Jean-Sébastien Bach Orgelbüchlein Vidéos
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2024-04-20
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Maye Dost Charles Sanford Terry Stinson Bach Schweitzer Buxtehude Böhm Johann Gottfried Walther 1999 2003
BWV 601 Herr Christ, der einge Gottes-Sohn [Lord Christ, the only Son of God] (or Herr Gott, nun sei gepreiset [Lord God, now be praised]) Below are the first and last verses of Elisabeth Cruciger's hymn for Epiphany Herr Christ, der einig Gotts Sohn with the English translation of Myles Coverdale. Herr Christ, der ein'ge Gottes-Sohn Vaters in Ewigkeit, aus sein'm Herzen entsprossen, gleichwie geschrieben steht, er is der Morgensterne, sein Glänzen streckt er ferne vor andern Sternen klar. ∘∘∘ Ertöt uns durch dein Güte, erweck uns durch dein Gnad; den alten Menschen kränke, daß der neu' leben mag wohl hie auf dieser Erden, den Sinn und all Begehren und G'danken hab'n zu dir. Christ is the only Sonne of God, The Father Eternall: We have in Jesse founde this rod, God and Man natural! He is the mornynge star; His beames sendeth He out farre Beyonde other starres all. ∘∘∘ Awake us, Lorde, we praye The; Thy Holy Spirite us gave, Which maye oure olde man mortifie, That oure new man maye lyve. So wyll we alwaye thanke The, That shewest us so great mercye, And oure synnes dost forgeve. The same melody was used in the postprandial grace Herr Gott, nun sei gepreiset, the first verse of which is given below with the English translation of Charles Sanford Terry. Herr Gott, nun sei gepreiset, wir sagen frohen Dank, daß du uns Gnad' erwiesen, gegeben Speis' und Trank, dein mildes Herz zu merken, den Glauben uns zu stärken, daß du seist unser Gott. O God in heaven we praise Thee And yield Thee gratitude For all Thy generous bounty, For all our daily food, For all the love showered on us. For all the grace poured on us, By Thee, our loving Lord. According to the chronology of Stinson (1999), this chorale prelude was probably the first to be entered by Bach in the autograph manuscript. Already it shows with beguiling simplicity all the features typical of the Orgelbüchlein preludes. The cantus firmus is presented unadorned in the soprano line with the other three voices on the same keyboard and in the pedal. The accompaniment is derived from the suspirans pedal motif of three semiquavers (16th notes) followed by two quavers (eighth notes). For Schweitzer (1911b) this particular motif signified "beatific joy", representing either "intimate gladness or blissful adoration." Although the chorale prelude cannot be precisely matched to the words of either hymn, the mood expressed is in keeping both with joy for the coming of Christ and gratitude for the bountifulness of God. The motif, which is anticipated and echoed in the seamlessly interwoven inner parts, was already common in chorale preludes of the period. Easy to play with alternating feet, it figured in particular in the preludes of Buxtehude and Böhm as well as an earlier manualiter setting of the same hymn by Bach's cousin, Johann Gottfried Walther. Bach, however, goes beyond the previous models, creating a unique texture in the accompaniment which accelerates, particularly in the pedal, towards the cadences. Already in the opening bar, as Williams (2003) points out, the subtlety of Bach's compositional skills are apparent. The alto part anticipates the pedal motif and, with it and the later dotted figure, echos the melody in the soprano. This type of writing—in this case with hidden and understated imitation between the voices, almost in canon, conveying a mood of intimacy—was a new feature introduced by Bach in his Orgelbüchlein. '하나님의 독생자이신 주 예수 그리스도' BWV 601을 클래식 기타 2대로 편곡한 곡입니다. #bach #bwv601 #arrange #guitar
Bach Johannsen Kirnberger 1685 1750
Chorale prelude - Herzlich tut mich verlangen, BWV 727 Various single chorale preludes for organ (BWV 714-765) composed by J.S. Bach +••.••(...)) performed by Kay Johannsen, organ Bach - BWV 599-644 - Little Organ Book (http•••) Bach - BWV 645-650 - Schübler Chorales (http•••) Bach - BWV 651-668 - Leipzig Chorales (http•••) Bach - BWV 669-689 - Clavier-Übung 3.Teil (http•••) Bach - BWV 690-713 - Kirnberger Chorales (http•••) Bach - BWV 714-765 - various chorale preludes (http•••)
BWV 18 is above all concerned with the role of the Word; the emphasis is on the metaphorical seed that accompanies the falling rains, the seed of the Bible. The whole text is an extended exercise in metaphysical analogy based on key words: Falling: Not only does the rain and snow fall, ("fällt"), but the finale Chorale is associated with the fall of man ("Durch Adams' Fall ist ganz verderbt") On this dual reading the plunging ostinato bass "ground" in the Sinfonia can be heard both as the falling of the elements but also, as in the famous pedal line of BWV 637 in the Orgelbüchlein, depicting the Fall of Man. Returning: The Litany is the pleasing response to God by Man, (BWV 18/3 (Mvt. 3)): "O Lord, help! O Lord let it succeed well". Ground: The physical seeds are to fall "as if on good ground"; (BWV 18/3 (Mvt. 3)); the final Chorale talks of the Heart's ground (BWV 18/5, "Herzensgrund").
René Saorgin Johann Sebastian Bach 2009
Provided to YouTube by harmonia mundi Little Organ Book: Christmas. Herr Christ, der einig Gottes Sohn, BWV 601 · René Saorgin Johann Sebastian Bach: Orgelbüchlein BWV 599-644 ℗ harmonia mundi Released on: 2009-12-29 Artist: René Saorgin Composer: Johann Sebastian Bach Auto-generated by YouTube.
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