musicians to become independent entrepreneurial leaders of their generation. She is a frequent guest lecturer on the topic of Music Entrepreneurship and has appeared as a guest speaker at Harvard Business School at the 2019 Asia Business Conference titled, "The Game Changers", the 2019 Yale Alumni Association Career Panel live stream fireside chat topic "Careers in Music", Seoul National University, Juilliard Pre-College, and among many others. As a visiting professor, she enjoys performing solo recitals, giving masterclasses on the topic of shifting your mindset, and presenting her signature lecture series titled, "You are the Company". Encouraged by many requests for the sheet music to her arrangements, Ms. Lee published HIDDEN TREASURES Sheet Music Book (CD Included) and EMBRACE Sheet Music Book which are available on AMAZON and at Walmart. At her core, Ms. Lee is passionate about using her music to bring comfort and healing to those silently suffering from personal tragedies. She is also the founder of CONCERT FOR CAUSE an intimate home concert series dedicated to shining a light on current humanitarian issues and on worthy organizations working to resolve them. Ms. Lee believes that each individual can contribute to the betterment of our society, and she is devoted to using the power of music as a catalyst to awaken the goodness and philanthropic hearts inside everyone. In short, she believes in making a difference, one concert at a time. Ms. Seunghee Lee received her Bachelor of Music degree from the Eastman School of Music, studying with Charles Neidich and Eli Eban, and her Master of Music degree and Artist Diploma from the Yale School of Music, studying with David Shifrin. Ms. Lee feels privileged to have also studied with Peter Hadcock, Fred Ormand, George Silfies, Howard Klug, LaurieDeLuca, Mary Beth Skaggs, and John Bruce Yeh of the Chicago Symphony Orchestra. Ms. Seunghee Lee serves on the National Advisory Board of the Eastman School of Music, the Board of Advisors at the Yale School of Music, and serves on the Executive Committee of the YaleNYC. In addition, Ms. Lee serves on the Board of Directors at the Concert Artists Guild in New York City. Seunghee Lee plays on Buffet Prestige R13, Vandoren V12 reeds, Vandoren B40Lyre mouthpiece with Silverstein Hexa Ligature. She is s a proud member of the Silverstein Inspiring Pro. Be sure to visit Seunghee's website here: (http•••) And check out her Amazon listings here: (http•••) All 40 etudes from this book have been recorded by Trevor Stewart and are exclusively available for purchase here: (http•••) or if you would like to purchase the bundle of the book and MP3, take a look here: PRINT (http•••) DIGITAL (http•••) To learn more about Clarinet Playground, visit the home page of my website at: (http•••) #clarinetplayground
Delsarte Fogg Witt George Berg Berg Signac Pellet Rothschild Hofer Krasner Pollock Straus 1653 1754 1894 1945 1969 1995 2007 2011 2018 2020 2021
Join curator Elizabeth Rudy for a preview of the upcoming exhibition, “States of Play: Prints from Rembrandt to Picasso,” to open at the Harvard Art Museums in September 2021. Joined in conversation with print curator and scholar Jerry Cohn, they will take an informative look at the iterative nature of printmaking as they explore the variable meaning of a “print state” from the 17th-21st centuries. Multiple states, or versions, of individual prints illuminate the artists’ creative processes and even the lives of prints beyond those of their creators. Director Martha Tedeschi, herself a former curator of prints and drawings at the Art Institute of Chicago, offers welcoming remarks. TAKE A CLOSER LOOK: + Take a virtual tour of "States of Play:" (http•••) + Exhibition—”States of Play: Prints from Rembrandt to Delsarte”: (http•••) + Giuseppe Longhi, Italian, “Bonaparte Crossing the Alps,” 19th century. Etching on off-white laid paper. Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R1148NA: (http•••) + Marco Alvise Pitteri, Italian, “Carlo Goldoni,” 1754. Engraving on off-white antique laid paper. Harvard Art Museums/Fogg Museum, Henry George Berg Bequest Fund, Gift in gratitude to John Coolidge, M21453: (http•••) + Paul Signac, printed by Auguste Clot, edited by Gustave Pellet, French, “La Bouée (Port of St. Tropez),” 1894. Color lithograph on off-white wove paper, annotated by Signac. Harvard Art Museums/Fogg Museum, Gift of Robert and Margaret Rothschild, 2011.509: (http•••) + Rembrandt Harmensz. van Rijn, Dutch, “Christ Crucified between the Two Thieves,” 1653. Drypoint on off-white antique laid paper. Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Philip Hofer, M12864: (http•••) + Louis Delsarte, American, “Unity (mylar/separation 1),” 1995. Ink on mylar. Harvard Art Museums/Fogg Museum, Gift of Brandywine Workshop and Archives, Philadelphia, Pennsylvania, 2018.33.6.1. Estate of Louis Delsarte: (http•••) + Lee Krasner, American, “Long Lines for Lee Krasner,” 1969. Portfolio of 9 lithographs on white wove paper. Harvard Art Museums/Fogg Museum, Walter A. Compton, Jr., Bequest Fund, M24398-M24400. Pollock-Krasner Foundation / Artists Rights Society (ARS), NY. (http•••) + André Racz, American, “Perseus beheading Medusa IV,” 1945. Softground etching, engraving, and aquatint with gauffrage on white, wove paper. Harvard Art Museums/Fogg Museum, Bequest of William S. Lieberman, 2007.67. 1945 Estate of Andre Racz. (http•••) / Speakers: + Elizabeth Rudy, Carl A. Weyerhaeuser Associate Curator of Prints; + Marjorie (Jerry) Cohn, Carl A. Weyerhaeuser Curator of Prints, Emerita. In a long career at the Harvard Art Museums, she was also director of the Center for Conservation and Technical Studies (now the Straus Center), and twice served as acting director of the museums; + Martha Tedeschi, Elizabeth and John Moors Cabot Director of the Harvard Art Museums. This conversation was made possible by our generous supporters; an international community of art lovers who generously support the Harvard Art Museums’ mission to promote knowledge about and appreciation of art through exhibitions, teaching, research, professional training, and public education. Learn more (http•••) Recorded October 7, 2020. President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at •••@•••.
André Watts Seiji Ozawa Rachmaninoff Leonard Bernstein Fleischer Norton Nagano Beethoven Hideo Saito Charles Munch Koussevitzky Herbert Karajan Matsumoto New York Philharmonic Orchestra Philadelphia Orchestra Boston Symphony Orchestra Toronto Symphony Orchestra San Francisco Symphony Orchestra Metropolitan Opera Vienna State Opera Tanglewood Ravinia Festival Saito Kinen Festival Matsumoto 1602 1935 1959 1964 1965 1968 1969 1970 1973 1976 1988 1992 1998 2002 2010 2011 2015
I. Allegro ma non tanto (D minor) 0:06 II. Intermezzo: Adagio (A Major-D♭ Major-C♯ Major) 16:02 III. Finale: Alla breve (D minor-D Major) 25:50 Andre Watts, piano Seiji Ozawa, conductor New York Philharmonic Orchestra ANDRE WATTS: "André Watts is a German-born American pianist who was known for a surpassing technique and understated manner that made him a favoured concert performer. Watts was the son of an African American soldier and a Hungarian mother. At age nine he made his debut at a Philadelphia Orchestra children’s concert. He attracted wide attention when at age 16 he performed on television under conductor Leonard Bernstein. Though already a mature musician, he chose to continue study with Leon Fleischer. In 1976 he gave a concert that was the first live television broadcast of a solo recital in history. His popularity continued into the 21st century. Watts was the recipient of numerous honours, including the Avery Fisher Prize (1988) and the National Medal of Arts (2011)." SEIJI OZAWA: "American orchestra conductor Seiji Ozawa is noted for his energetic style and sweeping performances of 19th-century Western symphonic works. Among the honors he received throughout his career were two Emmy Awards for his performances on public television specials, the French Chevalier de la Légion d’Honneur, and honorary doctorates in music from Harvard University, the University of Massachusetts, the New England Conservatory of Music, and Wheaton College in Norton, Massachusetts. In February 1998 he joined musicians around the world via satellite link to close the opening ceremonies at the Winter Olympics in Nagano, Japan, with Ludwig van Beethoven’s Ode to Joy. Seiji Ozawa was born on September 1, 1935, in Hoten, Manchukuo (now in China), of Japanese parents. He grew up in Japan and showed interest in Western music as a child. He had hoped to become a pianist, but at age 16 he injured his hands. Ozawa then turned to conducting, studying with Hideo Saito at the Toho School in Tokyo. In 1959, after conducting with the NHK (Nippon Hoso Kyokai) Symphony Orchestra of Japan and the Japanese Philharmonic, Ozawa went to Europe, where he won the Besançon International Conductors’ Competition. The following summer he studied in the United States under Charles Munch at the Berkshire Music Festival in Tanglewood, Massachusetts, where he won the Koussevitzky Prize. At that time he began a long and fruitful association with the Boston Symphony Orchestra. After a further year of study with Herbert von Karajan in Berlin, Ozawa was engaged as an assistant conductor of the New York Philharmonic by Leonard Bernstein. From 1964 to 1968 Ozawa served as music director of the Ravinia Festival in Chicago. He became music director of Canada’s Toronto Symphony Orchestra in 1965 and of the San Francisco Symphony Orchestra in 1970. In 1973 Ozawa was appointed conductor and music director of the Boston Symphony Orchestra, a position that had for years been the exclusive preserve of European conductors. His tenure with the symphony lasted until 2002, the longest of any active music director with a major orchestra. Ozawa became increasingly interested in opera during the 1990s. In 1992 he debuted with the Metropolitan Opera in New York and, as a tribute to Hideo Saito, cofounded the Saito Kinen Festival in Matsumoto, Japan. He was principal conductor of the Vienna State Opera from 2002 to 2010. Early in 2010 Ozawa underwent surgery for esophageal cancer, which forced him to retreat from the public stage for the better part of the year. Ozawa made his return to public performance at the Saito Kinen Festival that September. Ongoing health issues continued to restrict his performance schedule, but he nonetheless made occasional appearances, notably at the Saito Kinen Festival. It was renamed the Seiji Ozawa Matsumoto Festival in his honor in 2015. In 2011 Ozawa received the Japan Art Association’s Praemium Imperiale prize for music. He was named a Kennedy Center honoree in 2015." Remastered By: Wayne Yang, USA-Taiwan
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- chronologie: Artistes lyriques (Europe).
- Index (par ordre alphabétique): H...