Karlheinz Stockhausen Carré, Op. 10 Vidéos
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2024-04-15
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Michael Andreas Gielen György Ligeti Karlheinz Stockhausen Bernd Alois Zimmermann Schreker Royal Swedish Opera 1927 1977 1987 2019
Michael Andreas Gielen (20 July 1927 – 8 March 2019) was an Austrian conductor and composer who promoted contemporary music in opera and concert. Raised in Argentina, he first worked in Vienna and was Generalmusikdirektor (GMD) of the Royal Swedish Opera. He conducted notable world premieres such as György Ligeti's Requièm, Karlheinz Stockhausen's Carré, and Bernd Alois Zimmermann's opera Die Soldaten and his Requiem für einen jungen Dichter. He directed the Frankfurt Opera from 1977 to 1987, installing more contemporary operas, winning stage directors such as Hans Neuenfels and Ruth Berghaus, and reviving operas such as Schreker's Die Gezeichneten. During his era, the company became one of the leading operas. Video generated automatically from Wikipedia page: (http•••)
Karlheinz Stockhausen 1928 1972 2007
Karlheinz Stockhausen +••.••(...)) The British Lectures - Lecture 1, Part 1 - (Musical Forming) (1972) Duration: 29'49" Lecture 1 - (Musical Forming) (138 minutes) given on February 13th 1972 at the Institute of Contemporary Arts, London. Excerpts from KONTRA-PUNKTE, GRUPPEN, GESANG DER JÜNGLINGE, ZEITMAßZE, ZYKLUS, KREUZSPIEL, MANTRA, CARRÉ
Beethoven Michael Gielen Phyllis Bryn Julson Kurt Rydl Arnold Schoenberg Helmut Lachenmann György Ligeti Karlheinz Stockhausen Bernd Alois Zimmermann Aron Schreker Verdi Wagner Claudel Neruda Wiener Staatsoper Opern Schauspielhaus Frankfurt Royal Swedish Opera Belgian National Orchestra Cincinnati Symphony Orchestra Southwest German Radio Symphony Orchestra 1918 1927 1949 1950 1960 1969 1973 1977 1979 1980 1986 1987 2014
From the Amandus-Church in Bad Urach, Southern Germany, 1987 Sinfonieorchester des SWF Prague Philharmonic Choir Michael Gielen - conductor Phyllis Bryn-Julson - soprano Marjana Lipovsek - contralto Josef Protschka - tenor Kurt Rydl - bass Ludwig van Beethoven - Mass in D major, Op. 123 "Missa Solemnis" Chapters: 1:03 I. Kyrie 10:50 II. Gloria 27:21 III. Credo 46:41 IV. Sanctus 1:02:05 V. Agnus Dei Michael Andreas Gielen (born 20 July 1927) is an Austrian conductor and composer. He began his career as a pianist in Buenos Aires, where he studied with Erwin Leuchter and gave an early performance of Arnold Schoenberg's complete piano works in 1949 (the South-American première). While serving as conductor and répétiteur at the Wiener Staatsoper (1950–60), he conducted productions of contemporary music outside the opera house. His next operatic appointment was as conductor of Royal Swedish Opera from 1960-65, followed by posts at the Netherlands Opera and the Opern- und Schauspielhaus Frankfurt from 1977. He was principal conductor of the Belgian National Orchestra (1969–73), the Cincinnati Symphony Orchestra (1980–86) and of the Southwest German Radio Symphony Orchestra (1986–99), which he has been closely associated with since. He has demonstrated a mastery of the most complex contemporary scores, and he has given many premières, including Helmut Lachenmann's Fassade and Klangschatten – mein Saitenspiel, György Ligeti's Requièm, Karlheinz Stockhausen's Carré and Bernd Alois Zimmermann's Die Soldaten. In 1973 he recorded Schoenberg's opera Moses und Aron, used as a soundtrack for the film Moses und Aron. In 1979 he revived Schreker's opera Die Gezeichneten at the Oper Frankfurt, where it had been premiered in 1918. During his time in Frankfurt, later called the Gielen Era, he collaborated with stage directors such as Hans Neuenfels for Verdi's Aida and Ruth Berghaus for Wagner's Der Ring des Nibelungen. As a composer, Gielen has elaborated on the tradition of the Second Viennese School and his small oeuvre includes settings of poems by Hans Arp, Paul Claudel, Stefan George, and Pablo Neruda.[citation needed] In October 2014, Gielen announced his retirement from conducting for health reasons, particularly seriously deteriorated eyesight. (http•••)
Mahler Lustig Keck Michael Gielen Arnold Schoenberg Bernd Alois Zimmermann Hans Werner Henze Betsy Jolas György Ligeti Henri Pousseur Karlheinz Stockhausen Isang Yun Radio Symphonie Orchester Berlin Belgian National Orchestra Dutch National Opera Cincinnati Symphony Orchestra Bbc Symphony Orchestra Swr Sinfonieorchester Teatro Colón 1927 1942 1949 1950 1952 1953 1960 1961 1965 1967 1969 1971 1972 1975 1977 1978 1979 1980 1982 1984 1986 1987 1995 1999
CD Label: Altus (Japan) Orchestra: Radio-Symphonie-Orchester Berlin Born: July 29, 1927 - Dresden, Germany The German conductor, Micael (Andreas) Gielen, is the son of the theatrical director Joseph Gielen. He studied under Erwin Leuchter in Buenos Aires +••.••(...)), then under Josef Polnauer in Vienna +••.••(...)). An excellent pianist, Micael Gielen gave his debut in 1949 in Buenos Aires and played the complete piano works of Arnold Schoenberg in concert cycles. He became a répétiteur at the Teatro Colón, then he went to the Vienna Opera as a répétiteur +••.••(...)) and conductor +••.••(...)). From 1960 to 1965, Gielen was the principal conductor of the Stockholm Opera. In 1965 he conducted the first performance of one of the major operas of the 20th century in Cologne, Die Soldaten by Bernd Alois Zimmermann. From 1969 to 1972 he was the principal conductor of the Belgian National Orchestra, and from 1969 he was a permanent guest of the South German Radio Symphony Orchestra. From 1972 to 1975 he was the director of the Dutch National Opera. From 1977 to 1987 he was the chief musical director in Frankfurt, and in the same period from 1980 to 1986 he was the Musical Director of the Cincinnati Symphony Orchestra. In 1979 he also became the principal guest conductor of the BBC Symphony Orchestra, London. In 1986 he took on the directorship of the SWR Sinfonieorchester Baden-Baden & Freiburg (initially until 1999). Micael Gielen taught orchestral conducting at the Salzburg Mozarteum until he became an emeritus professor in 1995. Michael Gielen was a particularly keen proponent of the music of his contemporaries, and his first performances included Dramatic scenes from Orpheus by Hans Werner Henze (1982), D'un opéra de voyage (1967) by Betsy Jolas, Requiem (1965) and Ramifications (1st version, 1969) by György Ligeti, Zwei Stücke (1978) by Detlev Müller-Siemens, L'Effacement du prince Igor (1971) by Henri Pousseur, Carré and Mixtur (1965) by Karlheinz Stockhausen, Symphonic scene (1961) and Namo (1971) by Isang Yun, Die Soldaten (1965) and Requiem für einen jungen Dichter (1969) by Bernd Alois Zimmermann. A tour with this work in 1995 took him through Austria, Britain, France and Germany. His own compositions often followed on from the Second Vienna School.
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