Benjamin Britten Curlew River, Op. 71 Vidéos
Dernière mise à jour
2024-03-24
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Benjamin Britten Ian Bostridge Britten Sinfonia
Inspired by Japanese Noh theatre, Benjamin Britten's church parable, Curlew River is a 'once heard, never forgotten' work. Performing at Barbican Britten for three special performances, we capture some of this haunting production as Curlew River is brought to life in the beautiful surroundings of St Giles, Cripplegate, under the direction of multimedia artist Netia Jones with music by Britten Sinfonia and an outstanding British cast led by tenor Ian Bostridge. Part of Barbican Britten: (http•••) Find out more about Curlew River on the Barbican Blog: (http•••) Tweet using #BarbicanBritten and follow us on Twitter: (http•••) (@BarbicanCentre) Facebook: (http•••)
Kendall Mozart Beethoven Cipriani Cipriani Potter Bach Smetana Bruckner Berlioz Mahler Schoenberg Rachmaninov Benjamin Britten Messiaen Stockhausen 1824 1906 1964
CHRONICLE OF CLASSICAL MUSIC: ALAN KENDALL Book Number: 82570 Published price: £16.95 Bibliophile price: £8.50 At the centre of this comprehensive and beautifully illustrated guide is a year-by-year chronology of the world of classical music from1600 to the present, accompanied by biographical entries for all major composers, together with eyewitness quotations from diaries, letters and newspapers. We learn that Mozart would stop playing during a concert if there was a disturbing noise in the audience, and we read an assessment of Beethoven by the British composer and musicologist Cipriani Potter, who had met the great Romantic genius. The larger context is apparent when we realise that in the momentous year 1824, exactly 100 years after Bach premiered his St John Passion in Leipzig, Beethoven completed his majestic 9th symphony, Smetana and Bruckner were born and Berlioz made the decision to become a composer. Moving into the 20th century, 1906 saw the premières of symphonies by both Mahler and Schoenberg in a collision of two very different musical worlds. Mahler belongs with Rachmaninov and Strauss as proponents of a lush late Romanticism, while Schoenberg was about to pioneer the shock of 12-note serialism. In 1964 Benjamin Britten was the composer of the moment with Curlew River, but the older hell-raisers Messiaen and Stockhausen were still writing new work. With a biographical index of composers, 388 illustrations, most in colour, and a range of fascinating feature articles, this book is an invaluable companion for the classical music lover. 288pp, softback, glossary, recordings, 388 illustrations, 160 in colour.
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