Wolfgang Amadeus Mozart Sehnsucht nach dem Frühling Vidéos
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2024-04-23
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Prégardien Michael Gees Chopin Julian Prégardien Wolfgang Amadeus Mozart Frühling Beethoven Friedrich Silcher Franz Schubert Stille Johannes Brahms Zilcher Warsaw Philharmonic Concert Hall 1700 2021
XVII Międzynarodowy Festiwal Muzyczny „Chopin i jego Europa” Tak daleko, tak blisko… 14-31 sierpnia 2021 21.08.21 Sobota 17:00 Sala Koncertowa Filharmonii Narodowej Recital wokalny Wykonawcy: Christoph Prègardien tenor Julian Prégardien tenor Michael Gees fortepian Program: Wolfgang Amadeus Mozart Sehnsucht nach dem Frühling (KV 596) Wolfgang Amadeus Mozart Abendempfindung an Laura (KV 523) Wolfgang Amadeus Mozart Komm, liebe Zither, komm (KV 351 [367b]) Wolfgang Amadeus Mozart An Chloe (KV 524) Ludwig van Beethoven Der Kuss op. 128 Ludwig van Beethoven Neue Liebe, neues Leben op. 75 nr 2 Friedrich Silcher Ännchen von Tharau Friedrich Silcher Ännchen von Tharau Franz Schubert Zum Rundetanz op. 17 nr 3 (D 983) ........ [EN:] 17. Chopin and his Europe International Music Festival So far away, and yet so close… 14-31 August 2021 21.08.21 Saturday 17:00 Warsaw Philharmonic Concert Hall Vocal recital Performers: Christoph Prègardien tenor Julian Prégardien tenor Michael Gees piano Program: Wolfgang Amadeus Mozart Sehnsucht nach dem Frühling (K. 596) Wolfgang Amadeus Mozart Abendempfindung an Laura (K. 523) Wolfgang Amadeus Mozart Komm, liebe Zither, komm (K. 351 [367b]) Wolfgang Amadeus Mozart An Chloe (K. 524) Ludwig van Beethoven Der Kuss Op. 128 Ludwig van Beethoven Neue Liebe, neues Leben Op. 75 No. 2 Friedrich Silcher Ännchen von Tharau Friedrich Silcher Ännchen von Tharau Franz Schubert Zum Rundetanz Op. 17 No. 3 (D. 983) Franz Schubert Die Nacht Op. 17 No. 4 (D. 983) Franz Schubert Des Fischers Liebesglück (D. 933) Franz Schubert Auf dem Wasser zu singen Op. 72 (D. 774) Franz Schubert Meeres Stille Op. 3 No. 2 (D. 216) Franz Schubert Der Zwerg Op. 22 No. 1 (D. 771) Johannes Brahms/ Herrmann Zilcher Friedrich Silcher O wie herbe ist das Scheiden Friedrich Silcher Loreley Franz Schubert Erlkönig Op. 1 (D. 328) Franz Schubert Wandrers Nachtlied Op. 96 No. 3 (D. 768) Franz Schubert Nähe des Geliebten Op. 5 No. 2 (D. 162) Franz Schubert Im Frühling [Op. 101 No. 1] (D. 882) Franz Schubert Widerspruch Op. 105 No. 1 (D. 865) Franz Schubert Licht und Liebe. Nachtgesang (D. 352) Franz Schubert Nacht und Träume Op. 43 No. 2 (D. 827)
Wolfgang Amadeus Mozart Tyson Eisen Jahn Frühling Köchel Beethoven Joseph Haydn 1756 1781 1787 1788 1789 1790 1791
The Piano Concerto No. 27 in B flat major, K. 595, is a concertante work by Wolfgang Amadeus Mozart, for piano and orchestra. It is the last piano concerto he wrote. The manuscript is dated 5 January 1791. However, Alan Tyson's analysis of the paper on which Mozart composed the work indicated that Mozart used this paper between December 1787 and February 1789, which implies composition well before 1791. Simon Keefe has written that the composition of the work dates from 1788. By contrast, Wolfgang Rehm has stated that Mozart composed this concerto in late 1790 and early 1791. Cliff Eisen has discussed the controversy over the time of composition in his review of the published facsimile of the score. The work followed by some years the series of highly successful concertos Mozart wrote for his own concerts, and by the time of its premiere Mozart was no longer so prominent a performer on the public stage. The concerto may have been first performed at a concert on 4 March 1791 in Jahn's Hall by Mozart and by a clarinetist Joseph Bähr. If so, this was Mozart's last appearance in a public concert, as he took ill in September 1791 and died on 5 December 1791. Another possibility is that it was premiered by Mozart's pupil Barbara Ployer on the occasion of a public concert at the Auersperg palace in January 1791. The work is scored for flute, two oboes, two bassoons, two horns, solo piano and strings, which makes it thinner than Mozart's other late concertos, all of which except for No. 23 have trumpet and timpani. It has the following three movements: 1. Allegro 2. Larghetto in E-flat major 3. Allegro Although all three movements are in a major key, minor keys are suggested, as is evident from the second theme of the first movement (in the dominant minor), as well as the presence of a remote minor key in the early development of that movement and of the tonic minor in the middle of the Larghetto. Another interesting characteristic of the work is its rather strong thematic integration of the movements, which would become ever more important in the nineteenth century. The principal theme of the Larghetto, for instance, is revived as the second theme of the final movement (in the 65th measure). The principal theme for finale was also used in Mozart's song "Sehnsucht nach dem Frühling" (also called "Komm, lieber Mai") , K. 596, which immediately follows this concerto in the Köchel catalogue. Mozart wrote down his cadenzas for the first and third movements. Simon Keefe has discussed the concerto in detail, with emphasis on the distinctive character and experiments in style of the concerto compared to Mozart's other concerti in this genre. Wolfgang Amadeus Mozart (27 January 1756 / 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years." Free video background: (http•••) Creative Commons license: Public Domain. (http•••)
Barbara Schlick Schlick Wolfgang Amadeus Mozart Calma Frühling Trost 1756 1791 1990
Wolfgang Amadeus Mozart +••.••(...)) : 18 Lieder 00:00 Das Veilchen KV 476 02:25 Als Luise die Briefe ihres ungetreuen Leibhabers verbrannte KV 520 04:20 "Ich würd' auf meinem Pfad" KV 390 06:42 "Komm, liebe Zither, komm" KV 351 08:11 Abendemfindung an Laura KV 523 13:02 "Oiseaux, si tous les ans" KV 307 14:34 "Dans un bois solitaire" KV 308 17:30 Die Verschweigung KV 518 21:02 "Wie unglücklich bin ich nit" KV 147 22:02 Im Frühlingsanfang KV 597 25:51 Der Zauberer KV 472 27:56 Canzonetta "Ridente la calma" KV 152 31:10 Die kleine Spinnerin KV 531 32:52 Die Zufriedenheit im niedrigen Stande KV 151 36:05 Die Zufriedenheit KV 349 38:10 Des kleinen Friedrichs Geburtstag KV 529 41:03 Sehnsucht nach dem Frühling KV 596 44:02 "Sei du mein Trost" KV 391 Barbara Schlick, soprano Tini Mathot, pianoforte Enregeistré en mai 1990
Edith Mathis Wolfgang Amadeus Mozart Trost Frühling Karl Engel Haydn Schubert Mahler Berg 1756
I. An die Freude 00:00 II. Wie unglücklich bin ich nit 01:24 III. Oiseaux, si tous les ans 02:18 IV. Dans un bois solitaire 03:58 V. Die Zufriedenheit 06:47 VI. Ich würd' auf meinem Pfad 08:58 VII. Sei du mein Trost 10:45 VIII. Der Zauberer 13:12 IX. Die Zufriedenheit 15:14 X. Das Veilchen 18:00 XI. Die Alte 20:41 XII. Die Verscheweigung 23:45 XIII. Als Luise die Briefe 26:28 XIV. Abendempfindung an Laura 28:09 XV. An Chloe 32:30 XVI. Des keinen Friedrichs Geburtstag 35:22 XVII. Die Kleine Spinnerin 37:58 XVIII. Sehnsucht nach dem Frühling 39:42 XIX. Der Frühling 42:03 XX. Das Kinderspiel 44:14 Mozart, Wolfgang Amadeus +••.••(...)) -composer Edith Mathis -soprano Karl Engel -piano Score: Available for free at imslp.org For more of Mozart's songs check out my "The art of Austrian song: Haydn, Mozart, Schubert, Mahler, Berg" playlist.
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