Henry Purcell Circe Vidéos
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2024-04-23
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Henry Purcell Galliard Villain Shore Freed Locke 2019
[Rough Draft/Edit] *for purposes of sharing this great music, we have made this video public. Live performance. Presented by the Henry Purcell Society of Boston March 22, 2019 Cathedral Church of Saint Paul, Boston Jessica Cooper, Artistic Director Ian Watson: Music Director Laurence Senelick: Original Narration and Stage Direction The First Musick Introduction Galliard Gavot The Second Musick Sarabrand Lilk Curtain Tune SYNOPSIS Prologue: Narrators 1 and 2 refresh our memories of the plot in jaunty tetrameter. Act 1: The sailors try to save their tempest-tossed ship. While the ship sinks, Alonzo admits he is a villain to his son Ferdinand. On the shore, Prospero tells his daughter Miranda that he caused the storm and explains the crew’s progress to and landing on the Island. He assures her that the passengers are all safe. Prospero calls upon the sprite Ariel to do his bidding for two more days before he discharges him from servitude. Caliban arrives on the scene as does Prospero’s other daughter, Dorinda, who along with Miranda has never seen a man other than their father. First Act Tune Rustick Air Act 2: Members of the shipwrecked crew imbibe a rescued brew, and sing sea shanties and scurvy tunes when they meet Caliban. Caliban drinks and is amazed at the ‘celestial liquor.’ Drunk, he sings of newfound rebellious feelings. "Low Songs" I Shall No More to Sea, to Sea! - three sailors The Master, The Swabber, The Boatswain and I - three sailors No More Dams I’ll Make for Fish - Caliban Elsewhere on the island, the courtly remnants of the crew mourn the loss of Ferdinand, whom Alonzo believes to be dead. In the midst of Alonzo’s grief and penitence for his past crimes against Prospero, enchanted music begins to play and demons participate in a horrid masque. Flourish of Musick The Masque of Devils Where Does the Black Fiend Ambition Reside? - Devils 1, 2, and chorus Arise, Ye Subterranean Winds, 2nd Devil Second Act Tune Act 3: Ferdinand wanders, lost on the island, and hears a voice from an unseen sprite (Ariel). The voice bids him to the place he will meet Miranda, which is part of Prospero’s plan. Meanwhile, Miranda and her sister Dorinda discuss the men they have seen, not only Ferdinand but also Hippolito, who is the son of Duke Antonio. Prospero summons Ariel to inquire about the well-being of the shipwrecked nobles. Come Unto These Yellow Sands – Ariel and chorus Full Fathom Five – Ariel and chorus Prospero sends Ariel off to comfort the nobles with music. Ariel sings “Dry those Eyes.” The shipwrecked crew are famished and dream of food. Spirits torment them by making food appear and then disappear. Dry Those Eyes - Ariel Dance of Fantastick Spirits The scene changes back to Ferdinand, who is still lost and following Ariel’s voice. Echo Duet: Go Thy Way - Ariel, Ferdinand Third Act Tune: Corant INTERMISSION Act 4: The mariners, their gullets parched, have breathed defiance as they marched. Thinking they are the masters of the isle, they get even more plastered. Catch: Flout ‘em and Scout ‘em: Thought is Free Trincalo, Stephano and Caliban adapted from an anonymous tune “Corranto” Caliban makes a drunken plea to the spirits to send more food. To everyone’s surprise, a table rises full of rich foods. Dance of the Devils Now, Miranda and Dorinda have met Hippolito and Ferdinand, who fight a duel for Miranda’s love. Miranda loves Ferdinand. When Hippolito is wounded in the battle, Dorinda finds him and falls in love. Ferdinand and Alonzo are reunited, but Prospero continues to punish the crew for past crimes. Dear, Pretty Youth - Dorinda Fourth Act Tune: A Martial Jigge Act 5: All past crimes are forgiven, and here is a neat unravelling of the various plots and happy ending. To calm the spirits of all the shipwrecked souls and to abate all fears and unrest resulting from the trouble that has taken place, Prospero conjures a pleasant entertainment: a “Masque of Neptune and Amphitrite,” with calm and soothing music filled with promises of a safe voyage home for all. . “Musick on the Rocks” The Masque of Neptune and Amphitrite My Lord, Great Neptune - Amphitrite Dance of Tritons and Nereids Great Nephew Aeolus - Neptune Dance of the Four Tritons Aire from Double Dealer Magicians Dance from Circe Where the Bee Sucks - Ariel and the Freed Spirits Canon 4 in 2 Locke
Robert Johnson William Lawes Martin Peerson Nicholas Lanier Matthew Locke John Banister Robert Ramsey Shepherd John Hilton John Blow Henry Purcell Sébastien Daucé Ayres Lucile Richardot Desmarest Davy Perret Cottet Roussel Mauillon Ensemble Correspondances Boston Early Music Festival 1570 1571 1583 1588 1599 1600 1602 1621 1624 1626 1633 1644 1645 1649 1651 1657 1659 1666 1677 1679 1688 1695 1708 2009 2017 2020 2021 2023
Subtitles in english, french, and catalan (working in progress) 00:00 BEMF - Perpetual Night 00:14 Care-charming sleep - Robert Johnson (ca. 1583–1633) 06:35 Go, happy man - John Coprario (ca. 1570/80–ca. 1626) 08:38 Whiles I this standing lake - William Lawes (1602–1645) 11:56 O precious time - Martin Peerson (1571/73–1651) 14:25 Music, the master of thy art is dead - Lawes 17:04 No more shall meads - Nicholas Lanier (1588–1666) 20:38 Suite No. 2 in C major - Pavan - Matthew Locke (1621/23–1677) 23:55 Give me my lute - John Banister (1624/25–1679) 27:11 Howl not, you ghosts and furies - Robert Ramsey (d. 1644) 31:51 Britanocles the great and good appears - Lawes 34:57 Suite No. 1, Consort of 4 parts - Ayre & Courante - Locke 39:13 Powerful Morpheus, let thy charms - William Webb (ca. 1600–1657) 44:00 Rise, princely shepherd - John Hilton (1599–1657) 50:52 Amintas, that true hearted swain - Banister 55:20 Poor Celadon, he sighs in vain (Loving above himself) - John Blow (1649–1708) 01:01:13 When Orpheus sang - Henry Purcell (1659–1695) 01:05:45 Phillis, oh! turn that face - John Jackson (d. 1688) 01:08:00 Epilogue: Sing, sing, Ye Muses - Blow Kathleen Fay words (BEMF Executive Director): "Dear Friends, This evening we are delighted to welcome the outstanding singers and instrumentalists of Ensemble Correspondances, under the direction of Sébastien Daucé, for their second performance on the annual BEMF concert series, following their critically acclaimed North American début at the June 2017 Festival. Since their founding in 2009, this much-lauded ensemble has built a formidable reputation around the world for their masterful and moving interpretations of seventeenth-century French music. For this evening’s program, “Perpetual Night: 17th-century Ayres and Songs,” filmed and recorded for BEMF, they collaborate with the glorious French mezzo-soprano Lucile Richardot, who will star in the title role of the 2023 Boston Early Music Festival’s centerpiece opera, Desmarest’s Circé. Their program is a fascinating exploration of the evolution of English song during the tempestuous seventeenth century, with French influences before the English Civil War and temporary overthrow of the monarchy and again in Restoration England following the return of Charles II from exile in France. With tonight’s concert, our 2020–2021 virtual concert season is brought to a satisfying and uplifting close. We are excited to announce that the all-virtual 2021 Boston Early Music Festival—Music of Solace & Joy—will take place in six weeks, running June 6 to 13, 2021. We look forward to the opportunity to invite music lovers and viewers from around the globe to enjoy an extensive lineup of exclusive performances and free events, including a wide array of concert offerings, opera, masterclasses, and the World-Famous Exhibition—all from the comfort of home. For more information, please visit BEMF.org. Thank you for “attending” tonight’s performance by Ensemble Correspondances, and most especially for your continued support of and enthusiasm for the Boston Early Music Festival". ARTISTS Ensemble Correspondances Lucile Richardot, mezzo-soprano Caroline Weynants & Deborah Cachet, soprano Davy Cornillot, tenor Nicolas Brooymans, bass Lucile Perret, recorders Béatrice Linon & Josèphe Cottet, violin Mathilde Vialle, Étienne Floutier & Mathias Ferré, viola da gamba Thibaut Roussel & Diego Salamanca, theorbo & lute Angélique Mauillon, harp Arnaud de Pasquale, virginal Sébastien Daucé, organ, virginal & conductor
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