Antonio Vivaldi 12 Sonates pour violon et basse continue, Opp. 2 Vidéos
- dédié à Frederick IV of Denmark
Dernière mise à jour
2024-03-29
Actualiser
Pierre Gaviniès Albert Beaucamp Jean Marie Leclair Corelli Pugnani Viotti Laporte Vivaldi Guignon Blavet Marie Fel Antonio Lolli Simon Leduc Gossec Concert Spirituel Comédie Italienne 1500 1728 1734 1741 1748 1752 1753 1759 1760 1763 1764 1765 1769 1772 1773 1777 1788 1794 1795 1800 1810 1834 1921 1967
Joyeux anniversaire Pierre Gaviniès! Composer: Pierre Gaviniès +••.••(...)) Work: Second concerto (en Fa majeur) a Violino principal, Op.4 (1764) Performers: Claire Bernard (violin); Orchestre de chambre de Rouen; Albert Beaucamp +••.••(...), conductor) Painting: Alexandre-Jean Noël +••.••(...)) - La pointe de l’île de la Cité, vue du port Saint-Nicolas Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / Pierre Gaviniés [Gaviniès, Gaviniez, Gavigniès, et al.] (Bordeaux, 11 May 1728 - Paris, 8 September 1800) French violinist and composer. He was Leclair’s successor as leader of the French violin school. The esteem with which he was regarded is indicated by his inclusion in Fayolle’s Notices sur Corelli, Tartini, Gaviniés, Pugnani et Viotti (Paris, 1810) and by Viotti’s having labelled him (according to Pipelet) ‘the French Tartini’. He was admired as a performer, composer, teacher and philanthropist. Gaviniés was the son of François Gaviniés, a violin maker, and Marie Laporte. Accurate information about his early training is limited, though his talent was undoubtedly nurtured by the artists who frequented his father’s violin shop. By 1734, possibly to further Pierre’s musical education, his father moved the family and business to Paris. At the age of 11 he appeared in private concerts, and at 13 he made a successful Concert Spirituel début, performing a Leclair duet with L’abbé le fils, a pupil of Leclair; there is no evidence to suggest that Gaviniés was also one of his pupils. Later in 1741 he performed ‘Spring’ from Vivaldi’s ‘Four Seasons’ at the Concert Spirituel, after which his activities are not known for several years; some believe that he was employed by the Duke of Orleans during this period. From 1748 Gaviniés performed frequently at the Concert Spirituel, playing both alone and with others, including the violinist Guignon, the flautist Blavet and the singer Marie Fel. His whereabouts from 1753 to 1759 remain a mystery except for the fact that one year was spent serving a prison sentence for an illicit affair with a young countess. In prison he composed his famous ‘Romance’ – a work which appeared in numerous versions during his lifetime. In 1759 he returned to the Concert Spirituel, and on 6 November 1760 his Le prétendu, an intermède in three acts, was presented by the Comédie-Italienne. The early 1760s were perhaps the apex of Gaviniés’s career. He published three sets of sonatas for violin and basso continuo, one set for two violins and six concertos. Several symphonies were performed at the Concert Spirituel, where he conducted the orchestra from his position as leader. In the winter of 1763-64, the Mozart family attended some of his concerts. After 1765 he performed little, perhaps because of his envy of Antonio Lolli, a phenomenal virtuoso who had become popular for a novel effect involving scordatura. Between 1769 and 1772, Gaviniés organized five benefit concerts for a free school of design. With Simon Leduc and Gossec, he directed the Concert Spirituel from 1773 to 1777, during which time the orchestra was enlarged and the quality of performance improved remarkably. After this he remained in Paris but seldom played in public. A wealthy benefactress bequeathed him an annuity of 1500 livres in 1788; the annuity may not have survived the Revolution, however, for Gaviniés took a position playing in the orchestra of the Théâtre de la rue de Louvois in the 1790s. When the Paris Conservatoire was established in 1795, Gaviniés accepted the position of violin professor. He is reported to have been an enthusiastic and well-liked teacher. Although physical infirmities eventually forced him to remain in his home, his fabulous technique was not affected and he remained active until his death. In 1800 (or possibly 1794) he published his famous Vingt-quatre matinées, a series of difficult études. Gaviniés was a charming and affable humanitarian. He never married, but he had numerous female admirers and friends. Partly due to his generous nature – he favoured pupils who were less affluent, in some cases giving them free lessons or even supporting them – he died in relative poverty.
Antonio Vivaldi Nikolova Martynov 1678 1741 2018
Antonio Vivaldi +••.••(...)) Op.2 12 Sonatas for violin and basso continuo Sonata No.1 in G minor RV27 I.Preludio: Andante 0:00 II.Giga: Allegro 3:19 III.Sarabanda: Largo 5:11 IV.Corrente: Presto 7:40 Kremena Nikolova violin Aliaksandr Auramchyk cello Anton Martynov clavicembalo live 21.12.2018 Venice 5°International Music Festival San Martino a Natale www.anticonuovo.com
Antonio Vivaldi Netzer Sabella 1678 1709 1741
Antonio Vivaldi (1678 – 1741) Twelve Sonatas for Violin and Basso Continuo, Op. 2 (1709): Sonata n. 12 in A minor, RV 32 Ekaterina Valiulina, Violin Elisa Netzer, Harp Audio Recording & Editing: Alessio Sabella Video Recording: Misha Györik Video Editing: Alessio Sabella
Antonio Lucio Vivaldi Estienne Roger Claude Debussy Frédéric Chopin Johannes Brahms Wolfgang Amadeus Mozart Sergei Rachmaninov Franz Liszt Astor Piazzolla Johann Sebastian Bach Beethoven Georges Bizet Gioachino Rossini Niccolò Paganini Wagner Pyotr Ilyich Tchaikovsky John Dowland Franz Joseph Haydn Ralph Vaughan Williams Giovanni Battista Pergolesi Antonín Dvořák Giacomo Puccini Igor Stravinsky Franz Schubert Giuseppe Verdi 1678 1703 1709 1712 1715 1723 1740 1741
Relax and enjoy with the best classical music of all times! Subscribe: (http•••) Antonio Vivaldi - Sonata No. 2 in A major, RV 31 [1709] - Twelve Violin Sonatas, Op. 2 Twelve Violin Sonatas, Op. 2: Antonio Vivaldi wrote a set of twelve sonatas for violin and basso continuo, Op. 2, in 1709. First published by Antonio Bortoli in Venice in 1709 (in movable type), the collection was later reprinted by Estienne Roger (who became Vivaldi's main publisher) in Amsterdam around 1712/13. 1. Sonata No. 1 in G minor, RV 27 2. Sonata No. 2 in A major, RV 31 3. Sonata No. 3 in D minor, RV 14 4. Sonata No. 4 in F major, RV 20 5. Sonata No. 5 in B minor, RV 36 6. Sonata No. 6 in C major, RV 1 7. Sonata No. 7 in C minor, RV 8 8. Sonata No. 8 in G major, RV 23 9. Sonata No. 9 in E minor, RV 16 10. Sonata No. 10 in F minor, RV 21 11. Sonata No. 11 in D major, RV 9 12. Sonata No. 12 in A minor, RV 32 Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Listen Fantastic Piano, Violin and Orchestral Masterpieces by the greatest composers of all time. Claude Debussy, Frédéric Chopin, Johannes Brahms, Wolfgang Amadeus Mozart, Sergei Rachmaninov, Franz Liszt, Astor Piazzolla, Johann Sebastian Bach, Ludwig van Beethoven, Georges Bizet, Gioachino Rossini, Antonio Vivaldi, Niccolò Paganini, Wagner Richard, Pyotr Ilyich Tchaikovsky, Johann Strauss, John Dowland, Franz Joseph Haydn, Ralph Vaughan Williams, Giovanni Battista Pergolesi, Antonín Dvořák, Giacomo Puccini, Igor Stravinsky, Franz Schubert, Giuseppe Verdi, and others… Subscribe: (http•••)
ou
- Les plus grandes œuvres pour orchestre de chambre
- Oeuvres incontournables: période baroque
- Index (par ordre alphabétique): 1...