Yuriy Rom Vidéos
flûtiste, professeur ou professeure de musique
- flûte
- musique classique
- Russie, Union soviétique
Dernière mise à jour
2024-05-02
Actualiser
John Harris Harbison Spiller Kso Kristiansand Symphony Orchestra 1984
Composer: John Harris Harbison Violin: Sigmund Eikeset Piano: Marit Birkedal Aas Horn: Simon Breyer Twilight Music (1984) for Horn, Violin and Piano 00:00 I. Con moto, Flessibile 04:07 II. Presto, Ossessivo 08:13 III. Antiphon: tempo giusto 13:01 IV. Adagio, Cantabile Sigmund Eikeset (fiolin), Marit Birkedal Aas (piano) og Simon Breyer (horn) spiller Twilight Music av John Harbison. Skumringsmusikk med rom for både lek og kontemplasjon. #Harbison #JohnHarbison #Twilight #TwilightMusic #1984 #Piano #Violin #Horn #SymphonyOrchestra #KSO #kristiansandsymphonyorchestra Kristiansand Symphony Orchestra @kildenkrs Facebook: (http•••) Instagram: (http•••) Spotify: (http•••)
Alexander Glazunov Tadaaki Otaka Otaka Nikolay Rimsky Korsakov Anton Rubinstein Rubinstein Bbc National Orchestra Wales 1527 1881 1893 1894
BBC National Orchestra of Wales conducted by Tadaaki Otaka. I - Andante - Allegro moderato - Poco più tranquillo - Tempo I - Più mosso - Tempo I - Più mosso - Tranquillo - Allegro ed agitato - Più tranquillo - Più agitato - Passionato - Tempo I - Poco più tranquillo - Tempo rubato (animato e passionato) - Andante - Allegro moderato: 0:00 II - Scherzo. Allegro vivace - Poco meno mosso. Tranquillo - Tempo I: 15:27 III - Andante - Più mosso. Allegro moderato - Allegro - Meno mosso e tranquillo - Tempo I - Più sostenuto - Tranquillo - Tempo I - Più mosso - Presto: 21:10 Glazunov's Symphony No.4 was finished in 1893, being premiered in January 22 of 1894, performed by the RMS Orchestra conducted by Nikolay Rimsky-Korsakov. The work was (rather curiously) dedicated to Anton Rubinstein, founder and director of the St Petersburg conservatory and a pioneer Russian composer, who would die in November 20 of that year. Rubinstein was one of the first to recognize the talent of the young composer: After the premiere of Glazunov's String Quartet No.1 +••.••(...)), he calledthe schoolboy onto the podium to acknowledge the audience's applause. On a personal level, however, these two artists had relatively little contact: even though Glazunov's parental home was a meeting point for various Russian musicians of the time, Rubinstein was not among them. Following the third symphony, which many found "too western", with the fourth Glazunov strikes a balance between the east and west. The first movement is structured in sonata form. It begins with a slow and substantial intoduction, almost like a small slow movement in itself. The English horn presents a lyrical but melancholic theme of Russian flavour, almost like a wordless song. The upper string take it expressively, turning the music rom darkness to a hopeful bright. The allegro begins with a gentle main theme of pastoral nature. A second theme is also presented almost like a waltz, derived from the opening theme. Follows an agitated development section, which transforms these materials fascinatingly. As fragments of the theme are passed from the woodwind to the strings, we often hear passages that anticipate pages of the future ballet "Raymonda". The recapitulation brings back the main themes. A bright coda, based on the main theme, leads us to a gentle coda. The second movement is a scherzo in ternary form. It opens with a playful main theme in form of a rustic dance, presented by the woodwinds. The trio begins with a lyrical and graceful waltz, offering the adequate contrast and reminding us again to the ballet world. The scherzo is then resumed, leading us to a calm coda that ends the movement. The third movement is structured in sonata form. It begins with a contemplative introduction that, again, doubles as a small slow movement. A lyrical theme of great beauty is presented, before a blazing of fanfares leads us to the allegro. A vigorous and rhythmic main theme is presented by the whole orchestra, followed by a deeply lyrical second theme of nocturnal character. A forceful and dynamic development section ensues, with references to materials from the previous movement, thus giving the whole work a cyclical structure. The music reaches a grandiose climax, after a calm passage which refernces the opening's melancholic theme. A portentous and massive coda brings the work to a satisfactory end. Picture: "Winter Dusk" by the American painter Robert Girrard (Thomas Kinkade). Musical analysis partially written by myself. Sources: (http•••) and (http•••)
Alfredo Catalani 1921 1966 1979
Ferruccio Scàglia [Dirigent *1921 Torino / Turin - Italien +1979 Roma / Rom - Italien] Komponist: Alfredo Catalani Oper: La falce / Die Sichel Musikstück: Prologo Orchester: Mailand RAI Aufnahme 1966
Gioacchino Rossini Alfredo Casella Igor Strawinsky Ticciati Orchestra Sinfonica Roma 1940 2014
Das Orchestra Sinfonica di Roma spielt Werke von Igor Strawinsky, Alfredo Casella und Gioacchino Rossini unter der Leitung von Dirigent Matthias Manasi. Auf dem Programm stehen Rossini's Ouvertüre zur Oper 'Guillaume Tell', Alfredo Casella's Tripelkonzert Concerto mit den Soloisten Hugo Ticciati (Violine), Alexander Hülshoff (Cello) and Filippo Faes (Klavier) und die Symphony in C von Igor Strawinsky. Ein Konzertmitschnitt vom 3. März 2014 aus dem Auditorium Conciliazione in Rom. Gioacchino Rossini 00:32 Ouvertüre zur Oper Guillaume Tell Alfredo Casella Tripelkonzert, Op. 56 13:30 I Largo, ampio, solenne 23:33 II. Adagio 34:09 III. Rondo Igor Stravinsky Symphony in C (1940) 42:56 I. Moderato alla breve 53:38 II. Larghetto concertante 59:38 III. Allegretto 1:04:44 IV. Largo Hugo Ticciati, Violine Alexander Hülshoff, Cello Filippo Faes, Klavier Matthias Manasi, Dirigent Orchestra Sinfonica di Roma Konzertmitschnitt vom 3. März 2014 aus dem Auditorium Conciliazione in Rom. Klicken Sie hier, um unseren YouTube-Kanal zu abonnieren: (http•••) Auditorium Conciliazione Rom: Website: (http•••) Facebook: (http•••) Instagram: (http•••) #Strawinsky #Strawinsky #Casella #Rossini #Rome #Rom #Roma #Auditorium #Conciliazione #piano #klavier #cello #piano #tripleconcerto #concerto #orchestra #sinfonica #auditorium
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- chronologie: Interprètes (Europe).
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