Pierre Boulez Le Soleil des eaux Vidéos
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2024-03-21
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Boulez: Le soleil des eaux_'서경수의 열린 음악실' 볼레즈: 물에 비친 태양 Le soleil des eaux/ (http•••) 《물에 비친 태양》은 원래 르네 샤르의 같은 이름의 라디오 드라마의 부수 음악으로 만들어 졌다. 불레즈는 이 음악에 손질을 해서 두 개의 악장을 소프라노, 테너, 베이스 그리고 실내악을 위한 곡으로 변조해서 《연애하는 도마뱀의 한탄》,《소르그강》을 만들어 1950년에 초연되었다. 다시 1958년에는 소프라노, 테너, 베이스의 합창 부분을 보태서 오케스트라용으로 편곡되어 같은 해 다름슈타트에서 연주되었다. 이 작품은 1965년에 소프라노 독창, 풀 코러스, 오케스트라용으로 재차 편곡되었다.
Pierre Boulez Elizabeth Atherton Atherton Bbc Singers Bbc Symphony Chorus Bbc Symphony Orchestra 2005
Elizabeth Atherton (soprano), BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Pierre Boulez (conductor) - Barbican Hall, London, 4th November 2005
Pierre Boulez Béla Bartók Alban Berg Anton Bruckner Claude Debussy Gustav Mahler Maurice Ravel Arnold Schoenberg Igor Stravinsky Edgar Varèse Richard Wagner Anton Webern Olivier Messiaen Arthur Honegger René Leibowitz Burnham Beethoven Luciano Berio John Cage Luigi Nono Bruno Maderna Karlheinz Stockhausen Martenot 1925 1948
Description : (http•••) Pierre Boulez (French: [pjɛʁ bu.lɛːz]; born 26 March 1925) is a French composer, conductor, writer, and pianist. In his early career, Boulez played a key role in the development of integral serialism, controlled chance and electronic music. This, coupled with his highly polemical views on the evolution of music, gained him the image of an enfant terrible. As a conductor, Boulez is known mainly for his performances of Béla Bartók, Alban Berg, Anton Bruckner, Claude Debussy, Gustav Mahler, Maurice Ravel, Arnold Schoenberg, Igor Stravinsky, Edgar Varèse, Richard Wagner, and Anton Webern. Boulez is also a prolific writer on music and a former head of IRCAM. Boulez was born 26 March 1925, in Montbrison, Loire, France. From the age of six he was educated at the local Catholic school, where he spent 13-hour days and prayed in the chapel every school-day for ten years. The grueling schedule instilled in him an iron discipline but, for him, "the Catholic God was the God that Failed". As a child, he began piano lessons and demonstrated aptitude in both music and mathematics. He studied the latter at Lyon before pursuing music at the Paris Conservatoire under Olivier Messiaen and Andrée Vaurabourg (the wife of Arthur Honegger). Through Messiaen, Boulez discovered twelve-tone technique—which he would later study privately with René Leibowitz—and went on to write atonal music in a post-Webernian serial style. Boulez was initially part of a cadre of early supporters of Leibowitz, but due to an altercation with Leibowitz, their relations turned divisive, as Boulez spent much of his career promoting the music of Messiaen instead. The first fruits of this were his cantatas Le visage nuptial and Le soleil des eaux for female voices and orchestra, both composed in the late 1940s and revised several times since, as well as the Second Piano Sonata of 1948, a well-received 32-minute work that Boulez composed at the age of 23. Thereafter, Boulez was influenced by Messiaen's research to extend twelve-tone technique beyond the realm of pitch organization, serialising durations, dynamics, mode of attack, and so on. This technique became known as integral serialism. Boulez quickly became one of the philosophical leaders of the post-war movement in the arts towards greater abstraction and experimentation. Many composers of Boulez's generation taught at the Internationale Ferienkurse für Neue Musik in Darmstadt, Germany. According to Scott Burnham, in the so-called Darmstadt School composers were instrumental in creating a style that, for a time, existed as an "antidote" to music of nationalist fervor; an international, even cosmopolitan style, a style that could not be 'co-opted' as propaganda in the way that the Nazis used, for example, the music of Ludwig van Beethoven. Boulez was in contact with many composers who would become influential, including Luciano Berio, John Cage, Luigi Nono, Bruno Maderna, and Karlheinz Stockhausen. Early in his career, he performed as a specialist on the ondes Martenot. [Wikipedia]
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