Béla Bartók Concerto pour piano n° 1 Vidéos
1
- Première le 1927-07-01 (Concerto pour piano n° 1, Bartók)
- Publié en 1927 (Concerto pour piano n° 1, Bartók)
Dernière mise à jour
2024-04-22
Actualiser
Anna Vinnitskaya Antonello Manacorda Béla Bartók Johannes Brahms Swr Symphonieorchester Liederhalle 2021
Antonello Manacorda dirigiert das SWR Symphonieorchester. Livemitschnitt in der Stuttgarter Liederhalle vom 23. April 2021. 00:00:00 - Béla Bartók: Klavierkonzert Nr. 1 00:24:41 - Johannes Brahms: Sinfonie Nr. 4 e-Moll op. 98 Anna Vinnitskaya, Klavier SWR Symphonieorchester Dirigent: Antonello Manacorda SWR Classic - Klangvielfalt erleben! Web: (http•••) Facebook: (http•••) Twitter: (http•••)
Grigory Ginzburg Franz Liszt Chopin Alexander Goldenweiser Hanon Schumann Stanisław Niewiadomski Piotr Rytel Bartók Axelrod Sergei Dorensky Pollack Persimfans 1903 1910 1922 1924 1927 1935 1936 1956 1958 1959 1961
-Franz Liszt - Hungarian Rhapsody no. 17 in d-moll piano: Grigory Ginzburg +••.••(...)) rec. Moscow 1958 Grigory Ginzburg 4th Prize winner, 1st International Frederic Chopin Piano Competition in Warsaw (1927). Grigori Ginzburg was born into a family with no musical traditions. However, his parents insisted that their three sons become acquainted with the basics of music and play piano at least on an amateur level. Grigory the youngest child displayed the greatest interest in music and could play a tune by ear when he was but four years old. Tales of the remarkably talented boy reached Alexander Goldenweiser in Moscow. In 1910, the Ginzburgs introduced their son to Goldenweiser, who immediately decided to teach him music and piano playing. After the death of Grigori's father, Goldenweiser became almost a surrogate family to the boy. Goldenweiser placed particular emphasis on the development of basic technique. He worked Ginzburg through Hanon's exercises, teaching how to transpose them to any chosen key, play complicated rhythms, tempos and contrasting dynamics. Ginzburg was accepted to the Moscow Conservatoire at the age of thirteen, to the so-called lower course, but soon became a full-time student in Alexander Goldenweiser's class. Goldenweiser was Ginzburg's only teacher during the entire course of his musical education. Ginzburg made his debut as a pianist in 1922, when he sensationally played Franz Liszt's Piano Concerto No. 1 in E flat major with the renowned Moscow 'Persimfans' orchestra. In spring 1924 Ginzburg graduated from the Conservatoire earning a gold medal, which meant his name was engraved on a white marble plate that listed the best graduates of the Conservatoire. On 24th October Ginzburg gave a recital that included Schumann's Carnival and Liszt's infamously difficult Réminiscences de Don Juan. During 19241928, Ginzburg undertook post-graduate studies at the Conservatoire under the supervision of Goldenweiser, and started his teaching career as an assistant. 1927 brought him great success when he took 4th place at the 1st International Chopin Competition in Warsaw. He was among the favourites of the Warsaw audience who believed he should have been awarded 1st Prize. At the time, Professor Stanisław Niewiadomski published an apt description of Ginzburg's competition performance: "Everything comes from under his fingers not only completed in the most refined manner []. Refinement alone would not suffice, were it not for the unequalled simplicity of his playing of the Mazurka in A minor or the excellent accents in the Polonaise. Ginzburg placed [himself] on equal footing with the best pianists of the competition." Ginzburg was also among the competition favourites of Professor Piotr Rytel, a renowned Warsaw critic, pianist and composer, who wrote: "The young pianist distinguished himself from his co-competitors through his precision and subtlety of phrasing as well as brilliant technique. Who knows whether it was not his Chopin that came closest to the ideal?" Following his success in Warsaw, Ginzburg continued his concert career in Soviet Russia. In 1936 he was permitted to perform concerts in Poland (he gave a recital at the Warsaw Conservatoire in January) and Switzerland; in 1956 in Hungary (at the Liszt-Bartók Festival); in 1959 in Czechoslovakia; and in 1961 he made a triumphant tour of Yugoslavia. In autumn 1961 he was due to perform in Poland, including a recital recording for the Polish Radio of the complete Chopin Etudes to play them in Chopin's homeland. Unfortunately he was suddenly taken ill and hospitalized, and he died shortly afterwards. Ginzburg was a professor at the Moscow Conservatoire from 1935 to 1959. His students included Gleb Axelrod, Sergei Dorensky, Alexei Skavronsky and Daniel Pollack.
Grigory Ginzburg Franz Liszt Chopin Alexander Goldenweiser Hanon Schumann Stanisław Niewiadomski Piotr Rytel Bartók Axelrod Sergei Dorensky Pollack Persimfans 1903 1910 1922 1924 1927 1935 1936 1947 1956 1959 1961
-Franz Liszt - Hungarian Rhapsody no. 2 in cis-moll piano: Grigory Ginzburg +••.••(...)) studio rec. Moscow 1947 (different recording than the upload by Truecrypt!!!) Grigory Ginzburg 4th Prize winner, 1st International Frederic Chopin Piano Competition in Warsaw (1927). Grigori Ginzburg was born into a family with no musical traditions. However, his parents insisted that their three sons become acquainted with the basics of music and play piano at least on an amateur level. Grigory the youngest child displayed the greatest interest in music and could play a tune by ear when he was but four years old. Tales of the remarkably talented boy reached Alexander Goldenweiser in Moscow. In 1910, the Ginzburgs introduced their son to Goldenweiser, who immediately decided to teach him music and piano playing. After the death of Grigori's father, Goldenweiser became almost a surrogate family to the boy. Goldenweiser placed particular emphasis on the development of basic technique. He worked Ginzburg through Hanon's exercises, teaching how to transpose them to any chosen key, play complicated rhythms, tempos and contrasting dynamics. Ginzburg was accepted to the Moscow Conservatoire at the age of thirteen, to the so-called lower course, but soon became a full-time student in Alexander Goldenweiser's class. Goldenweiser was Ginzburg's only teacher during the entire course of his musical education. Ginzburg made his debut as a pianist in 1922, when he sensationally played Franz Liszt's Piano Concerto No. 1 in E flat major with the renowned Moscow 'Persimfans' orchestra. In spring 1924 Ginzburg graduated from the Conservatoire earning a gold medal, which meant his name was engraved on a white marble plate that listed the best graduates of the Conservatoire. On 24th October Ginzburg gave a recital that included Schumann's Carnival and Liszt's infamously difficult Réminiscences de Don Juan. During 19241928, Ginzburg undertook post-graduate studies at the Conservatoire under the supervision of Goldenweiser, and started his teaching career as an assistant. 1927 brought him great success when he took 4th place at the 1st International Chopin Competition in Warsaw. He was among the favourites of the Warsaw audience who believed he should have been awarded 1st Prize. At the time, Professor Stanisław Niewiadomski published an apt description of Ginzburg's competition performance: "Everything comes from under his fingers not only completed in the most refined manner []. Refinement alone would not suffice, were it not for the unequalled simplicity of his playing of the Mazurka in A minor or the excellent accents in the Polonaise. Ginzburg placed [himself] on equal footing with the best pianists of the competition." Ginzburg was also among the competition favourites of Professor Piotr Rytel, a renowned Warsaw critic, pianist and composer, who wrote: "The young pianist distinguished himself from his co-competitors through his precision and subtlety of phrasing as well as brilliant technique. Who knows whether it was not his Chopin that came closest to the ideal?" Following his success in Warsaw, Ginzburg continued his concert career in Soviet Russia. In 1936 he was permitted to perform concerts in Poland (he gave a recital at the Warsaw Conservatoire in January) and Switzerland; in 1956 in Hungary (at the Liszt-Bartók Festival); in 1959 in Czechoslovakia; and in 1961 he made a triumphant tour of Yugoslavia. In autumn 1961 he was due to perform in Poland, including a recital recording for the Polish Radio of the complete Chopin Etudes to play them in Chopin's homeland. Unfortunately he was suddenly taken ill and hospitalized, and he died shortly afterwards. Ginzburg was a professor at the Moscow Conservatoire from 1935 to 1959. His students included Gleb Axelrod, Sergei Dorensky, Alexei Skavronsky and Daniel Pollack.
Martha Argerich Charles Dutoit Bern Mozart Liszt Chopin Scaramuzza Friedrich Gulda Nikita Magaloff Stefan Askenase Bach Beethoven Schumann Debussy Ravel Bartók Joseph Szigeti Gidon Kremer Mischa Maisky Nelson Freire Stephen Bishop Kovacevich Nicolas Economou Alexandre Rabinovitch Claudio Abbado Paulsen Shostakovich Tchaikovsky Brahms Prokofiev Giuseppe Sinopoli Stravinsky Leonard Bernstein Haydn Mstislav Rostropovich Messiaen Mendelssohn Kreutzer Piano Summer Lucerne Festival Salzburg Festival Carnegie Hall Berlin Philharmonic Orchestra Württembergisches Kammerorchester Heilbronn Orpheus Chamber Orchestra 1955 1957 1965 1967 1969 1972 1973 1985 1991 1992 1993 1995 1997 1998 1999 2000
Martha Argerich married to her second husband Charles Dutoit from 1969 to 1973. Dutoit was the conductor of Bern Symphony at that time. They have a daughter Annie Dutoit. The video clip was filmed at their home at Jutan near Lausanne, 1972. Martha Argerich played the following pieces in the video at the time mark as indicated: 00:00 Mozart: Rondò in a-minor K.511 01:30 Liszt: Sonata b-minor 02:50 Mozart: Sonata in C-major K.545 03:05 Chopin: Waltz Op.64/1 04:12 Chopin: Piano Concerto #1, mvt#1 Op.11 The following biography was provided by Martha Argerich herself or her representative./ Martha Argerich was born in Buenos Aires. From the age of five, she took piano lessons with Vicenzo Scaramuzza. In 1955 she went to Europe with her family, and received tuition from Friedrich Gulda in Vienna; her teachers also included Nikita Magaloff and Stefan Askenase. Following her first prizes in the piano competitions in Bolzano and Geneva in 1957, she embarked on an intensive programme of concerts. Her victory in the Chopin Competition in Warsaw in 1965 was a decisive step on her path to worldwide recognition. Martha Argerich rose to fame with her interpretations of the virtuoso piano literature of the 19th and 20th centuries. But she does not regard herself as a specialist in "virtuoso" works - her repertoire ranges from Bach through Beethoven, Schumann, Liszt, Debussy and Ravel, to Bartók. Martha Argerich has worked as a concert pianist with many famous conductors. She has also attached great importance to chamber music ever since, at the age of 17, she accompanied the violinist Joseph Szigeti - two generations older than herself. She has toured Europe, America and Japan with Gidon Kremer and Mischa Maisky and has also recorded much of the repertory for four hands and for two pianos with the pianists Nelson Freire, Stephen Bishop-Kovacevich, Nicolas Economou and Alexandre Rabinovitch. Martha Argerich has performed at Gidon Kremer's festival in Lockenhaus, at the Munich Piano Summer, the Lucerne Festival and at the Salzburg Festival, where she gave, for instance, a recital with Mischa Maisky in 1993. She appeared with Claudio Abbado and the Berlin Philharmonic at the 1992 New Year's Eve Concert with Strauss's Burleske and also at the Salzburg Festival at Easter 1993. May 1998 saw the long-awaited musical "summit meeting" between Martha Argerich, Mischa Maisky and Gidon Kremer. On the occasion of a memorial concert for the impresario Reinhard Paulsen, the three artists came together in Japan, where they performed piano trios by Shostakovich and Tchaikovsky (recorded live by DEUTSCHE GRAMMOPHON). In March 2000 Martha Argerich gave her first great solo appearance in almost 20 years in New York's Carnegie Hall. Martha Argerich has close ties with DEUTSCHE GRAMMOPHON, dating back to 1967. She has recorded prolifically during this period: solo works by Bach, Brahms, Chopin, Liszt and Schumann; concerto recordings of works by Chopin, Liszt, Ravel and Prokofiev with Claudio Abbado, Beethoven with Giuseppe Sinopoli, and Stravinsky's Les Noces with Leonard Bernstein. Her recording of Shostakovich's First and Haydn's Eleventh Piano Concertos with the Württembergisches Kammerorchester Heilbronn conducted by Jörg Färber was crowned with the Tokyo RECORD ACADEMY AWARD in 1995 and that of Tchaikovsky's Piano Concerto No. 1 with Claudio Abbado and the Berlin Philharmonic Orchestra was awarded the CD COMPACT AWARD in 1997. She has also dedicated herself to chamber music, and has recorded works by Schumann and Chopin with Mstislav Rostropovich, and cello sonatas by both Bach and Beethoven with Mischa Maisky. She has made numerous successful recordings with Gidon Kremer, such as violin sonatas by Schumann and works by Bartók, Janácek and Messiaen (PRIX CAECILIA 1991), and Mendelssohn's concerto for violin and piano with the Orpheus Chamber Orchestra. Their recording of Prokofiev sonatas and melodies received the 1992 Tokyo RECORD ACADEMY AWARD, the DIAPASON D'OR 1992 and the EDISON AWARD 1993. One of their most outstanding recording achievements was that of the complete Beethoven violin sonatas (Nos.1-3: RECORD ACADEMY AWARD 1985), which was concluded with the release of the Sonatas op. 47 "Kreutzer" and op. 96 in 1995. Among her more recent releases is the above-mentioned live recording of piano trios by Shostakovich and Tchaikovsky with Mischa Maisky and Gidon Kremer. Martha Argerich takes a great supportive interest in young artists. In September 1999 the first International "Martha Argerich" Piano Competition took place in Buenos Aires - a competition which does not only carry her name but in which she is president of the jury. In November 1999 the second "Martha Argerich Music Festival" took place in southern Japan, with concerts and masterclasses being given not only by Martha Argerich but also by Mischa Maisky and Nelson Freire among others.
ou
- Les plus grandes œuvres pour orchestre avec soliste
- Oeuvres incontournables: période moderne & contemporaine
- Index (par ordre alphabétique): C...