Zack Macomber Vidéos
Dernière mise à jour
2024-04-25
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Charles Wuorinen Macomber Fred Sherry Ursula Oppens 1900 1938 1992 1994
Charles Wuorinen +••.••(...)): Piano Quintet (1992/1994) 1. semiminima = 60-64 2. semiminima = 48-52 [06:47] 3. semiminima = 120-128 (Intermezzo) [16:51] 4. semiminima = 160 [20:16] Curtis Macomber, violino Carmit Zori, violino Scott St. John, viola Fred Sherry, violoncello Ursula Oppens, pianoforte. Cover image: texture./ The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Libby Larsen Macomber Fischer Dunham Susanne Mentzer 2001
Track: "Four on the Floor" (Libby Larsen | Curtis Macomber, violin; Norman Fischer, cello; Deborah Dunham, bass; Jeanne Kierman, piano Trailblazer. Advocate. Innovator. All of these descriptors apply to Grammy Award-winner Libby Larsen, but at the core is the most important title of all: Artist. As the first woman to serve as a resident composer with a major orchestra and one of the most performed and prolific composers of our time (she has over 500 works in her catalog, including 15 operas), Larsen has established a permanent place in the annals of American concert music. Her new Navona Records album CIRCLE OF FRIENDS in many ways highlights a number of musicians with whom she has developed lasting relationships over the years. The performers on the album – Deborah Dunham (bass), James Dunham (viola), Jeanne Fischer (piano), Norman Fischer (cello), Curtis Macomber (violin), Susanne Mentzer (mezzo-soprano), Craig Rutenberg (piano) – are all Larsen’s colleagues and associates from various points in her career. “It occurred to me that although I’ve worked with all these superb, inspired players many times over the years, we’d never actually all collaborated on a project together,” says Larsen. “And this seemed like the perfect time and opportunity to do it.” Produced by 4-time Grammy-winner Judith Sherman, the album opens with the 3-movement Trio for Violin, Cello and Piano, an agile, nimble jazz-inspired piece that takes a gentle breather in the middle movement. Sifting Through the Ruins, a 5-movement work for mezzo-soprano, viola, and piano, was composed in memory of the events of September 11, 2001; the music and words are designed to be without artifice, focusing instead on simplicity and directness of expression. Larsen’s Viola Sonata moves away from the expansive scope of dynamics normally found in the composer’s scores and substitutes a more restrained sense of color and texture. The vocal qualities of the viola are emphasized in this 3-movement work. The final work on the program, Up Where the Air Gets Thin, is perhaps the most adventurous piece on the album, a poetic imagination of sound at extreme altitudes in extreme environments.
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- chronologie: Compositeurs (Amérique du Nord).
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