Pierre Boulez Le Marteau sans maître Vidéos
Dernière mise à jour
2024-03-21
Actualiser
Anton Webern Pierre Boulez Arnold Schoenberg Alban Berg Luigi Nono
"How to Listen" series introduces curious music enthusiasts to major creative styles, aesthetics and approaches in the classical music of the 20th and 21st century. In this episode we will discuss Serialism! Please LIKE, COMMENT and SUBSCRIBE to be notified of my future uploads! Links discussed/viewed in the video: Anton Webern, Five pieces for orchestra, Op.10: (http•••) Pierre Boulez, Structures I,II: (http•••) Pierre Boulez, Le marteau sans maître: (http•••) Arnold Schoenberg, Variations for Orchestra, Op.31: (http•••) Alban Berg, Violin Concerto: (http•••) Luigi Nono, Il canto sospeso: (http•••) Follow me on: Instagram: (http•••) Facebook: (http•••) SoundCloud: (http•••) DISCLAIMER: The use of all copyrighted material in this video fall under the fair use in accordance with the U.S.C Section 107 for copyright law for purposes such as criticism, comment, teaching and research, and is not an infringement of copyright.
Pierre Boulez Martinez Woodrow Paul Silverthorne Char 1617 1955
Pierre Boulez - Le Marteau sans Maître / The Hammer without a Master, (1955) Conductor - Odaline De La Martinez Lontano Ensemble Flute – Ingrid Culliford Guitar – James Woodrow Mezzo-soprano Vocals – Linda Hirst Percussion – Gerald Kirby Vibraphone – Martin Allen Viola – Paul Silverthorne Xylophone – Elizabeth Davies Le Marteau sans maître (The Hammer without a Master) is a composition by French composer Pierre Boulez. First performed in 1955, it sets the surrealist poetry of René Char for contralto and six instrumentalists. I. Avant "L'Artisanat furieux" – 0:00 (Before "The Furious Craftsmanship") II. Commentaire I de "Bourreaux de solitude" – 1:43 (First commentary on "Hangmen of Solitude") III. "L'Artisanat furieux" – 5:47 (The Furious Craftsmanship) IV. Commentaire II de "Bourreaux de solitude" – 8:32 (Second commentary on "Hangmen of Solitude") V. "Bel Édifice et les pressentiments", version première – 12:17 ("Stately Building and Presentiments", first version) VI. "Bourreaux de solitude" – 16:17 ("Hangmen of Solitude") VII. Après "L'Artisanat furieux" – 20:31 (After "The Furious Craftsmanship") VIII. Commentaire III de "Bourreaux de solitude" – 21:34 (Third commentary on "Hangmen of Solitude") IX. "Bel Édifice et les pressentiments", double – 27:14 ("Stately Building and Presentiments", again) Texts with Translations: « L'Artisanat furieux » La roulotte rouge au bord du clou Et cadavre dans le panie rEt chevaux de labours dans le fer à cheval Je rêve la tête sur la pointe de mon couteau le Pérou." The Furious Craftsmanship" The red caravan on the edge of the nail And corpse in the basket And plowhorses in the horseshoe I dream the head on the point of my knife Peru. « Bourreaux de solitude » Le pas s'est éloigné le marcheur s'est tu Sur le cadran de l'Imitation Le Balancier lance sa charge de granit réflexe. “Hangmen of solitude” The step has gone away, the walker has fallen silent On the dial of Imitation The Pendulum throws its instinctive load of granite. « Bel Édifice et les pressentiments » J'écoute marcher dans mes jambes La mer morte vagues par dessus tête Enfant la jetée promenade sauvage Homme l'illusion imitée Des yeux purs dans les bois Cherchent en pleurant la tête habitable. “Stately building and presentiments” I hear marching in my legs The dead sea waves overhead Child the wild seaside pier Man the imitated illusion Pure eyes in the woods Are searching in tears for a habitable head. More information: (http•••) Join the Score Video Creator Discord Server: (http•••) Support me on Patreon: (http•••)
(http•••) 00:00 I. avant "l'artisanat furieux" 01:41 II. commentaire I de "bourreaux de solitude" 05:47 III. "l'artisanat furieux" 08:35 IV. commentaire II de "bourreaux de solitude" 12:28 V. "bel édifice et les pressentiments" version première 16:32 VI. "bourreaux de solitude" 20:49 VII. après "l'artisanat furieux" 21:53 VIII. commentaire III de "bourreaux de solitude" 27:38 IX. "bel édifice et les pressentiments" double
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