Béla Bartók Concerto per pianoforte n. 2 Video
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András Schiff Simon Rattle Stravinsky Bartók
András Schiff & Simon Rattle plays two of Stravinsky's Three Easy Pieces; Waltz and Polka. Notes: This is an encore after they performed Bartók's Piano Concerto no.2, arguably one of the most difficult piano concertos to pull off. Rattle suggested that Schiff should then play 'the easy part' lol
Bartók Khachaturian Prokofiev Shostakovich 1355 1898 1935 1940 1959 1963 1964 2002 2006
Vasif Adıgözəlov was a son of famous Azerbaijani folk musician Zülfüqar (aka Zülfü) Adıgözəlov +••.••(...)); his brother Rauf +••.••(...)) was a prominent singer, and his son Yalçın (*1959) is one of his country's foremost conductors. In 1959, he composed the evergreen "Qərənfil", a song just every Azerbaijani seems to know ( (http•••) ). In the classical genre, he developed a very sophisticated kind of modern folklorism, synthesizing influences by Bartók, Khachaturian, Prokofiev and Shostakovich. As far as I see, his main achievement is his four-part cycle of piano concertos, which I would count among the very best of the 20th century - and I shouldn't wonder if, were they played in Western concert halls, they delighted their audience. Fortepiano və xalq çalğı alətləri orkestri üçün konsert = Fortepiano ilə orkestr üçün konsert No. 2 (1964) Concerto for piano and folk instruments = Concerto for piano and orchestra no. 2 (1964) 1. Allegretto 0:00 2. Andante 7:51 3. Allegro 13:55 Teymur Şəmsiyev - Azərbaycan Dövlət Teleradio Verilişləri Şirkətinin xalq çalğı alətləri orkestri (Azerbaijan State Television and Radio Folk Instrument Orchestra), conducted by Nəriman Əzimov photo: mountainscape in the Şahdağ Milli Parkı (Shahdag National Park, Azerbaijan)
Béla Viktor János Bartók Liszt Richard Strauss Mould Kodaly Serge Koussevitzky Yehudi Menuhin András Kórodi Antal Doráti György Melis Melis János Ferencsik Dénes Kovács Ervin Lukács Zoltán Kocsis Ránki Tusa Budapest Symphony Orchestra Budapest Philharmonic Orchestra Tátrai Quartet 1881 1903 1937 1944 1945
The Best of Béla Viktor János Bartók (March 25, 1881 – September 26, 1945) Bartók is considered one of the most important composers of the 20th century; he and Liszt are often regarded as Hungary's greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. Life and Music: * Béla Bartók was an infant prodigy. * He was performing on the piano in public by the age of 11 and by the time he had graduated from the Budapest Royal Academy in 1903 he was confidently composing in the Liszt-Richard Strauss mould. * Bartok formed a partnership with the composer Zoltan Kodaly and together they set about collecting Hungarian and Transylvanian folk songs. This formed the bedrock of Bartok's fast developing musical style. * During the decade between the late 1920s and 1930s the seemingly conflicting musical elements were fused, resulting in a stream of masterpieces, from the breathtaking rhythmic propulsion and ear-tweaking sonorities of the Sonata for Two Pianos and Percussion (1937) to the post-Romantic luxuriance of the Second Violin Concerto (1937). * Bartok escaped the horrors of war for New York, which brought with it a change of style. * He composed little for two years until a commission from the conductor Serge Koussevitzky opened the floodgates once more. This released works such as the Concerto for Orchestra, the Third Piano Concerto and the sadly incomplete Viola Concerto. * Bartok had one last surprise up his sleeve, however, with the uncompromising and enigmatic Sonata for Solo Violin (1944), written for Yehudi Menuhin. Read more at (http•••) Music for Strings, Percussion and Celesta: 0:00 I. Andante tranquillo 7:30 II.Allegro 15:09 III. Adagio 22:20 IV. Allegro molto 30:02 The Wooden Prince Suite, Op. 13, Sz. 60 42:43 Divertimento for Strings, II. Molto adagio [Sz 113] 52:03 Dance Suite - Finale 56:12 Bluebeard's Castle, Megérkeztünk - Íme Lássad [BB 62] Concerto for Orchestra: 1:05:10 I. Introduzione [BB 123] 1:14:50 II. Gioco delle coppie [BB 123] 1:21:26 III. Elegia [BB 123] 1:28:10 IV. Intermezzo interrotto [BB 123] 1:32:42 V. Finale [BB 123] Violin Concerto No. 2: 1:42:16 I. Allegro non troppo [BB 117] 1:57:30 II Andante tranquillo [BB 117] 2:06:28 III. Allegro molto [BB 117] Concerto for Piano and Orchestra No. 2: 2:18:02 I. Allegro [BB 101] 2:27:47 II. Adagio - Presto - Adagio [BB 101] 2:40:38 III. Allegro molto [BB 101] Concerto for Piano and Orchestra No. 3: 2:47:03 I. Allegretto [BB 127] 2:54:17 II. Adagio religioso [BB 127] 3:03:54 III. Allegro vivace [BB 127] 3:10:18 Piano Sonata: III. Allegro molto [BB 88] 3:13:59 String Quartet No. 2, I. Moderato [BB 75] 3:24:02 String Quartet No. 6, IV. Mesto [BB 119] Performers: Music for Strings, Percussion and Celesta- Budapest Symphony Orchestra/György Lehel The Wooden Prince - Budapest Philharmonic Orchestra/András Kórodi Divertimento Sz. 113, BB 118 - Hungarian State Orchestra/Antal Doráti Dance Suite - Finale - Budapest Philharmonic Orchestra/János Sándor Bluebeard's Castle - Katalin Kasza (soprano), György Melis (baritone), Hungarian Radio & Television Chorus, Budapest Philharmonic Orchestra/János Ferencsik Concerto for Orchestra Sz. 116, BB 123 - Hungarian State Orchestra/Antal Doráti Violin Concerto No. 2 Sz. 112, BB 117 - Dénes Kovács (violin), Budapest Symphony Orchestra/Ervin Lukács Piano Concerto No. 2 - Zoltán Kocsis (piano), Budapest Symphony Orchestra/György Lehel Piano Concerto No. 3 - Dezsõ Ránki (piano), Hungarian State Orchestra/János Ferencsik Piano Sonata - Erzsébet Tusa String Quartet No. 2 and No. 6 -Tátrai Quartet
Carl Wilhelm Eugen Stenhammar Eriksson Evgeny Svetlanov Swedish Radio Symphony Orchestra 1871 1904 1907 1927
Carl Wilhelm Eugen Stenhammar (February 7, 1871 – November 20, 1927) was a Swedish composer, conductor and pianist. Piano Concerto No. 2 in D minor, Op. 23 (1904–1907) 1. Introduzione (attacca) 2. Scherzo (attacca) 3. Adagio (attacca) 4. Finale Greta Eriksson, piano and the Swedish Radio Symphony Orchestra conducted by Evgeny Svetlanov His works were quite varied and included two completed symphonies, a substantial Serenade for Orchestra, two piano concertos, four piano sonatas, a violin sonata, six string quartets, many songs and other vocal works, including several large-scale works for chorus or voices and orchestra: the early ballad Florez och Blanzeflor, Op. 3, written around 1891, Ithaka, Op. 21, from 1904, the cantatas Ett folk (A people) from 1905 and Sången (The song), Op. 44, from 1921. Writing in The Chamber Music Journal, R.H.R. Silvertrust notes that Stenhammar's six string quartets are the most important written between those of Johannes Brahms and Béla Bartók. Whether or not this is so, there is no denying that Stenhammar's quartets represent a very important development during the twenty-five years he was writing chamber music. Tonally, they range from the middle late Romantics to a style akin to mature Sibelius. Though not unknown by the Swedish chamber music public, his string quartets have been neglected elsewhere. In 2008 Musikaliska konstföreningen published the world premiere edition of his Allegro Brillante for piano quartet composed in 1891 and his Allegro non tanto for piano trio composed in 1895. Stenhammar was considered the finest Swedish pianist of his time. Pianists who venture into the realm of the string quartet often wind up writing compositions which sound as though they were composed at, and are perhaps better played on, the piano. That Stenhammar's works show no such trait is because for nearly half of his life, he worked intimately with the Aulin Quartet, the top Swedish string quartet of his day and one of the best then performing in Europe. In fact, he toured throughout Europe with them for many years and a piano quintet was nearly always featured on their programmes. Thus it is no accident that his quartets show a fine grasp of instrumental timbre and technique. The part writing is sure, always idiomatic and evenly distributed. Stenhammar recorded five piano rolls for Welte-Mignon on 21 September 1905.
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