Jean-Baptiste Lully Miserere Vidéos
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2024-04-19
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Michel Richard Lalande Vincent Dumestre Lully Charpentier Versailles Palace 1683
In 1683, Michel-Richard de Lalande entered the Chapelle Royale as a sous-maître after receiving the support of Louis XIV in a formidable recruitment competition. Still only twenty-five years old, the young composer was swiftly to become established as the King’s favourite and accede to the most coveted posts at court in a career spanning almost forty years. Above all, Louis included him in the consultations for the construction of the new Chapelle Royale, adjacent to Versailles Palace. As the arches gradually rose skywards, Lalande composed and revised his motets, which give expression to the then-peerless grandeur of the realm, while at the same time testifying to the chapel’s incomparable acoustics. His works – settings of psalms, hymns, the Te Deum – record the atmosphere at court in the liturgy, in times of both trouble and rejoicing. Following their earlier recording of Te Deum settings by Lully and Charpentier at the Chapelle Royale, Vincent Dumestre and Le Poème Harmonique have now returned to Versailles to tackle the music Lalande composed for that extraordinary place. Alongside the grands motets Deitatis majestatem and Ecce nunc benedicite, with their synthesis of royal pomp and the language of opera, they offer the deeply moving Miserere and the most grandiose Te Deum performed in the reign of Louis XIV, the Te Deum of the King himself. ALPHA 968 Release date → April 13th Stream//Download//Buy → (http•••) FACEBOOK→ www.facebook.com/alphaclassics TWITTER → www.twitter.com/alpha_classics INSTAGRAM → www.instagram.com/alpha_classics/ YOUTUBE → www.youtube.com/c/alphaclassics WEBSITE → www.outhere-music.com/alphaclassics
Amel Brahim Djelloul Jean Baptiste Lully Arnoud Damien Guillon Lamy Howard Crook Schneebeli Musica Florea 2019
Provided to YouTube by NAXOS of America Grands Motets, LWV 77: No. 14, Motet Domine salvum fac regem · Amel Brahim-Djelloul Lully: Isis, LWV 54, Miserere, LWV 25 & Other Works ℗ 2019 Phaia Music Released on: 2019-07-05 Artist: Amel Brahim-Djelloul Artist: Arnoud Marzorati Artist: Damien Guillon Artist: Hervé Lamy Artist: Howard Crook Ensemble: Les Pages et les Chantres Ensemble: Les Symphonistes du Centre de Musique Baroque de Versailles Ensemble: Musica Florea Conductor: Olivier Schneebeli Composer: Jean-Baptiste Lully Auto-generated by YouTube.
Jean Baptiste Lully Liszt Bach Sartori Rameau Satie Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) Available for licensing: (http•••) More Information: (http•••) Social media: Brilliant Classics Facebook: (http•••) Brilliant Classics Instagram: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Composer: Jean Baptiste Lully Artists: Allabastrina (Choir and Consort), Elena Sartori (conductor) The maestro of Versailles, the pioneer of high French Baroque style: isn’t that the uncontested place awarded by posterity to Jean-Baptiste Lully? The Italian musicologist and conductor Elena Sartori would have us think differently, with this fascinating act of rediscovery that works from a logical point of origin: Lully’s place of birth, Florence, as Giambattista Lulli. Her aim with this new recording is to reinterpret a pair of the composer’s grand motets through the prism of his Italian heritage. As Sartori notes in her booklet essay, the magnificent Te Deum shares little of musical style or text-setting in common with Lully’s operas. The ornamentation and stylised, asymmetric rhythms that are woven through the texture of his dramatic works and those of his successors such as Rameau are notable by their absence; she finds, instead, ‘a deep-rooted, maternal sense of melody, and an enduring, even unwitting memory of Latinate language that leads the work away from factional claims (of national style).’ Tracklist: 00:00:00 Dies irae, LWV 61/1: I. Simphonie, tuba mirum 00:03:28 Dies irae, LWV 61/1: II. Liber scriptus 00:04:18 Dies irae, LWV 61/1: III. Quid sum miser 00:04:54 Dies irae, LWV 61/1: IV. Rex tremendae 00:05:43 Dies irae, LWV 61/1: V. Recordare 00:08:01 Dies irae, LWV 61/1: VI. Ingemisco 00:11:48 Dies irae, LWV 61/1: VII. Confutatis 00:14:31 Dies irae, LWV 61/1: VIII. Lacrymosa 00:17:45 Dies irae, LWV 61/1: IX. Pie Jesu 00:19:52 Te deum, LWV 55: I. Simphonie I 00:21:32 Te deum, LWV 55: II. Te deum laudamus 00:25:38 Te deum, LWV 55: III. Pleni sunt coeli et terra 00:29:38 Te deum, LWV 55: IV. Simphonie II 00:30:36 Te deum, LWV 55: V. Patrem immensae majestatis 00:39:37 Te deum, LWV 55: VI. Simphonie III 00:40:43 Te deum, LWV 55: VII. Te ergo quaesumus 00:43:34 Te deum, LWV 55: VIII. Simphonie IV 00:47:00 Te deum, LWV 55: IX. Per singulos dies 00:48:22 Te deum, LWV 55: X. Et laudamus 00:50:23 Te deum, LWV 55: XI. Simphonie V 00:51:05 Te deum, LWV 55: XII. Dignare domine, miserere 00:56:57 Te deum, LWV 55: XIII. In te domine speravi Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #JeanBaptisteLully #Choir #conductor #Classical #BrilliantClassics #Music #Composer #ClassicalMusic
Andrea Bernasconi Lully Prinner 1753 1755 1784 1944
Andrea Bernasconi served the electoral court of Munich from 1753 to his death in 1784, first as Vizekapellmeister and then, from 1755, as Kapellmeister. He wrote several opere serie and a great deal of church music. The manuscripts of the church music were preserved in the Allerheilgen-Hofkirche in Munich until 1944, when the entire collection was destroyed by Allied bombing. Fortunately a few of the sacred works survive in other libraries, including this Miserere in D minor. Edited by the Swiss musicologist Christoph Riedo and performed by the chorus of Swiss Radio and Television and I Barocchisti under the direction of Diego Fasolis, the Miserere in D minor reveals Bernasconi as a talented composer for the church, expertly using the musical conventions of his day to achieve the kind of monumentality, solemnity, and drama valued in eighteenth-century Catholic church music. Among the voice-leading schemata whose realizations in the opening chorus listeners will enjoy are the Lully, the Morte, the Stabat Mater Prinner, the Le-Sol-Fi-Sol, and the 4/2-to-6 Sequence, all of which are appropriate for a penitential psalm closely associated with the somber liturgy of Holy Week. On the 4/2-to-6 Sequence ("Bass suspensions in series") see Giorgio Sanguinetti, The Art of Partimento, pp. 134–35. 00:00 Introduction 00:10 Lully elided with Morte 00:31 Stabat Mater Prinner 00:57 Lully elided with Morte, Le-Sol-Fi-Sol Half Cadence 1:42 Stabat Mater Prinner elided with 4/2-6 Descending Sequence 2:26 Converging Half Cadence, Ponte, Cadenza Doppia 2:51 Romanesca, Comma, Clausula Vera Half Cadence 3:44 Circle of Fifths, Le-Sol-Fi-Sol Half Cadence 4:12 Stabat Mater Prinner, Cadenza Doppia
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