Johann Strauss Ii Illustrationen, Op. 331 Vidéos
Dernière mise à jour
2024-04-18
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Lotte Lehmann Mathilde Mallinger Richard Strauss Halévy Ambroise Thomas Jules Massenet Arturo Toscanini Bruno Walter Schubert Odeon Covent Garden Salzburg Festival Vienna State Opera San Francisco Opera 1888 1910 1914 1916 1924 1926 1929 1930 1935 1937 1938 1945 1948 1951 1976
Lotte LEHMANN, soprano lyrique – Son Parfum (Der Duft, der eine schőne Frau begleitet) (The Fragrance, Which Comes With a Beautiful Woman) Slow-fox (Hans May – Roxy) avec Accompagnement de Grand-Orchestre sous la dir. du Maîstre Weissmann, Odeon 1929 (France) NOTE: Undoubtedly, Lotte (Charlotte) LEHMANN (1888 – 1976) belongs to the greatest voices of the 20th Century. Born in Perleberg in Germany (Province of Brandenburg) she studied singing in Berlin with Mathilde Mallinger, who made her debut at the Hamburg Opera in 1910 in a second-row role in Wagner's Lohengrin. In 1914, she had her professional debut as Eva in Die Meistersinger von Nürnberg at the Vienna Court Opera – the later Vienna State Opera – which she joined in 1916. She quickly established herself as one of the company's brightest stars in roles such as Elisabeth in Tannhäuser and Elsa in Lohengrin, she also created roles in the world premieres of a number of operas by Richard Strauss, including Ariadne auf Naxos and in Der Rosenkavalier. Her roles at the Vienna State Opera included the title-roles in Tosca, Manon Lescaut, Madama Butterfly, Turandot, Mimi in La Bohème, in La Juive by Halévy, Mignon by Ambroise Thomas, and Manon by Jules Massenet, Charlotte in Werther, Marguerite in Faust, Tatiana in Eugene Onegin and Lisa in The Queen of Spades. From 1924 to 1935 she performed regularly at the Royal Opera House, Covent Garden where aside from her famous Wagner roles she also sang Desdemona in Otello and Donna Elvira in Don Giovanni. She appeared regularly at the Salzburg Festival from 1926 to 1937, performing with Arturo Toscanini, among other conductors, she also gave recitals there accompanied at the piano by the conductor Bruno Walter. In 1930, Lehmann made her American debut in Chicago in Wagner's Die Walküre. She returned to the US every season and also performed several times in South America. Before Germany annexed Austria in 1938, Lehmann emigrated to the United States, because her stepchildren had a Jewish mother. There, she continued to sing at the San Francisco Opera and the Metropolitan until 1945. In addition to her operatic work, Lehmann was a renowned singer of lieder, giving frequent recitals throughout her career. She was inclined to record popular hits and also made a foray into film, playing the mother in Big City (1948). After her retirement from the stage in 1951, Lehmann taught master classes at the Music Academies in Santa Barbara, California, in New York, in Chicago, London, Vienna, and other cities. She published a book of poems Verse in Prosa in the 1920s, a novel, Orplid, mein Land in 1937, and a book of memoirs, Anfang und Aufstieg (1937). Lehmann was an active painter, among other works, she painted a series of 24 illustrations in tempera for each song of Schubert's Winterreise. Lotte Lehmann died in 1976 in Santa Barbara, CA. Her headstone is inscribed with a quote from Richard Strauss: "Sie hat gesungen, dass es Sterne rührte." ("She sang, and the stars moved.")
Florida Orchestra Cervantes Richard Strauss Hine Michael Francis Maximilian Hornung
Cervantes’ story of Don Quixote has captured the imagination of artists for hundreds of years. In collaboration with The Florida Orchestra’s performance of Richard Strauss’ tone poem “Don Quixote,” The Dalí hosts an event featuring Dalí Museum Director Hank Hine moderating a discussion with TFO Music Director Michael Francis and TFO Visual Artist in Residence Geff Strik about how they developed a multimedia experience to accompany Strauss’ work. The event will include a talk about Dalí’s Don Quixote illustrations along with a live performance of Strauss’ “Romanze” by TFO guest artist cellist Maximilian Hornung.
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