Edvard Grieg Arabisk Dans, Op. 23 n° 15 Vidéos
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2024-06-15
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Edvard Grieg Klage Malmö Symphony Orchestra 1907 1912
Edvard Grieg+••.••(...)) Peer Gynt Suite No. 1, Op. 46 0:00 I. Morgenstemning (Morning Mood) 4:16 II. Ases dod (The Death of Ase) 8:28 III. Anitras dans (Anitra's Dance) 11:59 IV. I Dovregubbens hall (In the Hall of the Mountain King) Peer Gynt Suite No. 2, Op. 55 14:39 I. Bruderovet - Ingrids klage (The Abduction of the Bride - Ingrid's Lament) 19:12 II. Arabisk dans (Arabian Dance) 23:58 III. Peer Gynts hjemfart (Peer Gynt's Homecoming) 26:50 IV. Solveigs sang (Solveig's Song) Malmö Symphony Orchestra Bjarte Engeset
Edvard Hagerup Grieg Jean Sibelius Bedřich Smetana Klage Mark Ermler Royal Philharmonic 1843 1888 1891 1907
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively. Please support my channel: (http•••) Peer Gynt Suite No. 1, Op. 46 1. Morning Mood (Morgenstemning) 2. The Death of Åse (Åses død) (4:27) 3. Anitra's Dance (Anitras dans) (9:43) 4. In the Hall of the Mountain King (I Dovregubbens hall) (13:14) Suite No. 2, Op. 55 1. The Abduction of the Bride. Ingrid's Lament (Bruderovet. Ingrids klage) (15:43) 2. Arabian Dance (Arabisk dans) (20:34) 3. Peer Gynt's Homecoming (Stormy Evening on the Sea) (Peer Gynts hjemfart (Stormfull aften på havet)) (25:12) 4. Solveig's Song (Solveigs sang) (28:04) The Royal Philharmonic conducted by Mark Ermler Over a decade after composing the full incidental music for Peer Gynt, Grieg extracted eight movements to make two four-movement suites. The Peer Gynt suites are among his best-known works, however they initially began as incidental compositions. Suite No. 1, Op. 46 was published in 1888, and Suite No. 2, Op. 55 was published in 1891. Originally, the second suite had a fifth number, The Dance of the Mountain King's Daughter, but Grieg withdrew it.
Edvard Hagerup Grieg Klage Ibsen Kso Kristiansand Symphony Orchestra 1876
Composer: Edvard Hagerup Grieg Conductor: Bjarte Engeset Concertmaster: Adrian G. Selfjord Peer Gynt: Suite No.1 op. 46 Suite No.2 op. 55 Excerpts from the stage music op. 23 00:00 I. Prelude: At the Wedding (I brudlaupsgarden) op. 23 05:30 II. The Abduction of the Bride. Ingrid's Lament (Bruderovet / Ingrids klage) op. 55 10:24 III. Dance of the Mountain King's Daughter (Dans av Dovregubbens datter) op. 23 12:21 IV. In the Hall of the Mountain King (I Dovregubbens hall) op. 46 15:28 V. The Death of Åse (Åses død) op. 46 20:14 VI. Morning Mood (Morgenstemning) op. 46 24:39 VII. Arabian Dance (Arabisk dans) op. 55 29:42 VIII. Anitra's Dance (Anitras dans) op. 46 33:31 IX. Peer Gynt's Homecoming (Peer Gynts hjemfart) op. 55 36:30 X. Shipwreck (Skipsforliset) op. 23 38:19 XI. Solveig's Song (Solveigs sang) op. 55 Edvard Griegs maleriske, dramatiske og vakre musikk til Henrik Ibsens skuespill Peer Gynt. #Grieg #EdvardGrieg #PeerGynt #BjarteEngeset #Suite #Ibsen #HenrikIbsen #SymphonyOrchestra #symphony #Violin #KSO #kristiansandsymphonyorchestra #1876 Kristiansand Symphony Orchestra @kildenkrs Facebook: (http•••) Instagram: (http•••) Spotify: (http•••)
Edvard Hagerup Grieg Klage Ibsen Wilder 1843 1874 1875 1888 1891 1892 1907 1993
Composer : Edvard Hagerup Grieg +••.••(...) ~ 4.9.1907) Performers : BBC Scotish Symphony Orchestra (Recorded in 24.6.1993) I. Der Brautraub (Bruderovet, Ingrids Klage) 00:07 II. Arabischer Tanz (Arabisk Dans) 04:05 III. Peer Gynts Heimkehr (Peer Gynts Hjemfart) 08:30 IV. Solvejgs Lied (Solveigs Sang) 11:12 Edvard Grieg waited better than a dozen years to draw up a concert suite from the body of incidental music to Ibsen's Peer Gynt that he had composed in 1874 and 1875; but this Peer Gynt Suite No. 1, Op. 46 (1888) was such a great success that everybody involved clamored for more and a second suite followed just a few years later (Op. 55, in 1891 - 1892). While the Peer Gynt Suite No. 2 failed to reach the commercial and popular heights that the first reached, some argue that the music in it is actually superior to that in its predecessor. Ibsen's play puts a new and, to some, disturbing spin on the classic hero-drama. Peer Gynt himself is a rough-and-tumble Norwegian peasant; he dreams of power and glory but is very nearly a common rogue / a real anti-hero. Ibsen tells us of his colorful adventures and not altogether wholesome or moral adventures over the course of five acts. The first Peer Gynt Suite opens with the famous "Morning Mood", originally played at the beginning of the fourth act. A lovely E major melody is announced by the flutes and then taken through a sparkling palette of gentle inflections; bright flute trills chime in as "Morning Mood" comes to a gentle close. "Äse's Death" (Op. 46, No. 2) is number 11 in the original score, and originally served as the prelude to the third act. Peer Gynt has returned home to his mother Äse, only to find her dying. No. 3, "Anitra's Dance" is originally the 16th number of incidental music. "In the Hall of the Mountain King" (Op. 46, No. 4), written to accompany the gnomes' taunting and chasing of Peer Gynt after he has refused to marry the Mountain King's daughter, is perhaps the most famous of the Peer Gynt pieces. The whirlwind-like music is built from a small thematic fragment that grows wilder and wilder until Peer Gynt / and the poor orchestra / can take no more. "Ingrid's Lament" No. 1 of the second suite, originally accompanied Peer Gynt's abduction of the maiden Ingrid on her wedding day. There is real drama in this four-minute work; it surges and pulses, starts and stops, sobs and then shrieks / and is utterly unlike the pastoral mood-paintings that have made the first suite so famous. Grieg follows it with a lively "Arabian Dance" (Op. 55, No. 2), colorfully employing tambourine and piccolo. At the end of Ibsen's tale, Peer Gynt makes his way back to Norway and finally arrives on the shores of his homeland as his ship is demolished by a violent storm. No. 3, "Peer Gynt's Homecoming" is a powerful rendering of this chaotic scene. The piece makes its way, quietly, directly into the next and final number, an orchestral arrangement of the song sung by Solvejg, Peer Gynt's patient and devoted wife, when he finally returns to her and dies (Op. 55, No. 4). (http•••)
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