Wolfgang Amadeus Mozart Das Veilchen Vidéos
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2024-04-26
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Jacques Offenbach Charles Lecocq Cyrille Dubois Dubois Annette Dasch Thomas Hengelbrock Wolfgang Amadeus Mozart Johann Strauss Ritter Emmerich Kálmán Schatz Orchestre Paris 1829 2017
Listen to some of the most beloved overtures and arias from famous operas and operettas by Mozart, Léhar, Strauss, Offenbach, Lecocq and Kálmán. This 2017 concert in Paris had the audience literally dancing in the aisles! Featuring the Orchestre de Paris under the baton of Thomas Hengelbrock and vocal performances by soprano Annette Dasch and tenor Cyrille Dubois. 00:00 Intro 00:16 Wolfgang Amadeus Mozart Overture From the opera “Le nozze di Figaro” 05:24 Franz Léhar Lippen schweigen From the operetta “Die lustige Witwe” Cyrille Dubois | Tenor Annette Dasch | Soprano 09:51 Johann Strauss Overture From the operetta “Die Fledermaus” 18:29 Jacques Offenbach Ballet des mouches: Galop From the operetta “Orpheus in the Underworld” 20:48 Jacques Offenbach Cest le ciel qui menvoie... ce nest qu'un rêve From the operetta "La belle Hélène” Cyrille Dubois | Tenor Annette Dasch | Soprano 26:41 Jacques Offenbach Galop infernal From the operetta “Orpheus in the Underworld” 29:10 Charles Lecocq Ô Paris, gai séjour de plaisir From the operetta "Les cent vierges” Annette Dasch | Soprano 33:47 Johann Strauss Csárdás From the opera "Ritter Pázmán” 39:03 Emmerich Kálmán Heut' Nacht hab' ich geträumt von dir Form the operetta “Das Veilchen vom Monmartre” Cyrille Dubois | Tenor 41:54 Emmerich Kálmán Lieber Schatz... Sag ja, mein Lieb, sag ja from the operetta "Gräfin Mariza” Cyrille Dubois | Tenor Annette Dasch | Soprano Watch more concerts in your personal concert hall: (http•••) Subscribe to DW Classical Music: (http•••) #CyrilleDubois #AnnetteDasch #OrchestredeParis #operetta
Wolfgang Amadeus Mozart Elisabeth Schwarzkopf Peter Anders Gustav Walter Emilie Herzog Herzog Etelka Gerster Lilli Lehmann Lehmann Johannes Brahms Robert Schumann Franz Schubert Gustav Mahler Richard Strauss Max Reger Eduard Behm Emil Mattiesen Arthur Nikisch Siegfried Ochs Hugo Wolf Oskar Fried Kiel Stein Maria Müller Carla Spletter Berlin Philharmonic 1876 1898 1900 1905 1907 1920 1923 1945 1948
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED Lula Mysz-Gmeiner--contralto No recording information / "Lula Mysz-Gmeiner (born Julie Sophie Gmeiner; 15 August 1876 – 7 August 1948) was a German concert contralto and mezzo-soprano born in Transylvania, who performed lieder recitals in Europe and the United States. She was an academic voice teacher in Berlin and taught both Elisabeth Schwarzkopf and Peter Anders. Career[edit] She was born Julie Sophie Gmeiner in Kronstadt (Brassó), in the region of Transylvania,[1] in Austria-Hungary (today Brașov, Romania). She was the third of ten siblings, called Lula.[2] The children received early musical instruction, and several of her siblings also became professional musicians: the mezzo-soprano Ella Gmeiner, the bass-baritone Rudolf Gmeiner, the cellist Julius Gmeiner, and the pianist Luise Gmeiner.[1] Lula learned the violin at age six and played in the Kronstadt orchestra at age 15. A year later, she began voice lessons with the composer Rudolf Lassel, who dedicated a composition to her and premiered it with her.[1] From age 18, she studied at the Vienna Conservatory with Gustav Walter, a notable voice teacher of the time.[1] About 1898, she moved to Berlin, where she studied with Emilie Herzog, Etelka Gerster and Lilli Lehmann.[1][3] She performed Lieder by Johannes Brahms, Robert Schumann, Franz Schubert, Gustav Mahler, Richard Strauss, and Max Reger, among others, many of them written for her or dedicated to her. She married the Transylvanian engineer Ernst Mysz in Kronstadt in 1900. The couple had three daughters, two of whom died young, while the third, Susanne, would marry the tenor Peter Anders, who studied with her mother.[1] Lula Mysz-Gmeiner was awarded the title of an Austrian-Hungarian Kammersänger in 1905.[4] She made concert tours in Europe and the United States.[1] She often collaborated with the pianists Eduard Behm [de], Emil Mattiesen, Arthur Nikisch, Siegfried Ochs, and Reger.[1][3] Reger dedicated several lieder to her including his Vier Gesänge, Op. 88, published in 1905.[3][5] She also appeared in concerts, singing for example the Alto Rhapsody by Johannes Brahms and Lieder by Hugo Wolf with the Berlin Philharmonic, conducted by Oskar Fried, on 8 April 1907.[6] In October 1923, she sang in two concerts of a program in memory of Reger at St. Nikolai in Kiel. Fritz Stein conducted the Oratorienverein and the Städtisches Orchester in Die Nonnen, Requiem and Der 100. Psalm.[7] From 1920, she was a voice teacher at the Staatlich akademische Hochschule für Musik zu Berlin. Among her students were Carla Henius, Maria Müller, Elisabeth Schwarzkopf and Carla Spletter.[3] She lost her apartment in Berlin during World War II and taught from 1945 at the Landesakademie in Schwerin. She died in Schwerin on 7 August 1948.[1]"; wikipedia
Ria Ginster Johannes Brahms Gerald Moore Moore Debussy Puccini Handel Thomas Beecham Othmar Schoeck Beethoven Wilhelm Furtwängler Rosette Anday Helge Rosvaenge Herbert Alsen Hans Hotter Herbert Karajan Reeves Schubert Hugo Wolf Charles Draper Grün Hans Pfitzner Reger Hilde Zadek Schumann Rossini John Barbirolli Charles Kullman Leonard Warren Carnegie Hall Salzburg Festival Wigmore Hall 1898 1916 1923 1931 1934 1935 1936 1937 1938 1939 1941 1947 1949 1956 1985 1997
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Ria Ginster--soprano Gerald Moore--piano 1934 / "Ria Ginster (15 April 1898 – 11 May 1985) was a German soprano who appeared mainly in recital and concert, including international tours. She was an academic voice teacher at the Zürich Conservatory, and gave master classes internationally, including at the Mozarteum, in Philadelphia and in New York. Born in Frankfurt,[1] Ginster was the daughter of the conductor Peter Ginster. She attended the Lyzeum and learned violin, appearing in public at age 13. From 1916 she studied singing at the Hoch Conservatory in Frankfurt. She studied further at the Berlin University of the Arts with Louis Bachner, obtaining the Staatsexamen.[1] From 1923 she performed as a lied singer primarily. Opera arias also belonged to her repertoire, but she rarely appeared on stage. She performed operatic roles for the broadcaster Hessischer Rundfunk, including Melisande in Debussy's Pelléas et Mélisande and the title role in Puccini's Suor Angelica.[1] Ginster gave concerts in Austria, Belgium, France, Finland, Holland, Italy, Norway, Sweden and Switzerland, and from 1934 also in the U.S. and Canada.[1][2] In London, she was the soprano soloist in Handel's Messiah, conducted by Thomas Beecham. In 1935, she performed at Carnegie Hall in New York City.[1] In 1936 and 1941, she sang premieres of lieder by Othmar Schoeck. She performed the soprano solo in Beethoven's Ninth Symphony at the 1937 Salzburg Festival.[1] Wilhelm Furtwängler conducted the gala concert, with Rosette Anday, Helge Rosvaenge and Herbert Alsen as soloists.[3] The same year, she was the soprano soloist, alongside Hans Hotter, in Ein deutsches Requiem by Johannes Brahms, conducted by Herbert von Karajan.[4] The program of a recital at Wigmore Hall in London on 7 February 1934 with pianist George Reeves began with Italian arias, followed by groups of songs by Schubert, Brahms, Debussy and Hugo Wolf.[5] In a recital at Grotrian Hall in London on 11 January 1938, with Reeves and clarinetist Charles Draper, she sang works by Mozart ("Das Veilchen"), Brahms ("Meine Liebe ist grün"), Schubert ("Der Hirt auf dem Felsen"), Hans Pfitzner, and Reger ("Mariae Wiegenlied").[6] In 1938, Ginster was appointed professor and head of the concert class at the Zurich University of the Arts, with students including Hilde Zadek.[1] She taught at Carnegie Tech as head of the voice department when after leaving Germany under Hitler's rule saying that she preferred to "be small and free."[7] She also taught from 1947 in New York. From 1949 to 1956, she gave master classes at the Mozarteum.[1] Ginster died in Zürich on 11 May 1985.[1] Ginster recorded especially lieder.[2] She took part in a project to record all lieder by Hugo Wolf, which ran from 1931 to 1938, but remained uncompleted.[8] Songs mostly by Schubert, but also Mozart, Schumann (Frauenliebe), Brahms, Debussy and Schoeck, were re-issued in 1997, titled The Art of Ria Ginster.[9] In 1939, she was the soprano soloist in a recording of Rossini's Petite messe solennelle, with John Barbirolli conducting the Westminster Choir and the New York Philharmonic, and soloists Bruna Castagna, Charles Kullman and Leonard Warren.[10]"; wikipedia
Ria Ginster Johannes Brahms Baumgartner Debussy Puccini Handel Thomas Beecham Othmar Schoeck Beethoven Wilhelm Furtwängler Rosette Anday Helge Rosvaenge Herbert Alsen Hans Hotter Herbert Karajan Reeves Schubert Hugo Wolf Charles Draper Grün Hans Pfitzner Reger Hilde Zadek Schumann Rossini John Barbirolli Charles Kullman Leonard Warren Carnegie Hall Salzburg Festival Wigmore Hall 1898 1916 1923 1931 1934 1935 1936 1937 1938 1939 1941 1943 1947 1949 1956 1985 1997
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Ria Ginster--soprano Paul Baumgartner--piano 1943 / "Ria Ginster (15 April 1898 – 11 May 1985) was a German soprano who appeared mainly in recital and concert, including international tours. She was an academic voice teacher at the Zürich Conservatory, and gave master classes internationally, including at the Mozarteum, in Philadelphia and in New York. Born in Frankfurt,[1] Ginster was the daughter of the conductor Peter Ginster. She attended the Lyzeum and learned violin, appearing in public at age 13. From 1916 she studied singing at the Hoch Conservatory in Frankfurt. She studied further at the Berlin University of the Arts with Louis Bachner, obtaining the Staatsexamen.[1] From 1923 she performed as a lied singer primarily. Opera arias also belonged to her repertoire, but she rarely appeared on stage. She performed operatic roles for the broadcaster Hessischer Rundfunk, including Melisande in Debussy's Pelléas et Mélisande and the title role in Puccini's Suor Angelica.[1] Ginster gave concerts in Austria, Belgium, France, Finland, Holland, Italy, Norway, Sweden and Switzerland, and from 1934 also in the U.S. and Canada.[1][2] In London, she was the soprano soloist in Handel's Messiah, conducted by Thomas Beecham. In 1935, she performed at Carnegie Hall in New York City.[1] In 1936 and 1941, she sang premieres of lieder by Othmar Schoeck. She performed the soprano solo in Beethoven's Ninth Symphony at the 1937 Salzburg Festival.[1] Wilhelm Furtwängler conducted the gala concert, with Rosette Anday, Helge Rosvaenge and Herbert Alsen as soloists.[3] The same year, she was the soprano soloist, alongside Hans Hotter, in Ein deutsches Requiem by Johannes Brahms, conducted by Herbert von Karajan.[4] The program of a recital at Wigmore Hall in London on 7 February 1934 with pianist George Reeves began with Italian arias, followed by groups of songs by Schubert, Brahms, Debussy and Hugo Wolf.[5] In a recital at Grotrian Hall in London on 11 January 1938, with Reeves and clarinetist Charles Draper, she sang works by Mozart ("Das Veilchen"), Brahms ("Meine Liebe ist grün"), Schubert ("Der Hirt auf dem Felsen"), Hans Pfitzner, and Reger ("Mariae Wiegenlied").[6] In 1938, Ginster was appointed professor and head of the concert class at the Zurich University of the Arts, with students including Hilde Zadek.[1] She taught at Carnegie Tech as head of the voice department when after leaving Germany under Hitler's rule saying that she preferred to "be small and free."[7] She also taught from 1947 in New York. From 1949 to 1956, she gave master classes at the Mozarteum.[1] Ginster died in Zürich on 11 May 1985.[1] Ginster recorded especially lieder.[2] She took part in a project to record all lieder by Hugo Wolf, which ran from 1931 to 1938, but remained uncompleted.[8] Songs mostly by Schubert, but also Mozart, Schumann (Frauenliebe), Brahms, Debussy and Schoeck, were re-issued in 1997, titled The Art of Ria Ginster.[9] In 1939, she was the soprano soloist in a recording of Rossini's Petite messe solennelle, with John Barbirolli conducting the Westminster Choir and the New York Philharmonic, and soloists Bruna Castagna, Charles Kullman and Leonard Warren.[10]"; wikipedia
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- Les plus grands chants classiques et lieder
- Oeuvres incontournables: période classique
- Index (par ordre alphabétique): D...