Henry Purcell The Double Dealer Vidéos
Dernière mise à jour
2024-04-19
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Henry Purcell Galliard Villain Shore Freed Locke 2019
[Rough Draft/Edit] *for purposes of sharing this great music, we have made this video public. Live performance. Presented by the Henry Purcell Society of Boston March 22, 2019 Cathedral Church of Saint Paul, Boston Jessica Cooper, Artistic Director Ian Watson: Music Director Laurence Senelick: Original Narration and Stage Direction The First Musick Introduction Galliard Gavot The Second Musick Sarabrand Lilk Curtain Tune SYNOPSIS Prologue: Narrators 1 and 2 refresh our memories of the plot in jaunty tetrameter. Act 1: The sailors try to save their tempest-tossed ship. While the ship sinks, Alonzo admits he is a villain to his son Ferdinand. On the shore, Prospero tells his daughter Miranda that he caused the storm and explains the crew’s progress to and landing on the Island. He assures her that the passengers are all safe. Prospero calls upon the sprite Ariel to do his bidding for two more days before he discharges him from servitude. Caliban arrives on the scene as does Prospero’s other daughter, Dorinda, who along with Miranda has never seen a man other than their father. First Act Tune Rustick Air Act 2: Members of the shipwrecked crew imbibe a rescued brew, and sing sea shanties and scurvy tunes when they meet Caliban. Caliban drinks and is amazed at the ‘celestial liquor.’ Drunk, he sings of newfound rebellious feelings. "Low Songs" I Shall No More to Sea, to Sea! - three sailors The Master, The Swabber, The Boatswain and I - three sailors No More Dams I’ll Make for Fish - Caliban Elsewhere on the island, the courtly remnants of the crew mourn the loss of Ferdinand, whom Alonzo believes to be dead. In the midst of Alonzo’s grief and penitence for his past crimes against Prospero, enchanted music begins to play and demons participate in a horrid masque. Flourish of Musick The Masque of Devils Where Does the Black Fiend Ambition Reside? - Devils 1, 2, and chorus Arise, Ye Subterranean Winds, 2nd Devil Second Act Tune Act 3: Ferdinand wanders, lost on the island, and hears a voice from an unseen sprite (Ariel). The voice bids him to the place he will meet Miranda, which is part of Prospero’s plan. Meanwhile, Miranda and her sister Dorinda discuss the men they have seen, not only Ferdinand but also Hippolito, who is the son of Duke Antonio. Prospero summons Ariel to inquire about the well-being of the shipwrecked nobles. Come Unto These Yellow Sands – Ariel and chorus Full Fathom Five – Ariel and chorus Prospero sends Ariel off to comfort the nobles with music. Ariel sings “Dry those Eyes.” The shipwrecked crew are famished and dream of food. Spirits torment them by making food appear and then disappear. Dry Those Eyes - Ariel Dance of Fantastick Spirits The scene changes back to Ferdinand, who is still lost and following Ariel’s voice. Echo Duet: Go Thy Way - Ariel, Ferdinand Third Act Tune: Corant INTERMISSION Act 4: The mariners, their gullets parched, have breathed defiance as they marched. Thinking they are the masters of the isle, they get even more plastered. Catch: Flout ‘em and Scout ‘em: Thought is Free Trincalo, Stephano and Caliban adapted from an anonymous tune “Corranto” Caliban makes a drunken plea to the spirits to send more food. To everyone’s surprise, a table rises full of rich foods. Dance of the Devils Now, Miranda and Dorinda have met Hippolito and Ferdinand, who fight a duel for Miranda’s love. Miranda loves Ferdinand. When Hippolito is wounded in the battle, Dorinda finds him and falls in love. Ferdinand and Alonzo are reunited, but Prospero continues to punish the crew for past crimes. Dear, Pretty Youth - Dorinda Fourth Act Tune: A Martial Jigge Act 5: All past crimes are forgiven, and here is a neat unravelling of the various plots and happy ending. To calm the spirits of all the shipwrecked souls and to abate all fears and unrest resulting from the trouble that has taken place, Prospero conjures a pleasant entertainment: a “Masque of Neptune and Amphitrite,” with calm and soothing music filled with promises of a safe voyage home for all. . “Musick on the Rocks” The Masque of Neptune and Amphitrite My Lord, Great Neptune - Amphitrite Dance of Tritons and Nereids Great Nephew Aeolus - Neptune Dance of the Four Tritons Aire from Double Dealer Magicians Dance from Circe Where the Bee Sucks - Ariel and the Freed Spirits Canon 4 in 2 Locke
Henry Purcell Barr Zimmermann Macmillan Howard Ferguson Stainer Rondeau Benjamin Britten William Croft Jeremiah Clarke 1659 1695 1963 1964 1968
00:00 4 Pieces: A New Scotch Tune Z.655 - A New Ground Z.T.682 - Sefauchi´s Farewell Z.656 - Minuet Z.T.688 06:00 Suite of Lessons Z.665: Prelude - Almand - Saraband - Jigg 10:27 8 Pieces: March Z.T.687 - Jigg Z.T.686 - Air Z.641 - Aire Z.T.675 (696/1) - Minuet Z.T.696/2 - Air Z.T.692 - Canary ZT.677 - Ground Z.D.622 22:53 4 Pieces: Hornpipe Z.T.683 - Hornpipe Z.T.685 - Minuet Z.651 - Saraband with division Z.654 26:47 3 Pieces: Song Tune Z.T.694 - New Minuet Z.T.689 - Minuet Z.649 29:32 Suite No 1 in G major Z.660: Prelude - Almand - Corant - Minuet 33:20 Suite No 2 in G minor Z.661: Prelude - Almand - Corant - Saraband 42:46 7 Pieces: March Z.647 - March Z.648 - A New Irish Tune (Lilliburlero) Z.646 - Riggadoon Z.653 - March Z.T.687 - Trumpet Tune Z.T.698 - Chacone ZT.680 50:55 3 Pieces: Trumpet Tune (Called the Cibell) Z.T.678 - Trumpet Tune Z.T.697 - Air Z.T.676 54:07 8 Pieces: Air Z.T.693 - Air Z.T. 630/1 - Ground in gamut Z.645 - Ground Z.T.681 - Round-O Z.T.684 - Ground ZD.221 - Trumpet Minuet Z.D.220 - The Queen´s Dolour Z.670 1:08:11 Suite No 3 in G major Z.662: Prelude - Almand - (Corant) 1:15:05 Suite No 4 in A minor Z.663: Prelude - Almand - Corant 1:20:47 Suite No 5 in C major Z.664: Prelude - Almand - Corant - Saraband 1:27:38 Suite No 6 in D major Z.665: Prelude - Almand - Hornpipe 1:32:51 Suite No 7 in D minor Z.666: Almand (Bell-barr) - Corant - Hornpipe 1:39:51 Suite No 8 in F major Z.667: Prelude - Almand - Corant - Minuet Gerald Ranck: Harpsichord by Eric Herz, Cambridge, Mass. 1964 The present recording comprises all of Purcell’s music for solo harpsichord, and includes several pieces termed “doubtful” in the presently accepted, definitive thematic catalogue of Purcell’s music compiled by Prof. Franklin B. Zimmermann (Macmillan: London, 1963). The edition used for this recording was prepared by Howard Ferguson, and was published by Stainer and Bell, London: 1968. A substantial number of Purcell’s harpsichord works are transcriptions which he made from either his operatic or orchestral works: indeed, even the operatic transcriptions are seldom vocal. But the quality of the transcriptions is exceptional. Here follows a list of those transcriptions and their original sources: 1) Z.T.* 689: A New Minuet: an arrangement of the song ‘Who cannot resist such mighty charms?” from ‘Timon of Athens.”” NB: Ferguson considers this to be a mistaken listing by Prof. Zimmermann. 2) Z.T.682: “A New Ground”: Aria, “Here the Dieties Approve’ from ‘Welcome to all the pleasures’’ (the shorter “Ode for St. Cecilia’s Day,” Z. 339/3.) 3) Z.T.688: “Minuet”: Ritornello for 2 violins and continuo from “Raise the voice,” Z. 334/6. 4) Z.T. 687: “March”: from “The Married Beau,” Z. 603/8. 5) Z.T.698: “Trumpet Tune”: from “The Indian Queen,” Z. 630/4a. 6) 21; 686: ‘Jig’: from “Abdelazer,’"’ Z 570/7. 7) Z.T.680: Chacone: The Curtain Tune for Strings from “Timon of Athens,” Z 632/20. 8) Z.T.697: “Trumpet Tune’: The Trumpet Tune for 2 trumpets and bass from ‘‘Dioclesian,” Z 627/21. 9) Z.T, 675: ‘Aire’: Air for strings from “The Indian Queen,” Z 630/22. ? 10) Z.630/1: ‘Air’: The first music air for strings from “The Indian Queen,” Z 630/1. 11) Z.T.676: “Aire”: Minuet for Strings from “The Double Dealer,’ Z 592/7. 12) Z.T. 693/2: ‘Air’: Air for strings from “Abdelazer,” Z 570/6. 13) Z.T.677: “Canary”: Third Act tune from “The Indian Queen,” Z 630/16. 14) Z.T.681: “Ground”: Alto solo: “With him he brings the partner”: from ‘Ye Tuneful Muses,” Z 344/11. 15) Z.T. 683: “Hornpipe’: Hornpipe for strings from “Abdelazer,” Z570/8. 16) Z.T. 685: “Hornpipe”: Hornpipe for strings from ‘‘The Old Bachelor,” Z 607/4. 17) Z.T. 684: “‘Round-O”: Rondeau for Strings from ‘‘Abdelazer,”’ Z570/2. (Employed by Benjamin Britten in his ‘Variations and Fugue on a Theme by Purcell,” or as is better known, “Young Person’s Guide to the Orchestra.”’) Doubtful or Spurious Pieces (acc. Zimmermann) : 1) Z.D.* 221: “Ground”: probably by William Croft. — 2) Z.D. 230: “Trumpet Minuet’: probably by Jeremiah Clarke. 3) Z.670: “The Queen’s Dolour”’: doubtful, no other composer suggested. *ZT = transcription. *ZD = doubtful.
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