Karlheinz Stockhausen Dienstag aus Licht, Opp. 47 n° 60-61 Vidéos
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2024-04-15
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Karlheinz Stockhausen Maxime Pascal Damien Bigourdan Nieto Philharmonie Paris Festival Automne Paris 1978 1991
Full movie : (http•••) Karlheinz Stockhausen, Dienstag aus Licht +••.••(...)) Jenseits, Synthi-Fou (excerpts) Sarah Kim - Synthi-Fou Le Balcon Students of the Paris Conservatory (CNSMDP) Le Jeune Chœur de Paris Maxime Pascal – Musical Direction Philharmonie de Paris Festival d'automne à Paris stage direction Damien Bigourdan & Nieto a film by David Daurier
Karlheinz Stockhausen Basset Kathinka Pasveer Suzanne Stephens Stephens Pierre Laurent Aimard Kertész 1628 1987
Karlheinz Stockhausen - Evas Zweitgeburt (Eve's second birthgiving), Nr. 57 (1987) Act 2 of the opera Montag aus Licht (Monday from Light) Scored for 7 solo boy singers, basset-horn, 3 basset-teases (2 basset-horns and 1 vocal basset-horn), piano, choir (tape or live), and on stage: 21 actresses, girls' choir, modern orchestra (3 synth. players, 1 perc., tape) Children's Choir of Radio Budapest (Janos Remenyi, choir master) Zaans Kantatekoor (Jan Pasveer, choir master) Coeur de Basset (basset horn) - Suzanne Stephens Budgerigar (piano) - Pierre-Laurent Aimard Monday Boy (soprano) - Gabriella Vakarcs Tuesday Boy (soprano) - Attila Kudor Wednesday Boy (soprano) - Patrik Pulinka Thursday Boy (soprano) - Borbála Györi Friday Boy (soprano) - Agnes Pintér Saturday Boy (soprano) - Péter Kertész Sunday Boy (soprano) - Gergely Hutás Bassettinen (2 basset horns and soprano) - Rumi Sota, Nele Langrehr, Kathinka Pasveer Scene 1: Mädchenprozession - 0:00 In the Girls' Procession, a choir of young girls, wearing dresses shaped like lilies, ceremonially enters bearing candles. The sea is now frozen, and women are hacking blocks of ice with axes, and melting the ice in cauldrons. The idea came from a ritual Stockhausen witnessed in Japan, in a valley near Kyoto, in which girls were carrying small lamps in a procession to a temple. This type of ceremony, with processions of torches, candles, or other forms of fire, is found as a fertility rite in many world traditions, such as the Egyptian Feast of Lamps for Osiris, the Greek and Roman rites of Hecate and Diana, respectively, and later in the Christian festival of torches on 15 August in honor of the Virgin Mary. Scene 2: Befruchtung mit Klavierstück - 10:13 Conception with Piano Piece. The women and girls call for a grand piano played by a budgerigar to inseminate the Eve statue for a second birth. The budgerigar plays Klavierstück XIV. Scene 3: Wiedergeburt - 16:28 Rebirth. To the singing of American Indian children, the piano is quickly pulled away and the statue's womb begins to glow, green and red, like a nativity scene. The sunlight returns, and seven boys are born, one for each weekday. Eve's Song is essentially a concerto for basset horn and synthesizers, against a background of the continuing boys' and girls' choirs from the preceding scenes, and trombones.[16] It consists of a succession of four situations: Scene 4a: Evas Lied - Cœur de Basset - 22:09 Cœur de Basset emerges from the breast of the statue, playing a basset horn. The women melt large chunks of ice in steaming vats. With glass laboratory equipment, they condense the steam into water. Scene 4b: Evas Lied - In Wochenkreis - 25:53 Cycle of the Week, Cœur de Basset teaches each of the boys the song of his weekday. Scene 4c: Evas Lied - Basset-Teases - 43:14 The women put the water they have collected into watering cans and sprinkle the earth with it. Cœur de Basset divides into multiple basset-horn players, Busi, Busa, and Muschi. A transparent Eve figure emerges from the statue and floats toward the boys. Scene 4d: Evas Lied - Initiation - 52:45 Cœur, Busi, Busa, and Muschi begin a dance, confusing and infatuating the boys. A distant thunderstorm is heard, and a boy calls, "Turn off the lights!" The lights go out. (http•••) Join the Score Video Creator Discord Server: (http•••) PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - (http•••) PAYPAL - Donations of any amount welcome! - (http•••)
Karlheinz Stockhausen 1970 1991 1993
Karlheinz Stockhausen's 'Oktophonie' is a collection of music in 99 pieces (here, tracks) based around the idea of aleatoricism and makes up the music for 'Tuesday' in Stockhausen's 'Light' series. It is utterly bizarre. As the cover illustrates, the music is designed to physically explore the space in which it is played: The octophonic spatial composition cannot be reproduced un a stereophonic mix. Those who want to experience the original spatial composition must therefore hear a performance of OCTOPHONY with the correct loudspeaker distribution. At the moment, there are scarcely any halls in which this is possible. The opera hall in Leipzig was 14 meters [42 feet] high and thus well suited for the performance of TUESDAY from LIGHT (1993), but the seats below and on the balcony could not be used. It is hoped that, in the foreseeable future, halls will be built which allow an all-round electroacoustic installation, enabling omni-directional sound movements, as was the case at the 1970 World Fair in Osaka. [...] The 8 simultaneous movement-layers have, however, been preserved in the stereo version of OCTOPHONY, and none of the stereo versions of other woks (GESANG der JÜNGLINGE, KONTAKTE, HYMNEN, or SIRIUS) are so directionally polyphonic, three-dimensional in their movements, outer-spacious, or flight-dreamy as that of OCTOPHONY. One of the reasons for this is that / after countless experiments / I discovered a new way to convert the octophonic movements into stereophonic movements. This discovery surprised me even after decades of stereo mixing. It is recommended, when listening repeatedly, also to listen to the whole composition over earphones. Whoever can, should place 4 loudspeakers in the four corners of an almost square room and play back the two tracks over 2 loudspeakers at the left and 2 at the right / if possible, not softer than circa 80 phone. You will be amazed! / Karlheinz Stockhausen
Karlheinz Stockhausen 1970 1991 1993
Karlheinz Stockhausen's 'Oktophonie' is a collection of music in 99 pieces (here, tracks) based around the idea of aleatoricism and makes up the music for 'Tuesday' in Stockhausen's 'Light' series. It is utterly bizarre. As the cover illustrates, the music is designed to physically explore the space in which it is played: The octophonic spatial composition cannot be reproduced un a stereophonic mix. Those who want to experience the original spatial composition must therefore hear a performance of OCTOPHONY with the correct loudspeaker distribution. At the moment, there are scarcely any halls in which this is possible. The opera hall in Leipzig was 14 meters [42 feet] high and thus well suited for the performance of TUESDAY from LIGHT (1993), but the seats below and on the balcony could not be used. It is hoped that, in the foreseeable future, halls will be built which allow an all-round electroacoustic installation, enabling omni-directional sound movements, as was the case at the 1970 World Fair in Osaka. [...] The 8 simultaneous movement-layers have, however, been preserved in the stereo version of OCTOPHONY, and none of the stereo versions of other woks (GESANG der JÜNGLINGE, KONTAKTE, HYMNEN, or SIRIUS) are so directionally polyphonic, three-dimensional in their movements, outer-spacious, or flight-dreamy as that of OCTOPHONY. One of the reasons for this is that / after countless experiments / I discovered a new way to convert the octophonic movements into stereophonic movements. This discovery surprised me even after decades of stereo mixing. It is recommended, when listening repeatedly, also to listen to the whole composition over earphones. Whoever can, should place 4 loudspeakers in the four corners of an almost square room and play back the two tracks over 2 loudspeakers at the left and 2 at the right / if possible, not softer than circa 80 phone. You will be amazed! / Karlheinz Stockhausen
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