Émile-Robert Blanchet Vidéos
pianiste, compositeur et alpiniste suisse
- piano
- Suisse
- pianiste, compositeur ou compositrice
Dernière mise à jour
2024-04-18
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Johann Sebastian Bach Hubbard Blanchet Taskin Hass Vivaldi Peters Kellner Cpe Bach Kittel Rust 1685 1720 1727 1734 1750 1990
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. Please support my channel: (http•••) Uploaded with special permission by performer Peter Watchorn (http•••) Pastorale in F major, BWV 590 (1720 or later?) 1. Alla Siciliana (0:00) 2. Allemande (2:20) 3. Aria (5:52) 4. Alla Gigue (9:11) PETER WATCHORN, pedal harpsichord (Hubbard & Broekman after Ruckers/Blanchet/Taskin, 1990/after J.A. Hass, 1734) Details by Peter Watchorn: This beautiful work consists of four movements, only the first of which requires obbligato pedals. Given the nature of the plucked string, and the resultant decay of the sound, I have opted to arrange the second movement, a kind of pastoral lullaby, to include the pedal also, as the long bass strings help to sustain the “drone” effect that the “pastoral” title implies. The origins of this work are mysterious, as are the circumstances surrounding the form in which it has been transmitted to us. It appears to be half-way between a sonata and a suite and contains characteristics of both. After the opening movement, which concludes in A minor, the “lullaby” proceeds with the general rhythmic atmosphere of an allemande, minus the initial upbeat that defines the dance. The expressive third movement resembles the slow movement of an Italian concerto (akin to Bach’s arrangements of works by Marcello or Vivaldi, perhaps providing a clue as to the date of BWV 590), while the finale is a genuine dance movement, a gigue of the type that Bach composed for the English Suites (as well as the third Brandenburg Concerto), in which the theme is inverted in the second half. Though it is often played on the organ due to the pedal part in the opening movement, the work is perhaps more idiomatic to the harpsichord, the pedal harpsichord providing the best of both worlds. Notes on IMSLP: First movement incomplete Possibly first published in the Peters Organ works series? Peter Williams (The Organ Music of J. S. Bach, from p.196) gives for sources, as the autograph does not survive. "complete in P 287 (J P Kellner, after 1727?); also, via CPE Bach (P290, P277?, Am.B59?), and [a] lost MS used in Peters I; first movement only [survives] in copies via Kittel(?)" (note: the Darmstadt digitized collection, of works by JS and CPE Bach, is possibly one of the above- P290, P277 or Am.B59?). (Not the only work in regards to which Williams mentions the possibility that Griepenkerl may have used a source in preparing his edition that is now lost. This is also possible in regards several of Rust's editions for the BGA but with Rust as editor other issues arise.)
Emile Robert Blanchet Weller Ignaz Moscheles Hauptmann Busoni 1904 1905 1908 1917
Piano - Wolfgang Weller Émile-Robert Blanchet was a French-speaking Swiss pianist and composer. He was taught by his father, the organist of a cathedral in Lausanne, Charles Blanchet, a pupil of Ignaz Moscheles, and Hauptmann. Later he attended Cologne Conservatory and was a pupil of Busoni in Weimar and Berlin. Later he was professor of piano 1904-1917, then director 1905-1908 of the Lausanne Conservatory. He continued teaching there until 1917. In 1917 he resigned and spent time on climbing on which he would write 2 books. He composed a lot of pieces, especially for piano.
Blanchet Weller 1877 1930 1943 2012
Composer: Émile-Robert Blanchet +••.••(...)) Date of composition: ~1930 Performer: Wolfgang Weller (http•••) Date of recording: 2012 "'Mouharebé' is a foreign word or loanword of Arabic provenance in the Turkish language meaning 'fight'." (Wolfgang Weller) Original audio: (http•••) Score can be found on IMSLP.
Festival Vézère Festival Berlioz Berlioz Ravel Blanchet Olivier Messiaen Ocna 2022
Retrouvez nous le 12 juillet au festival de la Vézère, le 23 août au festival Berlioz, et le 4 septembre au festival Ravel. Plus d'infos à la une sur www.ocna.fr ! Crédits photos : 28mmphoto.net / Francoise Paquita Gaulard / Le DL -Mona Blanchet Crédits musique : « Des canyons aux étoiles... », Olivier Messiaen - Orchestre de Chambre Nouvelle-Aquitaine - Mirare 2022
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