Tomasz Kiesewetter Vidéos
chef ou cheffe d'orchestre, compositeur ou compositrice, pédagogue
- musique classique, œuvre musicale de commande pour le théâtre
- Pologne
Dernière mise à jour
2024-04-29
Actualiser
Franz Schubert Kiesewetter 2009
Provided to YouTube by Kontor New Media Sehnsuchtswalzer (Schubert) · Hardy Kingston Happy Classic Party ℗ Aabaa Records Released on: 2009-01-05 Artist: Hardy Kingston Arranger: Holger Petersen Composer: Franz Schubert Music Publisher: Hartmut Kiesewetter Musikverlag Auto-generated by YouTube.
Wolfgang Amadeus Mozart Nannerl Haag Claire Dux Raphael Georg Kiesewetter Fuchs Maximilian Stadler Stadler Malherbe Johann Christian Bach Bach Grimm Beethoven Joseph Haydn Artaserse 1756 1765 1766 1768 1770 1781 1791 1832 1885 1967
"Conservati fedele" (K. 23) is a concert aria for soprano and orchestra by Wolfgang Amadeus Mozart. Mozart composed the aria in October 1765 while staying at The Hague during the family's British-European tour, when he was nine years old. Both of the Mozart children, Wolfgang and his sister Nannerl, were quite ill at the time. It was slightly revised in January 1766, possibly for a performance for Princess Carolina of Orange-Nassau. In his list of Wolfgang's works which he started in 1768 in Vienna, his father Leopold entered this piece as no. 2 of 15 Italian Arias, composed in London and The Hague (German: 15 Italiänische Arien theils in London, theils im Haag Componiert). The Newberry Library (Case MS 6A, 48), Chicago, acquired the manuscript (6 sheets, 11 pages) through a bequest of the opera singer Claire Dux / Mrs Charles H. Swift-- +••.••(...) in Chicago). It was previously owned by Raphael Georg Kiesewetter who gave the autograph to Aloys Fuchs as a gift. Both Fuchs and Abbé Maximilian Stadler confirmed its authenticity with their signatures on 7 December 1832. The Neue Mozart-Ausgabe also mentions an autograph (4 sheets, 7 pages) at the Bibliothèque nationale de France in its Malherbe collection. The text is taken from Metastasio's libretto Artaserse which had been set to music by a number of composers, among them Johann Christian Bach whom Mozart had met just a short time before in London. Metastasio's libretti have been set to music by a large number of composers. Mozart's largest work based on a Metastasio text was his last opera, La clemenza di Tito, as was his earlier Il re pastore. The work is scored for soprano, two violins, viola, cello and bass; the tempo marking is Andante grazioso, the time signature is 2/4 time, the key signature is A major. A typical performance would last for about 7 minutes. It is composed as a da capo aria (bars 1--86) with a short middle section ("Ch'io per virtù d'amore", bars 87--100) which has the tempo marking Allegretto and is in the parallel key of A minor. The aria consists almost wholly of two-bar phrases. After hearing this piece and "Va, dal furor portata" (K. 21) written by the nine year-old Mozart, Baron Grimm predicted that "the boy would have an opera performed in an Italian theatre before he was twelve". As it turned out, Mozart's first work for the stage, Die Schuldigkeit des ersten Gebots, was performed less than 18 month later, and his first work for an Italian theatre, Mitridate, re di Ponto, opened in Milan in 1770 when Mozart was 14 years old. Wolfgang Amadeus Mozart (27 January 1756 / 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years." Free video background: (http•••) Creative Commons license: Public Domain.
Piosenka kabaretu Smile "Błędy językowe" w wykonaniu zespołu EDYTA BAND. Nagranie zrealizowane podczas Letnich Warsztatów Artystycznych w Skorzęcinie, sierpień 2015. Śpiewają i występują: Klaudia Kmiecik Karolina Polesiak Kinga Pietruczuk Zuzia Rosiak Jakub Mazur Monika Styczek Kuba Anusiewicz Alicja Michalczuk Maja Marzec Aleksander Szmorliński Maria Kozik Izabella Fabrycka W klipie gościnnie udział wzięli: Dyrygent: Edyta Kiesewetter Tragarz: Paweł Czajkowski Przygotowanie wokalne zespołu: Edyta Kiesewetter Reżyseria: Tomasz Mitrowski Montaż: Arek Gołąb Muzyka: Izabella Fabrycka, Arek Gołąb, Edyta Kiesewetter, Maja Marzec, Tomasz Mitrowski, Monika Styczek
Weinzierl Wächter Zimmermann Riccardo Drigo Cavalli Kiesewetter Mayer Lukáš Lukáš Matoušek Bamberg Leonce Rocca Huber 1740 1822 1839 1888 1890 1906 1919 1953 1987 1993 2001 2003 2004 2008 2009 2010
Robert Delanoff: "HARLEKINADE" (2001) für zwei Flöten (oder eine Flöte mit einer Oboe) und Klavier (3:41 min) Interpretation: MÜNCHNER FLÖTENTRIO Elisabeth Weinzierl und Edmund Wächter - Flöten Eva Schieferstein - Klavier Auftragskomposition des Musikverlags ZIMMERMANN Frankfurt/Main zu dessen125jährigem Bestehen. Der große verlegerische Erfolg aus derAnfangszeit des Hauses, das Ballett "Die Millionen des Harlekin" von RICCARDO DRIGO, sollte die Vorlage für dieses Geburtstagsständchen sein. CD-Aufnahme: CAVALLI REKORDS Bestell-Nr.: CCD 276 (2004) Sehr empfehlenswert ist diese CD mit Kompositionen von: Peter Kiesewetter, Roland Leistner-Mayer, Dieter Acker, Nikolaus Brass und Lukáš Matoušek Aufnahmeort: Studio Cavalli-Records Bamberg (www.cavalli-records.de) Diese CD ist auch bei Herrn Edmund Wächter erhältlich. Bildquellen: Commons.wikimedia.org Harlekin mit Maske Datum: 2003 Quelle: Eigene Arbeit Urheber: Herrick Harlequin Artist: Paul Cézane +••.••(...)) Titel: Harlequin Datum: 1888-1890 Medium: painting Current location: National Gallery of Art Source/Photographer: Alexander R. Pruss Description: Erika Harbort (1987) - Standort: Zwickau vor dem Puppentheater Quelle: Transferred from de.wikipedia; transferred to Commons by User: Ireas using Comos Helper.Original text: selbst fotografiert Date: Oktober 2010 Author: Hans Weingard (Original uploader was Leonce49 at de.wikipedia Permission: CC-BY-SA-3.0-DE. Commons.wikimedia.org Beschreibung: Rocca di Angera (Varese)Puppenmuseum - Serenade eines Harlekins an den Mond (1890) aus Frankreich Datum: 1.8.2010 Quelle: Eigenes Werk Autor: Wolfgang Sauber Commons.wikimedia.org Beschreibung: Gedenkfigur 40 Jahre Olchinger Faschingsumzug +••.••(...)) Datum: September 2009 Quelle: Eigenes Werk Autor: Richard Huber Commons.wikimedia.org Artist: Marks, J.L. ( Details of Artist on Gogle Art Project) Title: Theatrical portrait - Mr Eliar as Harlequin Objekt type: Print Date: +••.••(...) ) Medium: paper Current location: Museum of London Accession number: 99.132/13a Source/Photographer: XA Giy Udo Utq TFw at Google Curtural Institute, zoom level maximum wikimedia commons/www.google.de Beschreibung: Der indiskrete Harlekin, Johann Joachim Kändler, um 1740, Meißener Porzelanmuseum im Schloss Lustheim, Oberschleissheim Datum: 2.11.2008 Quelle: Eigene Arbeit Urheber: Rufus 46 wikimedia commons/www.google.de Beschreibung: Postkarte, Harlekin in Begleitung zweier Frauen, Herz im Hintergrund Datum: ca.1919 Quelle: (http•••) SAP d.ll?Viewitem&item=180724808728 Urheber: Willy Werner Genehmigung: PD - Art Photo Münchner Flötentrio: privat Notenmaterial beim ZIMMERMANN - VERLAG - Frankfurt am Main erhältlich. (Auch die Version: Flöte, Oboe und Klavier) E-Mail: •••@•••
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- chronologie: Compositeurs (Europe). Chefs d’orchestre (Europe).
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