Wolfgang Amadeus Mozart Conservati fedele Vidéos
- textes de Pietro Metastasio
Dernière mise à jour
2024-04-14
Actualiser
Cara Dev Holden Amato Mandel Bach Beethoven
Se inscreva no canal! (http•••) Nosso canal traz musicas relaxantes e classicas toda semana. Mozart Árias Complete. 01 - K.deest, Cara, se le mie pene 00:00:00 02 - K.19c, Va, dal furor portata 00:08:57 03 - K.23, Conservati fedele 04 - K.33i, Tali e cotanti sono 05 - K.61c, Sol nascente in questo giorno 06 - K.73b, Per pièta, bell'idol mio 07 - K.73c, Fra cento affani e cento 08 - K.73d, Per quel paterno amplesso 09 - K.73e, Misero pargoletto 10 - K.73o, Se ardire e speranza 11 - K.73p, Se tutti i mali miei 12 - K.74b, Non Curo l'affetto 13 - K.73p, Se tutti i mali miei 14 - K.209, Si mostra la sorte 15 - K.210, Con ossequio con rispetto 16 - K.217, Voi avette un cor fedele 17 - K.255, Ombra felice - Io ti lascio e questo addio 18 - K.256, Clarice cara mia sposa dev'essere 19 - K.272, Deh, non varcar quell'onda 20 - K.293e, Cara la dolce fiamma 21 - K.294, Alcandro lo confesso - Non so d'onde viene 22 - K.294, Alcandro, lo confesso - Non so d'onde viene 23 - K.295, Se al labbro mio non credi 24 - K.295a, Se al labbro mio non credi 25 - K.295a, Basta vincesti; Ah, non lasciarmi 26 - K.300b, Io non chiedo, eterni Dei 27 - K.368, Sperai vicino il lido 28 - K.369, Ah non son io che parlo 29 - K.374, Or che il cielo a me ti rende 30 - K.382h, Der Liebe himmlisches Gefuehl 31 - K.383, Nehmt meinen Dank, ihr holden Gonner 32 - K.383h, In te spero, o sposo amato, 33 - K.386d, O Calpe! Dir donnert's am Fusse 34 - K.416, Ah non sai qual pena sia 35 - K.416b, MuBt ich auch durch tausend Drachen 36 - K.416c, Manner suchen stets zu naschen 37 - K.417e, Ah! spiegarti, oh Dio, vorrei 38 - K.418, Vorrei spiegarvi, oh Dio 39 - K.419, No, che non sei capace 40 - K.420, Per pieta, non ricercate 41 - K.421a, Aspri rimorsi atroci 42 - K.425b, Misero! O sogno, o son desto 43 - K.441, Liebes Mandel, wo is's Bandel 44 - K.479, Dite almeno in che mancai 45 - K.480, Mandina amabile, auesto danaro 46 - K.480b, Del gran regno delle amazzoni 47 - K.505, Non temer, amato bene 48 - K.512, Non so d'onde viene 49 - K.513, Mentre ti lascio, o figlia 50 - K.528, Resta, oh cara, 51 - K.532, Grazie agl'inganni tuoi 52 - K.538, Ah se in ciel, benigne stelle, 53 - K.539, Ich möchte wohl der Kaiser zein 54 - K.541, Un bacio di mano 55 - K.552, Dem hohen Kaiserworte treu 56 - K.571a, Caro mio Druck und Schluck 57 - K.578, Alma grande e nobil core 58 - K.580, Schon lacht der holde Fruehling 59 - K.582, Chi sa, chi sa qual sia, 60 - K.583, Vado, ma dove, oh Dei! 61 - K.592a, Nun, liebes Weibchen, ziehst mit mir 62 - K.612, Per questa bella mano 63 - K.621a, Io ti lascio, oh cara, addio As pessoas tambem buscam por: música para relaxar, músicas para relaxar, musica de meditacao, musica de relaxar, música de relaxar, musica p relaxar e dormir, musica para acalmar bebe, musica para acalmar bebê, musica para meditacao, musica para relaxar e dormir, musica relaxante, música relaxante, musica relaxar, musica para dormir, musica para acalmar a mente, musica de yoga musica para fazer yoga, mozart, j.s. bach bach, beethoven, w. a. mozart,
Wolfgang Amadeus Mozart Nannerl Haag Claire Dux Raphael Georg Kiesewetter Fuchs Maximilian Stadler Stadler Malherbe Johann Christian Bach Bach Grimm Beethoven Joseph Haydn Artaserse 1756 1765 1766 1768 1770 1781 1791 1832 1885 1967
"Conservati fedele" (K. 23) is a concert aria for soprano and orchestra by Wolfgang Amadeus Mozart. Mozart composed the aria in October 1765 while staying at The Hague during the family's British-European tour, when he was nine years old. Both of the Mozart children, Wolfgang and his sister Nannerl, were quite ill at the time. It was slightly revised in January 1766, possibly for a performance for Princess Carolina of Orange-Nassau. In his list of Wolfgang's works which he started in 1768 in Vienna, his father Leopold entered this piece as no. 2 of 15 Italian Arias, composed in London and The Hague (German: 15 Italiänische Arien theils in London, theils im Haag Componiert). The Newberry Library (Case MS 6A, 48), Chicago, acquired the manuscript (6 sheets, 11 pages) through a bequest of the opera singer Claire Dux / Mrs Charles H. Swift-- +••.••(...) in Chicago). It was previously owned by Raphael Georg Kiesewetter who gave the autograph to Aloys Fuchs as a gift. Both Fuchs and Abbé Maximilian Stadler confirmed its authenticity with their signatures on 7 December 1832. The Neue Mozart-Ausgabe also mentions an autograph (4 sheets, 7 pages) at the Bibliothèque nationale de France in its Malherbe collection. The text is taken from Metastasio's libretto Artaserse which had been set to music by a number of composers, among them Johann Christian Bach whom Mozart had met just a short time before in London. Metastasio's libretti have been set to music by a large number of composers. Mozart's largest work based on a Metastasio text was his last opera, La clemenza di Tito, as was his earlier Il re pastore. The work is scored for soprano, two violins, viola, cello and bass; the tempo marking is Andante grazioso, the time signature is 2/4 time, the key signature is A major. A typical performance would last for about 7 minutes. It is composed as a da capo aria (bars 1--86) with a short middle section ("Ch'io per virtù d'amore", bars 87--100) which has the tempo marking Allegretto and is in the parallel key of A minor. The aria consists almost wholly of two-bar phrases. After hearing this piece and "Va, dal furor portata" (K. 21) written by the nine year-old Mozart, Baron Grimm predicted that "the boy would have an opera performed in an Italian theatre before he was twelve". As it turned out, Mozart's first work for the stage, Die Schuldigkeit des ersten Gebots, was performed less than 18 month later, and his first work for an Italian theatre, Mitridate, re di Ponto, opened in Milan in 1770 when Mozart was 14 years old. Wolfgang Amadeus Mozart (27 January 1756 / 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years." Free video background: (http•••) Creative Commons license: Public Domain.
Wolfgang Amadeus Mozart Nannerl Haag Claire Dux Raphael Georg Kiesewetter Fuchs Maximilian Stadler Stadler Malherbe Johann Christian Bach Bach Grimm Artaserse 1765 1766 1768 1770 1832 1885 1967
"Conservati fedele" (K. 23) is a concert aria for soprano and orchestra by Wolfgang Amadeus Mozart. Mozart composed the aria in October 1765 while staying at The Hague during the family's British-European tour, when he was nine years old. Both of the Mozart children, Wolfgang and his sister Nannerl, were quite ill at the time. It was slightly revised in January 1766, possibly for a performance for Princess Carolina of Orange-Nassau. In his list of Wolfgang's works which he started in 1768 in Vienna, his father Leopold entered this piece as no. 2 of 15 Italian Arias, composed in London and The Hague (German: 15 Italiänische Arien theils in London, theils im Haag Componiert). The Newberry Library (Case MS 6A, 48), Chicago, acquired the manuscript (6 sheets, 11 pages) through a bequest of the opera singer Claire Dux / Mrs Charles H. Swift-- +••.••(...) in Chicago). It was previously owned by Raphael Georg Kiesewetter who gave the autograph to Aloys Fuchs as a gift. Both Fuchs and Abbé Maximilian Stadler confirmed its authenticity with their signatures on 7 December 1832. The Neue Mozart-Ausgabe also mentions an autograph (4 sheets, 7 pages) at the Bibliothèque nationale de France in its Malherbe collection. The text is taken from Metastasio's libretto Artaserse which had been set to music by a number of composers, among them Johann Christian Bach whom Mozart had met just a short time before in London. Metastasio's libretti have been set to music by a large number of composers. Mozart's largest work based on a Metastasio text was his last opera, La clemenza di Tito, as was his earlier Il re pastore. The work is scored for soprano, two violins, viola, cello and bass; the tempo marking is Andante grazioso, the time signature is 2/4 time, the key signature is A major. A typical performance would last for about 7 minutes. It is composed as a da capo aria (bars 1--86) with a short middle section ("Ch'io per virtù d'amore", bars 87--100) which has the tempo marking Allegretto and is in the parallel key of A minor. The aria consists almost wholly of two-bar phrases. After hearing this piece and "Va, dal furor portata" (K. 21) written by the nine year-old Mozart, Baron Grimm predicted that "the boy would have an opera performed in an Italian theatre before he was twelve". As it turned out, Mozart's first work for the stage, Die Schuldigkeit des ersten Gebots, was performed less than 18 month later, and his first work for an Italian theatre, Mitridate, re di Ponto, opened in Milan in 1770 when Mozart was 14 years old. / FREE .mp3 and .wav files of all Mozart's music at: (http•••) FREE sheet music scores of any Mozart piece at: (http•••) ALSO check out these cool sites: (http•••) and (http•••) / NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome. / ENJOY!!!! :D
Pas plus ?
Tous les jours, soclassiq cherche de nouveaux articles, vidéos, concerts, etc. sur la musique classique et l'opéra, leurs artistes, leurs lieux de concert, leurs orchestres....
Conservati fedele ? Nous n'avons pas encore rassemblé beaucoup de contenu sur ce sujet, mais nous continuons à chercher.
ou
- Les plus grands chants classiques et lieder
- Oeuvres incontournables: période classique
- Index (par ordre alphabétique): C...